The Film's only Worthwhile Part
... which is the "Merrin in Africa" sequence, although even as it stands, it is far too brief.
The photography is superb as is Max Von Sydow as the young Merrin.
The sequence contains the film's theological meat. Observing the young shaman Kokumo as the boy attempts to drive away the locust swarm, Merrin speculates, "or does the swarm come because of the boy ...? ... Does great goodness draw evil to itself ...?"
A nice, thought-provoking theological query, embedded in primal images of locusts swarming in a red-sun-dominated African lancscape. Truly worthy Exorcist material.
But then it sinks into the rest of the film's arbitrary quirkiness and mediocrity. The single, brief but great African sequence cannot save this film, unfortunately.