Pure Genius
As previously mentioned there's been barely anything film-wise related to the 'Beat' generation in movie terms, considering Kerouac's influence at the time and afterwards. Only 'The Subterraneans', 'Heart Beat' and 'The Last Time I Committed Suicide' have been made about this era. Coppola's 'On The Road' will never see the light of day, unfortunately, like Catcher In The Rye.
To be honest, as a film, this won't mean a lot to joe public. But to a Kerouac/Cassady fan and fan of that era ( late 40s early 50s ) this is pure gold. The look of the film from Jack Fisk and Laszlo Kovacs is nothing short of breathtaking. Many scenes are just like Edward Hopper paintings. The costumes, sets, cars, furnishings, props, backgrounds etc are just amazing. You feel part of this world immediately.
As for the performances, well, Nick Nolte is pure genius in this role.( and better looking than the real Neal Cassady though, oddly, John Heard as Jack Kerouac is uglier than the real one! ) The real-life Cassady was all action and chat. Nolte captures his essence perfectly, unlike say a De Niro who never emotionally gets into a character ( trivia fact number 1. De Niro snr met Jack Kerouac ) Watching scenes of Nolte in jazz clubs or when he's talking and driving is just like viewing a documentary! As a teenager when I saw this in London I just was mesmerized and on VHS it still held up. On DVD it will be astonishing.
Sissy Spacek is wonderful as Carolyn. She is the ultimate movie actress by doing 'less'. Less is more. A Meryl Streep at this time would have been a disaster with her stagey mannerisms. All the support is spot-on particularly Sharkey's Ginsberg/Corso cameo.