The lost art of made-for-television movies
Aspiring young directors, filmmakers, screenwriters, take note of this movie, A CHRISTMAS WITHOUT SNOW, a good example of the lost Hollywood art of the economically-budgeted but good quality made-for-television movie.
I'm not claiming that "A Christmas Without Snow" is a great movie. Made-for-television movies never claimed to aspire for Oscar greatness. Made-for-television movies carry their own intrinic limitations, but within those acknowledged limitations, directors could produce excellent human drama, action, sci-fi, and horror.
You can see the, ahem, economic budget in this movie. There are no elaborate studio sets nor special effects. Made-for-television movies were mostly filmed in the same vein as an on-site television commercial. Yet I never decried made-for-tv movies for their lower production values. TV movies made up for lower production values by offering quality stories, actors, and acting. At the height of the TV movie, in the 70s and early 80s, the studios could even persuade actors and actresses who were at the top of their fame to act in TV movies. Some famous television series actors saw TV movies as a way to diversify their acting portfolio and avoid typecasting.
I remember Lynda Carter, famed as the television Wonder Woman, acting in a TV movie around the time of her famous sci-fi series, as an ordinary woman, being terrorized by a hoodlum, disguised as a priest, who was even shorter than the 5'10" actress. It was highly disconcerting to see Lynda Carter as an ordinary woman in the TV movie, unable to defend herself, being shoved face first against a door with her arms painfully pinned behind her back by the fake priest thug who was not only a thin man, but looked to be 2 inches shorter than her. But that's probably what actress Lynda Carter wanted highly, to show off her other drama acting talents, not just as Wonder Woman.