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The Pretty Young Woman Who Sees The Shark at the Inlet


Way back in 1975 when I saw Jaws first run in a full house filled with screaming people, there came that great moment where -- after the entire beach of screaming, running people empties out over a FALSE shark warning(its kids with a fake fin)...Spielberg cuts to a quiet little area away from the crowd where a very pretty young woman -- late teens? early twenties? -- in a tight top and tight jeans ...sees the REAL shark fin knifing through the water of the inlet. She yells out a quiet, strangled "shark! shark!" and soon we are into the next REAL and bloody shark killing of the film(the male lifeguard.)

I remember thinking: that is a pretty young woman. Spielberg must have picked her from a whole bunch of women and decided she was "the one" for this scene(along with her beauty, she has an innocence that seems despoiled by the shark violence.)

Well, decades later, I read that that woman was indeed "selected" for her memorable short scene in the film. She was an island dweller on Martha's Vineyard who had been "discovered" by Joe Alves, an experienced Hollywood production man who had been sent ahead by Universal and Spielberg to scout locations, extras, and production needs. Alves was living in Martha's Vineyard for some time before Spielberg and the crew followed him out there.

Alves met the young woman in question during his scouting. Promised her that he would find a small role for her in the picture. Fell in love with her, MOVED IN with her...and maintained her as his "location affair" for the long, long, long shoot of Jaws.

When filming on "Jaws" ended and everybody went back to Hollywood...the young woman went back with Alves and lived with him there, too.

But not for very long. Soon the relationship broke up, the woman couldn't find roles as an actress...she went back to the East Coast.

And that's why men seek jobs in the movie industry.

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Interesting. Thanks for that.

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Really cool trivia! Thanks for posting.

I’ve always found her small role to be quite effective. The movie goes from very tense (beach scene and stampede), to comedic (the two boy pranksters), to decidedly serious (young girl cries out about the shark), to downright horrific (the shark gliding up under the estuary victim). Acting, direction, editing and music all combine to make this sequence boffo.

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She did an excellent job with her minute of screen time, her strangled cries are memorable - she's so terrified she can hardly make any noise yet she persists.

The film is notable for people who make the most of tiny roles - the older couple on the beach who go into the surf like they're walking to the electric chair, the cheerful men going out to kill the shark, the locals at the town meeting, etc. I understand lots of them were just local people, and yeah - that was one sign that Spielberg might turn out to be something special as a director. He used non-actors so incredibly effectively, they all seemed like totally real people, and so many had excellent little momennts.

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She did an excellent job with her minute of screen time, her strangled cries are memorable - she's so terrified she can hardly make any noise yet she persists.

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That certainly happens in real life. A terrified person cannot generate the "wind power" to scream. It is a great moment.

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The film is notable for people who make the most of tiny roles - the older couple on the beach who go into the surf like they're walking to the electric chair, the cheerful men going out to kill the shark, the locals at the town meeting, etc. I understand lots of them were just local people, and yeah - that was one sign that Spielberg might turn out to be something special as a director. He used non-actors so incredibly effectively, they all seemed like totally real people, and so many had excellent little momennts.

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Yes, he used them well. I'd say all of them were good "natural actors" except, ironically, the first one we see -- Chrissie the shark's first victim. But HER problem acting is only in exchanging teasing come hither glances at the boy at the campfire. Once she's out there in the water getting killed...believable and unforgettable.

I've read that "Mrs. Kinter" was often approached by fans who asked her to slap them!

A sad side-bar for some of these "amateurs" is that -- having been in the most successful and widely seen movie up to that time -- they went to Hollywood and tried to become "real" actors. Didn't happen. Though "Chrisse" takes a comedy nude swim and is attacked by a Japanese submarine in Spielberg's 1941.

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So, did Alves pull the casting couch routine on her?

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So, did Alves pull the casting couch routine on her?

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Well, evidently this was a consensual relationship(with an age/looks difference) but that's what makes the "casting couch" idea a bit, shall we say...complex?

I've read a lot of books about the making of a lot of movies and it seems that when movies started going on location for long periods of time -- both cast and crew members were SOUGHT for sexual romances by "locals." The liasions were had, sometimes the movie people MOVED IN with the locals and, when the filming was over and the movie people left, the affairs ended. Some of the locals returned to their husbands and wives as if nothing had happened. The single folk moved on.

So the casting couch may be one aspect of Hollywood that has seen its last breath; but what of "the consensual on location affair"?

The pretty young lass in Jaws at least got a small piece of on-screen movie history for her trouble...

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I can picture that young gal thinking she has a shot at stardom, had to be pretty humiliating to go back east after Hollywood rejected her.

Also, I read that Universal would fly women from California to Martha's Vineyard for Spielberg to sleep with.

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I can picture that young gal thinking she has a shot at stardom, had to be pretty humiliating to go back east after Hollywood rejected her.

