MovieChat Forums > Salem's Lot (1979) Discussion > David Soul -- twitchy and creepy

David Soul -- twitchy and creepy


I was a teenager when this was first broadcast, and I've seen it a few times since over the years. I've always enjoyed it a great deal except for David Soul's performance, which I just found weird. My memory is that he responds very oddly to anyone who approaches him, usually turning his head slightly to one side and rarely looking them in the eye. He also seemed to have a number of "twitchy" mannerisms -- and this is before any vampire action has even gotten started. I don't remember him having any traumatic backstory, but he acts like someone with PTSD.

James Mason is great, the master is terrifying, Bonnie Bedelia is hot, Lance Kerwin makes a decent boy wonder, and veteran character actors like Geoffrey Lewis do their usual fine work, but Soul's affected performance and creepy mannerisms always pull at me, trying to take me out of the movie.

At least that's what I remember. I'll be watching it again in a few days, and I'm curious to see if my recollection holds up.

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Soul tried really hard to downplay his character, unlike the wise-cracking "Hutch". Disagree with you on Bonnie Bedelia being hot though; in fact, I think she slows the film down a tad.

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If you notice, she talks without closing her mouth, it just stays open. The only time her mouth is closed is when she has little or no lines.

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She annoys me so much that I even skip over final scene with Ben.

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I personally enjoyed Soul's acting performance very much in this one. I think he underplayed his role in just the right sort of way, with no unnecessary theatrics or any attempt at using overly dramatic gestures. It was a nicely judged and understated performance on his part IMO.

"A cynic is what an idealist calls a realist". H.G. Wells

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[deleted]

I like David Soul in the film. He seems to have trepidations about returning to Salem's Lot, and I think it is because he is so pre-occupied with the notion of evil in the Marsden House, something he has carried ever since he was a child. Basically, Ben is already scared when he comes to town.

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I am not a fan. I just happen to enjoy movies. Fans are embarrassing.

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[deleted]

I thought his twitchy performance suited the role perfectly, he's obviously playing up the damaged goods angle. He's every bit as scary as James Mason or that floating kid.

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I always noticed how Ben's hands trembled as he slipped on his glasses while staring at the Marsten House. David Soul made him seem genuinely afraid of that place.

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Hi there 'tehck',

My memory is that he responds very oddly to anyone who approaches him, usually turning his head slightly to one side and rarely looking them in the eye. He also seemed to have a number of "twitchy" mannerisms -- and this is before any vampire action has even gotten started. I don't remember him having any traumatic backstory, but he acts like someone with PTSD.

I think that the above is very well said indeed. My reading of the situation is that the Ben Mears character DID have a traumatic backstory. He had a disturbing childhood experience in the Marsten House when he was young that had stayed with him over a long period of time.

The result was that he had returned to the town to write a book and so to 'exorcise' his own demons, and resolve his lingering childhood terrors.

The point being that the Ben Mears character DID have PTSD, and it shows in David Soul's performance.

I think you have done a good job of spotting something quintessential at the heart of the movie, and you have said it well indeed.

It's not possible for me to put things better than Stephen King (that's because he wrote the book in the first place) however I thought I could reprint a detailed section from the book where Ben has a discussion about it with Susan, and as a result you could make up your own mind.

Please post with any thoughts you might have.

Cheers for now.


From 'Salem's Lot' (1975 novel) by Stephen King:

‘I think that house might be Hubert Marsten’s monument to evil, a kind of psychic sounding board. A supernatural beacon, if you like. Sitting there all these years, maybe holding the essence of Hubie’s evil in its old, moldering bones.

‘And now it’s occupied again.

‘And there’s been another disappearance.’ He turned to her and cradled her upturned face in his hands. ‘You see, that’s something I never counted on when I came back here. I thought the house might have been torn down, but never in my wildest dreams that it had been bought. I saw myself renting it and . . . oh, I don’t know. Confronting my own terrors and evils, maybe. Playing ghost-breaker, maybe – be gone in the name of all the saints, Hubie. Or maybe just tapping into the atmosphere of the place to write a book scary enough to make me a million dollars. But no matter what, I felt that I was in control of the situation, and that would make all the difference. I wasn’t any nine-year-old kid anymore, ready to run screaming from a magic-lantern show that maybe came out of my own mind and no place else. But now . . .’

‘Now what, Ben?’

‘Now it’s occupied!’ he burst out, and beat a fist into his palm. ‘I’m not in control of the situation. A little boy has disappeared and I don’t know what to make of it. It could have nothing to do with that house, but . . . I don’t believe it.’ The last four words came out in measured lengths.

‘Ghosts? Spirits?’

‘Not necessarily. Maybe just some harmless guy who admired the house when he was a kid and bought it and became . . . possessed.’

‘Do you know something about—’ she began, alarmed.

‘The new tenant? No. I’m just guessing. But if it is the house, I’d almost rather it was possession than something else.’

‘What?’

He said simply, ‘Perhaps it’s called another evil man.’


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He kind of does have PTSD. From the experiences he had there as a kid. Seeing ghosts when he crept into the Marsten house. In his first scene at the house where he sees Straker leaving his face is covered with sweat. Something that always interested me is when he tells Jason that he is drawn to the house and wonders why, as the house attracts "evil" men. But I always thought he was missing the point, he was drawn there the same time Barlow and Straker were drawn there as he is the "light" to their "dark". It can't be a coincidence that Ben rocks up all these years later just as the evil is coming to the town. It's a cosmic thing, the yin and yang, the house attracts the evil and the town attracts Ben to fight it. And being wary and afraid gives him the slight advantage he needs, as everyone else in the town is oblivious to it and get picked off one by one.

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