No I disagree totally - The soundtrack to Phenomena is embarrassing - Why the damn heavy metal? It’s not even scary? What place does that type of music have in the film when Connelly is trying to escape through the tunnel? It's so out of place it's a joke. I think Goblin probably told him to stuff it and he went with the music he was listening to on his stereo at home, there’s no other reason as to why he would include this in the film.
I also feel that the Goblin score in Deep Red is off somewhat too, when a character is in a cat and mouse situation they suddenly blast on with a rare groove / funk soundtrack that totally undermines the terror/suspense of the scene. The only film that truly stands up to the praise heaped upon this man when it comes to music is Suspiria and that film is plagued with it’s own narrative, pacing problems to numerous to bore you with here, if you’ve seen it you all know what I am talking about. I am fond of Suspiria as I like to mix records on my turntables late at night, it’s a great film to put on with the sound on mute and mix away and look up every now and then and look at all the pretty colours.
I own most Argento films and still wonder why I keep buying them, there's a couple of his films that I 'enjoy' but that's as far as it goes, this guy is no 'master class' director, he's a hack at best who rips off his own ideas time and time again – the dummy in Deep Red and the midget doll in Sleepless anyone? I guess I keep buying them as I am an obsessive sort who’s on a mission to see all the horror films that you meant to see before I run out of time – There’s so many different films out there that I have yet to have the pleasure of seeing.
In addition, Dario is also a lousy script/screenplay writer and cannot tell a story to save his life, I am surprised he got a far as he did, no wonder he's not making films anymore besidesa guest short on Masters Of Horror, and don't get me started on the calibre of actors this guys utilised, does he even bother to try and motivate them?
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