MovieChat Forums > Heaven's Gate (1981) Discussion > I don't really understand the hatred thi...

I don't really understand the hatred this movie got on release.


I happen to hear about this movie when I watched The Final Cut on youtube. It was a pretty entertaining documentary and it got me interested to see how bad it was for myself.
Honestly, I don't understand where the critics got their complaints from and I've seen far worse epic films like Pearl Harbor, Alexander, or Wyatt Earp for example.
I wasn't bothered by how long the movie was, sure some shots were drawn out, but so much of it was stunning and I can't really remember a terrible performance.
Maybe if the film wasn't pulled from theatres after a week it would've made more. I just don't think that Cimino's career should have been killed because of this when he still had so much more to offer. Year of the Dragon showed he could still make good movies after his experience with Heaven's Gate.

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[deleted]

That's not true.

The bad press is largely responsible for the 'hate' it got first.

Cimino & the producers didn't allow any reporters on set and didn't give any interviews, therefore

they started to make up negative stuff & scandals.


One of the major issues people have with the film is not the amount spent on it, but the amount spent pointlessly. Take for example the Harvard sequence - all those extras, all those costumes, all that time and expense, and for what? What bearing does it have on the rest of the film?


This is an interesting comment, because it shows how much Americans don't understand the aesthetics of this film.

Is the Harvard prolog really pointless ?

No, because...

-it introduces the relationship between K.K. and John Hurt.

-It introduces the rich girl, that will become his wife at the end (not the prostitute he really loved).

-The prolog articulates a major theme of the film: "The education of a nation" by the leading elite
as a moral responsibility. But we will later see, that this class has no intention to do so.

-The prolog shows off the unbelievable prosperity of a small elite in America. It's a great contrast to the poverty
of the immigrants later. In short: You get to see class differences.

-On a purely aesthetic level the long dance is important, too, because it's a leitmotif, that will be repeated 2 more times in the film:
The dance on roller-skates showing class mobility, then at the end the "dance of death", motivated by a similar greed of the
upper class to 'get the goods' hanging on the tree of American society, no matter what.

The three dances are an organizing principle, like you usually only find it in musicals.
But Cimino does it in a western.
It's unique for this genre.
It's visual and poetic storytelling.

This is all quite a lot for 20 minutes.

The movie would be poorer without it.

And the epilog would make no sense anymore, because it echoes the prolog.

The movie is structured like a novel or a musical or a ballet or an opera.

Cimino made an avant-garde western that merges classic Hollywood genre with other art forms.

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[deleted]

If the epilogue without the prologue makes no sense, then remove the epilogue as well.


The prologue and epilogue were important to the film in my opinion. The prologue shows the protagonist James Averill as a young, idealistic man who seems to have a promising future ahead of him. This contrasted with the middle aged Averill we see in the bulk of the movie. Averill is still trying to do good, but he's frustrated, world-weary, and unhappy about getting older. By the end of the movie Averill is disillusioned and heartbroken. He returns to the east and resumes a life of wealth and privilege. He is married to a woman who looks like the beautiful girl he idealized as a young man, but she turns out to be lazy and spoiled. To me, Averill's miserable look at the end is that of a man who realizes that he's lost everything that really mattered to him - his youth, his ideals, the people he cared about it - and that all his money and material possessions can't fill the hole in his heart.

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Maybe the prolog is a little too long, but it's not pointless, that's for sure.

I totally agree with 'Col. Rutherford'.

He is married to a woman who looks like the beautiful girl he idealized as a young man, but she turns out to be lazy and spoiled. To me, Averill's miserable look at the end is that of a man who realizes that he's lost everything that really mattered to him


I read the last page of Cimino's screenplay for "Heaven's Gate" and it IS
supposed to be the girl from the beginning.
In the film it's more ambivalent now, but it's the same actress, isn't it?

And Avrill cries at the very end, but this is not in the final film, I think.

Read it here:
http://www.cinephiliabeyond.org/michael-ciminos-heavens-gate-teaches-us-great-art-ultimately-triumphs-no-matter-circumstances/

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Cimino & the producers didn't allow any reporters on set and didn't give any interviews, therefore


from reading the book Final Cut, that was Cimino's wish to have the press banned. Aside from that the prologue could've achieved that in shorter time without all the lavish production.

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Pulling the movie was a fatal error.

Back in 1980 - movies were given time to find their audience. It was not all demographics, and opening weekends.

I think it would have garnered several 1980 Oscar nominations (costume, art direction, cinematography, sound, score). This could have helped and kept the film in art house theaters for longer. Even the butchered short version got a nomination almost a year after its release the following year.

I saw the full version of HEAVENS GATE in 1983 - on a huge screen. It was a stunning experience.



"Thank God For Darwin"

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You saw it in New York before it was pulled after 2 weeks ?

Wow, very few people can say that…

Do you remember more details about the screening & stuff ?

Was it an event in NYC ?

Full House ?

Did some people love it ?

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he saw it 3 years after its original release

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This movie was released at the wrong time and horribly marketed. Because fast paced action films, exploitation, horror etc films were gaining popularity, westerns were already on the decline and so were 3 and a half hour epics. Combine that with all of Cimino's excessive and horrible actions and you have a disaster on your hands, regardless of the quality.

This was also marketed as a romance drama and it is more of a violent, honest war film. Take out the terrible dialogue and this is the greatest art house western ever made. This is more like a Terrance Malik movie and even he still doesn't have a large audience.

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This movie was released at the wrong time and horribly marketed. Because fast paced action films, exploitation, horror etc films were gaining popularity, westerns were already on the decline and so were 3 and a half hour epics. Combine that with all of Cimino's excessive and horrible actions and you have a disaster on your hands, regardless of the quality.


I think another obstacle that the movie had was the political shift that occurred at the time of its release. It was the beginning of the Reagan era and most Americans didn't want to see a downbeat film that depicted the United States and capitalism negatively. The film may be getting better reviews nowadays because the issues it deals with - immigration, class, and wealth inequality - seem more relevant to today's audiences.

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Reagan didn't get elected until November, 1980 and didn't get sworn in until January of 1981...although the writing was arguably on the wall.

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I really liked this movie when I saw it more than thirty years ago. My only complaint was that the sound was recorded so poorly, I couldn't understand much of the dialogue (there was not and still is not anything wrong with my hearing). I wish that could be corrected, somehow, and the movie could be released in it's original theatrical version on Blu-Ray.

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I agree, it’s a fine film but I honestly think had Cimino focused more on story and character instead of them playing second fiddle to the imagery and world building then I think this film could have been something really special, there was a brilliant story in there somewhere, it just got lost in the needlessly overlong scenes and Cimino falling in love with his own style.

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I only really liked the last 45 minutes if it.

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