MovieChat Forums > Convoy (1978) Discussion > an odd movie to say the least

an odd movie to say the least


First off, it's based off a hit novelty song which itself didn't even really have much of a plot. That's strike one towards making a coherant good movie.

I grew up watching this taped off TV in the mid '80s. Even as a kid I knew there was something off about Convoy. It cant decide if it's a comedy or an action movie or a drama or a political message-film. It tries to be all of them at once and ends up just being confusing. I recently watched a documentary about the making of this movie and both Kristofferson and Ali MacGraw point fingers at the chaotic production. The shoot went way over time and way over budget and was almost shut down by EMI a couple times before they decided to try and make their investment back. Late director Sam Peckinpah was drugged out and drunk for parts of the filming leaving James Coburn to pick up his slack. Ali MacGraw wanted to run away from it several times out of sheer frustration and her poorly defined role and they asked her to re-shoot all her close up scenes in a couple days after months of work.

The final product was over 3 hours long which had to be edited down to an hour and 50 minutes. Thus why large parts of Convoy seem incomplete or confusing.
I'd love to see the original directors cut but sadly that will most likely never happen because I'm guessing that extra hour of footage was tossed in the trash in the EMI editing rooms before release.

There are some things about Convoy that I've always liked a lot. Peckinpah did a great job making the movie feel "epic" and big, like a modern day western only with truckers instead of cowboys and trucks instead of horses riding over the horizon in the sunset. He made the trucks themselves, which most people don't think much of while passing on the highway, seem larger than life and unstoppable espeically Rubber Duck's black Mack. The ending of the film with Duck sacrificing himself Jesus-like face to face with almost certain death at the hands of the Texas National Guard was pretty dramatic and well done.
And the end credit roll with major scenes running backwards behind the theme song was clever and made what you just watched seem (again) epic and important.

I'm still waiting for a good American release of this on Bluray/DVD without the horrible picture quality of the somewhat recent Cheesy-flicks release. In their defense they claim that was the best they could do with what they were given.

10-4 good buddy!

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Roger, copy 10-4!



"I'm a vehemently anti-nuclear, paranoid mess, harbouring a strange obsession with radioactive sheep."

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Anyone under the age of 40 has no idea what a fad CBs were. EVERYBODY had one in the car (wasn't just truckers) and they had police bans so you can hear what your local "friendly fuzz" was up to.

For those who like this type of movie it would make a fine triple feature with Smokey and the Bandit and White Line Fever.

What REALLY bugs me is the senator is disgusted with truckers, but he doesn't realize if it WASN'T for the truckers, very few people would get their merchandise and stores would be empty.

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I agree with you, odd indeed. A strange mixture of Peckinpah's darkness and "Smokey and the Bandit", with some libertarian/progressive populism thrown in. Certainly entertaining enough for a watch, with some very nice photography, but such a hodgepodge and occasionally so nonsensical that I can't really call it good. Ali MacGraw is just woebegone and Ernest Borgnine comes across as a poor man's Jackie Gleason, without any of the humor of "Smokey and the Bandit".

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I thought Borgnine was awesome in Convoy. I don't think he was ever intended to be a Buford rip off though, they were two very different characters.

Yeah, they were both fat cops, relentless in their pursuit and both more than capable of getting themselves into one hell of a mess. But, I think Dirty Lyle was just that, a dirty cop with a menacing and vindictive streak about him. His hatred of the Duck was personal and you just got the impression that he wanted to take the Duck down because he'd enjoy it, rather than doing it because he felt he had to. Yeah, there was a bit of redemption for him towards the end for him and a moral limit that he reached...after unleashing the National Guard on the Duck...but Lyle was nothing more than a bitter, petty crook with a badge.

Buford on the other hand was much more of a light hearted, righteous and purposely comical character, hell bent on law and order. As 70's cops go, he was straight down the line. He didn't go looking for the Bandit, or try to entrap him. He was a cop who was more about upholding what his badge stood for than using it for his own gains. Obsessively so, yes. But only to the point of upholding what he thought was the right thing to do.

Besides, Lyle didn't have a Junior.

SEX - Breakfast Of Champions!

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triple feature with Smokey and the Bandit (1977) and White Line Fever (1975)


How about a quadruple bill with Handle with Care (1977) aka Citizens Band

"It is a good thing for an uneducated man to read books of quotations" Winston Churchill (1874-1965)

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