Either philupthebong lacks the ability to objectively analyze the subtext of movies or his question is an obtuse expression of his racist bigotry.
While I appreciate when people look for deeper meaning in a film's subtext, as Freud once famously said: "sometimes a cigar is just a cigar."
Subtext is only valid if there is sufficient evidence - either overtly or covertly present in the film - to back it up. Outside of that, one is merely imprinting their values on the film, rather than the other way around; hence why it's clear to me that the OP is expressing his racist view of African Americans in the 1970s
The idea that the original poster is a racist simply for inquiring about a means of phrasing that would never, ever fly these days is what I would call "obtuse."
Frankly, I think that a more pertinent question is whether, if the killer bees had come from France, Germany, Spain, or Japan, the characters would have called them "Frenchmen," "Germans," "Spaniards," or "Japanese." In other words, is the label "the Africans" politically incorrect or representative of a more troubling form of ethnocentrism?
Either way, the label is part and parcel of an absurdly flimsy filmmaking aesthetic that defines
The Swarm.
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