I think back then that disaster movies were, up to this point, just about a sure thing with audiences. AIRPORT, THE POSEIDON ADVENTURE, EARTHQUAKE, AIRPORT 1975, THE TOWERING INFERNO and AIRPORT 77 were all hits so my guess is the marketing was aimed at the fans of the genre (or its built in audience) and not a specific age group. Fortunately even the fans could smell that this film was a stinker and it was one of the biggest bombs of 1978 and so began the beginning of the end of the disaster movie which would still yield such bombs as METEOR, BEYOND THE POSEIDON ADVENTURE, CONCORDE-AIPRORT 79, CITY ON FIRE and WHEN TIME RAN OUT - each one probably worse then the last though they are all horrible and each one a box office dud.
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