MovieChat Forums > Le vieux fusil (1975) Discussion > Superb film, only one reservation

Superb film, only one reservation


I watched the film when it was released, back in 75( as a teenager )and it shocked me senseless. Well one scene did. You know the one.
Although I found it utterly compelling and it is still, to this day, one of my favourite films, there's something not quite right.
What I am more reserved about is the quickness in whitch the hero reacts to the events.
I would have made him act ,grief striken and not knowing where to go, wandering into the woods like a lost soul, then leaning against a tree, crying and prostrated.
After a while, he comes back at night and takes shelter in one of the abandoned houses, finds a bed and collapses from exhaustion due to shock.
In the morning, he wakes up, remembers the old rifle put away in the attic and sets up on revenge.
Would have added 3 to 5 mn to the original lenght. No big deal but a huge difference in making te story plausible.

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No reservation needed. We know that in matters of emotion, Julien makes swift decisions. Within minutes of meeting Clara, he embarrasses her by saying he loves her. When she apologises for taking him to bed, he dumbfounds her by proposing marriage. So when he finds her incinerated, after in his imagination being raped, his instant response is revenge. And when the partisans first reach the village, he sends them away fast so that he can finish his task. Study his psychology, not yours!

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Although I agree with you about Julien being a fast decision maker, in matters of grief, I don't think one can just go about the business without first being paralysed by numbness and shock.

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I liked this film. It appears to have been somewhat influenced by Straw Dogs, and may have influenced Witness. However, I found the German soldiers to be too Keystone Kops-like as Noiret hunts them. They were not exactly organized and meticulous.

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I wonder if the confusion of the German soldiers was both historically accurate and necessary to the story?

While the German Army at the front could be formidable right to the end, behind the front under threat from partisans things could be different. In France, once the Resistance declared open war, individual German units in what had become hostile territory were liable to be nervous, ill organised and dangerous. Similar tales are told of US troops in Vietnam and Iraq.

The film is however recounting not just a literal battle but several symbolical battles. Julien, the doctor devoted to healing, takes up arms to avenge his beloved wife and child, the blameless villagers slaughtered by the evil Nazis and by extension all of suffering France, groaning for liberation. His knowledge of the terrain, of an ancient landmark that stands for continuity, enables him to outwit and pick off the alien invaders who had no right to be there and whose horrific deeds cry out for punishment. His purity of motive (“these men must die for what they have done”) and his ever-alert intelligence contrasts with the drunken bumbling self-pity of the trapped Germans.

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Indeed a brilliant made movie but keep in mind that Noiret fights not a general German army platoon (or the Wehrmacht) but a unit of the feared Waffen-SS, a ruthless and crack team of hardened soldiers. Which all makes it the more implausible that he deals with them in such a swift and easy way.

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