MovieChat Forums > Going Straight (1978) Discussion > Was always going to pale in comparsion

Was always going to pale in comparsion


Ronnie Barker regarded 'Going Straight' as just as good in quality as 'Porridge'. I do agree. The performances and scripts are just as good. However, it was never going to live up to porridge.

Although I like the series, one problem I think it has is the situation. In prison, Fletch is the anti-hero, one man battling against the system. He has status and wisdom and earns the respect of his inmates and us the viewers. Unfortunately, on the outside he cuts a slightly sad character who we inevitably feel sorry for, which we never did when he was in Slade prison.

It was nice to tie up Porridge and see him go home (the strongest episode in my opinon, his train journey and subsequent resolution and mutual respect with Mr. Mackay) and I can see the possibilities of seeing how Fletch coped with adjusting to civilian life, but I dont think it quite worked.

It is funny though and a must for all porridge fans!

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Agreed, whatever spin off was made it would never stand up to Porridge. Barker is as great as ever over the one series but without his little victories against the system or constant verbal sparring with Mackay, Going Straight would have to have been something very special to match Porridge.

Like you said martin it should still be in any Porridge fans dvd collection though!


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I agree, although I can see why it didn't do as well this is still a superb series. Having just seen Going Straight for the first time on DVD, I’d have to say it’s terribly underrated. A sequel to Porridge that was so different (being set “On the outside” and with most of the Slade prison supporting cast gone) was always going to divide audiences. There are some brilliant episodes and moments though- including Fletch bumping into Mr. MacKay on the train home (in one of their best ever scenes together they part company getting drunk together and even shake hands).
A pre- Only Fools And Horses Nicholas Lyndhurst is excellent as Fletch’s vague son, Raymond too. Most interestingly though, along with the Porridge film, Going Straight represents a kind of missing link between the gentler ‘70’s writing of Clement and La Frenais with series like The Likely Lads and the earthier, more realistic style of Auf Wiedersehen Pet and The Commitments.
Whilst it’s still mainly broad, old school sitcom humour, Going Straight has several more serious moments as Fletch and his family struggle to make their way without him having to return to crime, the episode in which he helps a cynical teenage thief to change her ways is particularly poignant.
The looming threat of Thatcherism hangs over this series like some huge dark shadow about to turn the British working class into the underclass and unscrupulous, upwardly mobile “Greed is good” types- as the writers would go on to explore with Auf Wiedersehen in the ‘80’s.
Clement and La Frenais have done an incredible job, not just with their almost unbeatable comedy writing (only John Sullivan comes close as far as I’m concerned), they have also left us these brilliant documents of British social history over the past forty years. Going Straight is just as much a valid part of this as Porridge, The Likely Lads and Auf Wiedersehen.

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You end up having too much sympathy with Fletch to really laugh, although it's very sweet.

Just a painted face on a trip down suicide row

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"Not as good as Porridge" is the worst thing that can be said about Going Straight.

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[deleted]

ya but why only make 4 episodes of it? wa sita ratings diaster in 1978??


"He's in town with a few days to kill"

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There are at least six episodes of it, according to IMDB...






Born when she kissed me, died when she left me, lived whilst she loved me

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6 episodes were made, That was the standard length of a series in those days, and it certainly wasn't a ratings disaster. It got 15m viewers, and that series won a BAFTA. The reason they didn't make any more was because Richard Beckinsale died and everyone involved decided they didn't want to go on.
_____________

"Maybe I should go alone"
- Quint, Jaws.

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It's more of a drama than a comedy. It's nowhere near as funny, but it does give you plenty to think about.






Born when she kissed me, died when she left me, lived whilst she loved me

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The series is good enough though. The last episode, In my opinion, does give it a nice finale when Ingrid & Lenny get married and Fletcher only just manages to resist the temptation to go back to a life of crime. That whole episode possibly gives the impression that the characters are going to be alright for the foreseeable future.

A good looking depressed guy smoking a cigarette is not a movie!

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The real problem was Richard Beckinsale's death. It would certainly have got a second series which would probably have been a success.

GS is vastly under-rated, people think it was a failure because it was a single series and as mentioned above that was inevitable.

AND secondly it wasn't as good as Porridge, if it had been a completely unconnected sitcom it would have been viewed as a success, but as a son of the parent it never stood a chance to be seen standing on it's own two feet....

Porridge is one of only 5 10/10 British comedies. So it's rather like Liam Botham, a good cricketer in his own right but never going to live up to his Dad's legacy. If he had been Liam Smith he would have been a success.... So GS is Porridge Junior.... no chance....

"'tler"

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it's not nearly as funny as Porridge, but it is quite nice to see fletcher making a go of life on the outside, also to see Ingrid and Godber getting married.

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Totally agree. Going Straight was very good, but so many of the magical ingredients that made Porridge great were lost. Everyone involved did a great job with GS, but it had an impossible task living-up to its predecessor.

The first episode was by far the best, and the meeting on the train between Fletcher and Mackay was especially memorable.

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