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Am I the Only Film Viewer in History to Notice? Or Wonder?


In the 1944 film National Velvet, based on the 1935 book by Enid Bagnold, a story appears about a horse named Moifaa swimming from a shipwreck and being rescued from an island. This story IS in the original book, pages 205-206 of the Dover Children's Classics paperback edition and pages 173-175 of the 1985 hardcover Golden Anniversary Edition from William Morrow and Co. Donald hysterically insists the horse died on the island when in fact he was rescued and survived to win the Grand National. 

(According to this http://www.grand-national.net/moifaa.htm, Moifaa was a real horse which won the Grand National in 1904, but it was not he but another horse in the same race which was one of two horses to survive a 1901 shipwreck, not near Ireland as the book says but off the Cape of Good Hope, closer to the site of the wreck in The Black Stallion.  The movie National Velvet does not give a location for the wreck.) 

So possibly both Enid Bagnold and Walter Farley were inspired in their books by the same true horse shipwreck survival story, but...isn't it just a BIT WEIRD and STRANGE that:
--In the book, Velvet Brown tells the story to her brother Donald, saying she heard it from Mi Taylor.
--In the movie, Mi Taylor, played by Mickey Rooney, tells the story directly to Donald.
--In the book story, some fishermen see the horse, but leave, frightened, and someone else rescues the horse. In the movie, fishermen rescue the horse.
--35 years later, Mickey Rooney appeared in the film The Black Stallion, with a plot identical to this story--a horse is shipwrecked, swims to an island, is rescued by fisherman, and goes on to win a big race--and aren't National Velvet and the Black Stallion movies the ONLY horse movies in which Mickey Rooney EVER appeared?  Am I the only one EVER to notice this and find it all just a bit odd?  Sorry if this has been said but if so I couldn't find it! 

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I don't think it's weird. I knew Mickey Rooney played in both movies, but I never knew the connection of the two stories with the ship wreck. I would venture to say that there was probably some inspiration from the same ship wreck story for both authors. Now, I'm going to have to reread those books!!

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Actually Mr. Rooney spent more time around the stables than you thought.

He also made "Down the Stretch" '36, "Thoroughbreds Don't Cry" '37, "Stablemates" '38, The Twilight Zone episode "Last Night of a Jockey" '63, "Lightning, the White Stallion" '86, "Bluegrass" '88, "The New Adventures of the Black Stallion" (tv series 1990-'93),the 1993 Murder She Wrote episode "Bloodlines" set at the racetrack, and "Lost Stallions" 2008.

What do I win ??? 



Rescue the damsel in distress,  whip the bad guy, save the world.🐕

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Be careful what you wish for, you may get it. Elizabeth Taylor worked such wonders with the horse in National Velvet, an official made her a gift of it. When they met years later, Elizabeth said, "You're the man who gave me that horse!" He expected an outpouring of happy gratitude, when she said, "I'm still paying for feed for that damn horse!" 

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She adored King Charles whom her parents were going to buy for her if the studio hadn't decided to give him to her for publicity.Considering that she kept him until he died in his thirties,I doubt very much that she was serious when she made that comment.

Rescue the damsel in distress, whip the bad guy, save the world.

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I did wonder about that--she did have a fine sense of humor.

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Caught much of The Black Stallion on TCM again tonight and noticed a lot more.

--In both movies, Mickey Rooney plays a jockey and/or trainer who worked with horses but quit. In National Velvet, he "turned yellow" after a mishap, and in The Black Stallion, he says he "just got tired."

--In both movies, the Rooney character comes out of retirement due to a child's devotion to a horse, and trains the child in how to prepare the horse for a big race.

--In both movies, hiring a professional jockey for the race is considered, but the child's special connection to the horse wins out and the child ends up riding the horse in the race. In both films the child is more concerned with the well being of the horse than in winning or making money.

--The shots of Rooney watching and cheering on the race are very similar in both movies, particularly at the ends of the races.

I'm not so sure about these being Rooney's only horse movies. There is a picture of him on a horse which I think appears in the scene in The Black Stallion where Alec discovers Henry's horse memorabilia, which appears to be from an old film other than National Velvet.

Another thing I noticed is the music. On the island, music is either absent or very suited to the action. I had no idea the part of the movie after leaving the island contained so much banjo music, a person might think they were watching Sounder or something.

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