MovieChat Forums > Quintet (1979) Discussion > An interpretation for viewers in 2008

An interpretation for viewers in 2008


This film was so slow and drawn out that I began to hate it within five minutes of watching it's attempt at being different. This, of course, was not fair to the film as I am a viewer and film maker of 2008, thirty years later. I mention that to begin with not the film's snooty attempt at being 'out there' but my own inability to digest this at first, because I was putting my own set of needs from a film on it.

A few things I didn't like were the oiled lens edges or frosted nature so it was always like in a dream state. I can't imagine that really did anything for it, but remember, it was a convention, and it was 1979. Also, the use of plastic looking icicles and such really just got on my nerves after seeing such amazing landscapes of tundra. I also wanted to see 25 levels of 5 towers were 5 million people lived. As for the music, it was oppressive and appalling at best, and then I realized this was a torture to watch because it was created to be so.

This film was an experiment with audio and video beyond our perceptions as we normally record it, like theatre on film. Beyond that, almost as if chess pieces were talking but not like Seinfeld, not very funny or quick witted. I came here for answers because I was sick and I watched this online at hulu and I wanted to not disregard the film as the worst piece of crap I have ever seen.

It is not, it is infact a well directed, and very well thought out art house film that experimented, albeit a little too well, on annoying the audience and putting them on the edge of the ice age with nothing else to do but kill the other audience members if available. And for that, I love it!

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I think with technology today they could TOTALLY remake this film and it would kick ass! Maybe have David Fincher or Alexander Gonzalez Innaritu direct, script by some uber-talented sci-fi David Lynch-esque geek. Have it actually be suspenseful and make sense.

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It just doesn't make much sense because it was so 'art house' when they made it. Almost totally meant to be exactly as irritating as it was. Great, but, yes, in the test of time, it would be much more appealing to see someone like Chris Carter or someone not like Kevin Costner remake this. It would be amazing. Long live Fallout 3.

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Have it actually be suspenseful and make sense.


that would certainly do away with all the fun and beauty of it.

plus it is a sci-fi film that has aged beautifully, unlike others of the period like andromeda strain, and even later ones like total recall.

no, leave it alone, and let me buy a bluray of it when available.



"It doesn't matter what Bram Stoker has told you... dead people don't come back from their graves"

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1979 was not forty years ago. And "oiled lense edges" were not convention in those days either. Not that any of the rest of yer post makes any sense... for starters, sort it out at last whether you love it or hate it. In one sentence you claim one, only to turn it upside down in the next one. Make up yer mind, please.

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'yer post' - you're a troll :)

and there is no love it or hate it if you have a mind that thanks beyond singularities. If of course 'yer' simple mind cannot handle the concept of disliking then enjoying it, oh well.

And, yes, many directors encouraged their film making crew to oil the lens as they had no post process to create such an effect that was reasonable.

You should take some money and look into a film school like 'Full Sail', it's down south, and they'll still understand 'yer' as you attend to learn film history past the rot you seem to have passively allotted.

...troll

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[deleted]

what a great attitude: to react, then react to your own reaction, as part of an analysis of the work you are confronted with. this is a mark, i think, of the audience great artists engage with in 'dialog'. they talk over the 'what does it mean' crowd to people like you.

'almost as if the chess pieces were talking' - that's good, it captures the sense of people being frozen from the outside in, and at the time of the setting of this piece, the process was well underway.

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