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Views and Interpretations of the ending (spoilers)


The way I saw it, the decisive moment is the exchange between Jenny and her daughter. When she says that her three favourite people are her, the husband (we know her marriage is a sham) and the grandmother (we know she hates her deep down) the daughter, no fool, reacts angrily, to me signalling that it's too late - Jenny may be able to face her demons and reach some level of internal peace, but it is too late to fix her family life (in that sense, the daughter is something like the mouthpiece of truth). Therefore the scene of her gazing as the grandmother is lovingly tending to her husband is merely showing her what she's not going to have, akin to the ending scene in La Dolce Vita, as the girl, a symbol of a more wholesome life, appears and the protagonist doesn't even see her. In terms of the poem Jenny mentions, it is too late for love to envelop everything, even death. However, the people I watched it saw it in far more optimistic terms, that the daughter going to the hospital at all meant not all was lost, that there was still a way forward, however difficult, and Jenny tad taken the key first step by confronting her inner demons. I'm interested in others' views on this.

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Face to Face is not an optimistic movie. Life offers no resolution or compensation.


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While I agree Face to Face is not an optimistic film, I do think the ending is open ended as to prospects going forward, at least to some extent.

First of all I was struck by the way Anna criticized Jenny in ways that may have differed from the criticisms Jenny had about both her mother and grandmother, but not in a way that was categorically different. The point being that Jenny's pain and torment from her growing up did not give her the insight or ability to avoid having if not the same problems in her relationship with her daughter, certainly still having problems in general. But is this not the nature of the relationships from generation to generation?

Where Jenny seeing her grandparents interact at the end provides something other than pure cynicism and a damning judgment of them is that Jenny sees her grandmother in a much better, and kinder, light than she does from her memories. No person is all good or all bad (to be sure some are overall better or worse than others - this is not a paen to moral relativism). I don't see how we are to understood this interaction between her grandparents as not tempering her bad memories of her grandmother when she was a child.

As I think Jenny does, from her smile, and her intention to go back to work the next day.

And if Jenny reacts in that way, how can we say we must conclude Anna will always distrust and dislike her mother?

Most people go through some period of worse relations with their parents (and children, for that matter) than they have at other times. This is normal, and the measure of the value of a human relationship is not where and when it reaches its lowest point.

Having said all that, does Bergman here offer some kind of comforting and pat answer to the value of human relations as one proceeds as Heidegger would say in being towards death? No, not any comprehensive answer to be sure. Imo there is none, but there is something more here, I think, than "no resolution of compensation."

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