MovieChat Forums > Mame (1974) Discussion > I thought this was awful

I thought this was awful


As a big fan of the original film, I finally watched this version. I found it forced, miscast and nowhere near as good as the original. I thought the only interesting performance was by Bea Arthur. Lucy was woefully miscast as was most of the other characters. Her outfits were about the only saving grace.

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Like some other less-than-successful stage-to-screen adaptations, MAME couldn't quite convey to the viewer what all the fuss was about, what made it such great entertainment on the stage and kept it running for so long.

"Somewhere along the line the world has lost all of its standards and all of its taste."

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Like some other less-than-successful stage-to-screen adaptations, MAME couldn't quite convey to the viewer what all the fuss was about, what made it such great entertainment on the stage and kept it running for so long.

"Somewhere along the line the world has lost all of its standards and all of its taste."

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I saw the film upon original release and agree with you. The film starts out with a musical number ("It's Today") that took a lot of effort by everyone concerned including Ms. Ball, but comes off on the screen from the editing room as very forced.

Given the fact that I am now about the same age as Ms. Ball when the film was made, I would have to give her credit for a lot of hard work. Despite having had a broken leg from a skiing accident before filming began she works hard, doing Onna White's choreography with lots of lifts, but her performance doesn't quite work. Unfortunately the voice can't carry the songs.

Liked Robert Preston.

Not crazy about the costumes. Orry-Kelly did a much better job for Ms. Russell in "Auntie Mame" - they explained the character without being distracting.

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As a big fan of the original film, I finally watched this version.


This is the "original" film of Mame. The 1974 film with Lucille Ball was the first time the musical had been presented on celluloid for commercial release.

Much of the criticism regarding story line and character development directed at this film when comparing it to the Rosalind Russell vehicle Auntie Mame also applies to the Broadway version of Mame, since this 1974 film is pretty much loyal to the Broadway show.

IMO, rather than a "remake" or "original", a more fitting description of Mame is that it is loosely based on Auntie Mame--just as Hello, Dolly! is "based" on Thornton Wilder's The Matchmaker and My Fair Lady is "based" on George Bernard Shaw's Pygmalion.

The musical and straight-up comedy stories are vastly different. As is frequently the case when adapting for the Broadway musical stage, dialogue, storylines, and entire characters are compromised, modified, or dropped in order to make way for musical & dance numbers. Lucy's performance or suitability for the role shouldn't be blamed for this disparity between the two stories. They are separate issues.



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Actually, MAME follows the original AUNTIE MAME script pretty closely.

"Somewhere along the line the world has lost all of its standards and all of its taste."

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