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That happened with several of the unknowns in Jaws...the first shark victim, this pretty girl...the young blond man who was with the first victim before she was killed. Off to Hollywood they went...no real prospects. Back home they went.

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Also, I read that Universal would fly women from California to Martha's Vineyard for Spielberg to sleep with.

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At least one, I read. Spielberg wasn't married at the time and the production was weighing heavily on him. So a woman was sent. I expect he partook. Again -- Hollywood is no stranger to the use of sex as part of the work environment. I wonder: did Universal send a professional hooker out there? Or simply a "willing secretary?"

Meanwhile, star-producer Frank Sinatra had a bunch of hookers shipped to his desolate "Sergeants Three" Western location in Utah. I think he gave them roles in the dance hall sequence. I think you can see them. The studio had to put them on the payroll.

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The book "Easy Riders, Raging Bull" delves into Spielberg's love life, at least a few paragraphs worth. Around the time he directed Jaws he was pretty naive, to say the least. Margot Kidder taught him the ropes, not to be such a dork, wear decent clothes, something besides twinkies in the fridge. Then, this happened: "One day, Spielberg and comedy writer Carl Gottlieb, an old friend, were having lunch in the Universal commissary, when Victoria Principal, then a starlet with a tiny role in Earthquake, plopped down in the seat next to Steven and stuck her chest in his face. According to Gottlieb, she said, “I’d like to get to know you better.” To him, her body language said, “If you want to fuck me you can, if I can be in a movie.” She had reached under the table and grabbed his crotch. (Principal says they were just friends.) “Steven briefly brought out Victoria Principal to the beach, which was a stunner for all of us,” says Kidder. “We prided ourselves on not being bimbos, and here was a bimbo with our beloved Steven. It was like, what? We tried to discourage that.”

I found this tidbit as well: "A female friend of a friend was brought out from L.A. for recreational sex. She slept with him, and left".

Also, legendary director Hal Ashby said "When one's gone, open the window there's another one climbing in"

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The book "Easy Riders, Raging Bull" delves into Spielberg's love life, at least a few paragraphs worth.

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That's a good, key book about the movie business in the changing 70s and 80s. As with all such books about Hollywood(a town where "hype is reality"), one has to take the stories with a grain of salt, but the author(Peter Biskind) often got stories to match up, or quotes on the record, so it is as close as we are going to get. The book was also called "ex wives revenge" because the exes and their friends dished away. A famous, proven example: Director Peter Bogdanovich and his wife Polly Platt collaborated on his key films The Last Picture Show and What's Up Doc, but soon Bogdo dumped Platt for his star Cybill Shepard. Documented.

Interestingly, during this time when a lot of young directors and producers had wives for the dumping, Spielberg was still single and rather work-obsessed. He probably NEEDED to have women coming at him.

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Around the time he directed Jaws he was pretty naive, to say the least. Margot Kidder taught him the ropes, not to be such a dork, wear decent clothes, something besides twinkies in the fridge. Then, this happened: "One day, Spielberg and comedy writer Carl Gottlieb, an old friend, were having lunch in the Universal commissary, when Victoria Principal, then a starlet with a tiny role in Earthquake, plopped down in the seat next to Steven and stuck her chest in his face. According to Gottlieb, she said, “I’d like to get to know you better.” To him, her body language said, “If you want to fuck me you can, if I can be in a movie.” She had reached under the table and grabbed his crotch. (Principal says they were just friends.) “Steven briefly brought out Victoria Principal to the beach, which was a stunner for all of us,” says Kidder. “We prided ourselves on not being bimbos, and here was a bimbo with our beloved Steven. It was like, what? We tried to discourage that.”

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Ha. You see? Not just an "ex wives" book, but a "platonic girl friend's revenge book." Taking the stories(again) with a grain of salt , we can see that the "casting couch" is/was a flexible piece of furniture. Men wanting women; women offering themselves to men -- or in gay relationships. MeToo has done some good but it seems to be fading as too much of the story gets told.

As a matter of "public record" -- confirmed by the key players -- Victoria Principal is the focus of another early 70's Hollywood tale.

Principal had a small role in the 1972 Paul Newman movie "The LIfe and Times of Judge Roy Bean." Anthony Perkins was in the movie, and evidently a lifelong gay man at that point in time who had never been with a woman. Newman pointed Principal at Perkins for a "little fling," which was had (confirmed by Principal and the late Perkins.) Perkins' first woman. A year or so later, Perkins married a woman and had children with her thereafter.

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I found this tidbit as well: "A female friend of a friend was brought out from L.A. for recreational sex. She slept with him, and left".

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Aha. That's probably where I read it about Spielberg on Jaws.

A number of my posts on moviechat are derived from the books I have read about filmmaking over decades. I'm sort of sharing what I read with those who did not get to read these books.

But its nice to connect with someone else who has read these books..

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Also, legendary director Hal Ashby said "When one's gone, open the window there's another one climbing in"

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There's no business like show business.

