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Manhattan - A Stupendous Movie about Dating and Relationships.


Manhattan (1979) Woody Allen

I can't think of a more charming and thought provoking movie about dating and relationships than Manhattan. It possesses such realistic dialogue and probing commentary on the desperate nature of human beings in search of love. Also it demonstrates Woody's unrequited love for Manhattan, which is firmly stated in the introductory narration. Although I haven't been to Manhattan, I have read numerous accounts stating that Woody Allen has captured the essence of Manhattan in this movie. This is what it feels like. Through Allen's lenses we are also seeing what a City is supposed to be.

I was amused to see Woody Allen's character Isaac sticking up for the 'only genius' he knows in Cinema - Ingmar Bergman. Referring to a new acquaintance who is the lover of his best friend, Isaac says to his 17 year old girlfriend, '...if she had made one more remark about Bergman, I would've knocked her other contact lens out.' The dialogue is so sharp that it's always one step ahead of the viewer. You really don't know where the next frenetic thought of Allen will take you. Just don't expect someone to shrug their shoulders, slap their forehead and with mid-rising intonation say d'uh! It's not that kind of comedy. It's not the show, 'Friends'. Manhattan contains perplexing and often dark adult humor. Here's a small excerpt from this incredible script:


Isaac I got a divorce because my ex-wife left me for another woman. Okay?
Mary (Reacting) Really?
Isaac (Nodding his head) Mm-hm.
Mary God, that must've been really demoralizing.
Isaac (Shrugging) Tsch. Well, I don't know, I thought I took it rather well under the circumstances.
Mary (Still reacting, shaking her head) Phew-wee.
Isaac I tried to run 'em both over with a car.
Mary I can imagine. I mean, that's incredible sexual humiliation. It's enough to turn you off of women.
Isaac (Shrugging) Well . . .
Mary And I think it accounts for the little girl.
Isaac Well. . . Hey, the little girl is fine. Jesus, she's— What's with— what's with "the little girl"?
Mary Oh, sure, I understand, believe me. Sixteen years old and no possible threat at all.
Isaac Uh-huh, she's seventeen. She's gonna be eight— You know, sometimes you have a-a losing personality, Mary.
Mary Hey, I'm honest. What do you want? I say what's on my mind. And if you can't take it—well, then, *beep* off.
Isaac And I like the way you express yourself too.
Mary laughs. The sounds of traffic are heard as they continue to walk through the lamp-lit streets.
Isaac You know, it's pithy, yet degenerate. You get many dates? I don't think so.

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The other aspect of Manhattan which struck me was just how influential it must have been on the hugely successful 90's sit com Seinfeld and the subsequent Larry David self mockumentary, Curb your Enthusiasm. The characterizations and conversation themes are just too similar. Elaine Benes is almost a direct copy of Diane Keating's 'Mary'. Her mannerisms, modern feminism attitude and even her outfits have an uncanny resemblance to Allen's Mary. Jason Alexander did say in the Seinfeld Chronicles that when he auditioned he did basically a straight up imitation of Woody Allen. 'It was all Woody' or words to that effect.

Woody Allen is a wonderful actor. It wasn't something I had fully appreciated until seeing this. The real eye opener for me however was his 17 year old lover played by Mariel Hemmingway. Her sensitivity and vulnerability shone so brightly - a truly incredible and touching performance, and from one so young.

Oh and other things like the irrepressibly beautiful soundtrack and cinematography. Well that would require another review to mention the superlatives of each.

I found Manhattan a completely different movie to Annie Hall, but in an improved sense. The story seemed to have more vigor and I admired the acting a heck of a lot more. I might have been expecting too much from Annie since it was my first Allen movie and it had been parodied to death. I need to see both movies again to be more conclusive about which I like better. One thing is for certain, 'Manhattan' is a fantastic dating movie. If you want something to provoke an insightful relationship conversation with your better half, then Manhattan is it! I'm looking forward to seeing Hannah and her Sisters next. Supposedly Allen didn't like Manhattan, which surprises me, but I wonder was it because its totality or essence was a bit close to home? I've noticed his more recent movies involve stories which far less encapsulate an 'introspective' Woody and more driven towards showcasing other uniquely neurotic characters and harder driven stories and plots.

