'Interiors' and 'Autumn Sonata'
I've always heard that Woody Allen took visual inspiration for 'Interiors' from Ingmar Bergman's films. But after seeing 'Autumn Sonata' for the first time today, putting aside the visual likeness, I was surprised at the number of indirect similarities between the storylines in each film.
Both films center on the relationship between a mother who is preoccupied with her career (Eve a successful interior decorator, Charlotte a celebrated pianist) with her daughters who require the maternal warmth neither character can provide. Both characters have used their professional focus as a decoy to hide their emotional barrenness and withdrawal from their daughters' lives. Charlotte has been physically absent from Eva and Helena; Eve's breakdown has left her emotionally detached from her daughters.
How each character's daughters react to their respective mother's abandonment is relatively similar, as well, at least in the case of Charlotte/Eva and Eve/Joey. Eva resents her mother for feeling that she wasn't good enough as a child: not beautiful enough; incapable of reading the books her mother gave her; unable to compete with her mother's piano accomplishments. Similarly, Joey despises Eve for failing to live up to her mother's expectation of creative excellence, floundering from one menial job to another and never quite "finding herself."
The climactic scenes in each film, when the daughter lashes out at the mother for their "perverseness and willfullness of attitude" (as Joey put it) seem nearly identical. In the end, true to form, both mothers again abandon their children.
On an even more indirect note of similarity, I couldn't help noticing the remarkable physical resemblance during certain scenes between Eva, played by Liv Ullmann, and Mia Farrow, especially in her role as Lane in Allen's 'September.'