I've considered this: pretty women are used to be hit upon all the time, but moderately attractive men -- not so much. And yet in Hollywood, moderately attractive men get hit on a LOT. It must blow their minds, and it lasts as long as their power does.

Is all this gossip? Sure, but so linked to the creation of the movies of history, that its part of the deal.


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Biskind's book is a great read, hard to tell what's true but I think he described the 70's Hollywood vibe pretty well. At the very least it didn't pull any punches, I bet Spielberg, Schrader, Marty, Coppola, etc. would love to kill him.

One of my favorite parts of the book was probably something nobody would care about. Hal Ashby did a lot of drugs, got into trouble, lots of fights and burned a lot of bridges. Later, in the 80's he got sick with cancer. On his deathbed some of his estranged Hollywood friends came to visit. As sick as he was he screamed at them for waiting until the very last minute to come see him.

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Biskind's book is a great read, hard to tell what's true but I think he described the 70's Hollywood vibe pretty well. At the very least it didn't pull any punches, I bet Spielberg, Schrader, Marty, Coppola, etc. would love to kill him.

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There was a "nastier" book by Julia Phillips, called "You'll Never Eat Lunch in This Town Again." She ratted out a few of those biggies, too -- but with perhaps less fact checking.

Phillips got rich off of co-producing three movies -- The Sting, Taxi Driver, and Close Encounters.
But as she honestly relates in the book, after divorcing her producer husband Michael Phillips and alienating Spielberg, suddenly Phillips had no work, suddenly EVERY SINGLE MOVIE she pitched to studios were turned down. She lost all her power, wrote this revenge book, died young of cancer. (She was a self-confessed big druggie during this time.)

Still, she had some stories to tell...I'm a big Richard Boone fan. She was not. She was against Boone getting the Robert Shaw role in The Sting, but Boone turned it down anyway. She noted "Boone was too drunk to read the script." This from a druggie.

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One of my favorite parts of the book was probably something nobody would care about. Hal Ashby did a lot of drugs, got into trouble, lots of fights and burned a lot of bridges. Later, in the 80's he got sick with cancer. On his deathbed some of his estranged Hollywood friends came to visit. As sick as he was he screamed at them for waiting until the very last minute to come see him.

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Yes. Ashby bore Warren Beatty particular animus, because Beatty -- rather an amateur doctor/hypochondriac -- pressed Ashby to see a doctor about something and when Ashby got the bad news...Beatty got the blame.

This was in one of those books, too!

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There's also a book "You'll Never Make Love in This Town Again" where prostitutes tell their inside(haha) stories about Beatty, Don Simpson, George Harrison(hilarious), etc. Don Simpson did some horrible things, very dark side to him. Oh, one hooker brought her young trainee to Robert Evans house. Evans, a notorious horndog, started sweating profusely, licking his lips, in anticipation. Well, the young lady had already taken too many drugs, couldn't perform, and threw up on his carpet. Honestly ALL the hookers in this tell all were way more messed up with their customers, except for Don Simpson he was the worst ever.

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Hmm...rather a "descent" in "tell all" books about Hollywood. (I started it, I guess)

From the Biskind book (mainly ex-wives dissing)

To the Julia Phillips book (burning her bridges as a once-hot, now failed producer)

To the hooker book(with title amended from the Phillips book.)

One must keep wondering "what is the real story."

I will say this about the hooker book:

For most men so inclined, the services of a top grade call girl will take a hefty part of a month's pay or more to pay for -- and only for one time. So...no go.

For the very rich men of Hollywood -- money's not a problem, so hookers(for some of them) are a way of life.

This is why traditional marriages and family in Hollywood can be virtually unthinkable. Certainly for the Don Simpsons of the world. Indeed, a number of the unattached men in Hollywood have been quoted (anonymously) as saying "I pay the hooker because when we are done, she goes away."

It is at once a "dream of lustful fulfillment" and a recipe for failure as a human being with true connections. You can end up very lonely at the end.

Which is why maybe its better NOT to have enough money to pay for hookers constantly.

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I wonder what's more disastrous; single rich celebrities who only pay for ho's? or married rich celebrities who still choose to pay for ho's?

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Interesting. I didn't think Spielberg got laid until he was in his 40s.

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That's actually quite fascinating. And yeah, she was cute. Did she have a name?

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Her name is Carla Hogendyk.

A short article about her time on Jaws, and her relationship with production aide Joe Alves, along with a photo of her in 2011(still looking quite pretty) is in the "big picture book": Jaws: Memories from Martha's Vineyard. A fun "visual read."

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That is a great book. I met the guy who made it. I think it was at an NYC ComicCon. He even had one of the yellow barrels from the film.

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This was an awesome read!! Thank you!!!

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Thank you for reading!

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That's interesting. She does stand out. I just watched the movie for the first time in years, and when she came on screen I found myself wondering, "who's that cute girl?". They should have gotten her for an interview for the special features.

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