It's this Jewish humour (is this the Lenny Bruce genre everyone talks about?), which undoubtedly is my favourite style of humour because it is so witty and introspective and doesn't belittle the audience's intelligence.... on the contrary.

The verdict? This is essential 'Allen', me thinks, despite what Woody may think.

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God, I loved reading your post just now. This is one of my favorite films in general and also one of my favorite Woody Allen films. I first saw it when I was 19 and was just blown away. I still am 31 years later. As I keep forgetting Interiors came between Annie Hall and Manhattan, I always think of Annie Hall and Manhattan as a cinematic Revolver and Sgt Pepper. For both, it seems as if their respective creators were on quite a roll over the years, starting off good then becoming really something, then...with Manhattan and Pepper - "where did THIS come from? I did NOT see this coming? How much better can the NEXT one be?"

You mentioned you're looking forward to seeing Hannah and Her Sisters, which I can see as his Abbey Road. I enjoyed a Midsummer's Sex Comedy and it was nice to see Mia Farrow doing comedy. (Maybe it was his Magical Mystery Tour?) I started to appreciate her as an actress at that time, and she was so wonderful as Hannah. Well, everyone in Hannah was perfect for their roles. Woody Allen really knows how to cast a film.



I saw the best minds of my generation destroyed by madness, starving hysterical naked.

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A very enlightening post. Thank you for your encouraging words. I am looking forward to seeing Hannah and her Sisters. I liked your comparison to the Beatles records.

Cheers.

My 100 favorite movies http://www.imdb.com/list/Uvw_F2_GMx8/
What are your favorites?

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Wait til you see Crimes and Misdemeanors, Allen's err..... Let it Be!

(Seriously, it's a great movie, I recommend it after Hannah which is also great).






Reality is the new fiction they say, truth is truer these days, truth is man-made

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Thanks for the reminder - I haven't seen that movie in years - it'd be good to see it again.

A few years back, in a film discussion group I recently started attending again, we watched Manhattan and every time anything was said about how Woody feels about his 17 year-old girlfriend, I heard two young Irish Catholic women in the back making noises and whispering, "God...disgusting...eeew")

I mentioned how touching I thought that scene was in which Woody's character mentioned on tape how much he misses Tracy's face. They both shouted in unison BEAUTIFUL?!?!?!?!?!?!?!?!?

I saw the best minds of my generation destroyed by madness, starving hysterical naked.

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I'm more of a bob Dylan fan myself. Haha.
I will see Crimes after Hannah. I look forward to it and let you know what I thought.

Cheers.

My 100 favorite movies http://www.imdb.com/list/Uvw_F2_GMx8/
What are your favorites?

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Bob is my favourite too! Would it be stretching it to say Husbands and Wives is Allen's Blood on the Tracks? (Yes, it probably would.)






Reality is the new fiction they say, truth is truer these days, truth is man-made

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Hey man,

This afternoon I saw ‘Hannah and her Sisters’ which has been claimed by many as Woody Allen’s Magnum Opus. I thought it was extremely well produced and directed, a bit dated in many places and oh THAT Hollywood cliche ending, but Mia Farrow was sublime!

The scenes involving ‘In vitro fertilisation and Allen’s hypochondriac character turning to Catholicism were extremely funny. I prefer Allen’s Manhattan, Blue Jasmine and Match Point, but I need to see Hannah again to be more certain. I’m yet to see Allen’s much adored Purple Rose of Cairo, Midsummer's Sex Comedy and Crimes and Misdemeanors.

My 100 favorite movies http://www.imdb.com/list/Uvw_F2_GMx8/
What are your favorites?

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Elaine on <I>Seinfeld</I> hardly seems anything like Diane Keaton's character in this film. Keaton played a hyper-intellectual, intimidatingly erudite, possibly snobbish/pretentious type, almost like a would-be Susan Sontag. Elaine was never anything like that on the show, strong and intelligent as she otherwise may have been.

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You say, 'Elaine on Seinfeld hardly seems like Diane's character in this film'.

Hardly seems? That's a strong statement. I will have to see Manhattan again to have a better idea. But my first impression was there was a strong connection.

Cheers.

My 100 favorite movies http://www.imdb.com/list/Uvw_F2_GMx8/
What are your favorites?

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