I'll admit the ending was a bit of a let-down and murky, but here's a quick synopsis of the segment as I understood it.
Timothy inherits many antiques from old relative, among them a penny-farthing and a sepia portrait of "Uncle Albert" (I'm unsure if it's HIS uncle, or someone else's for various reasons -- as in time incongruity). The portrait is somewhat alive, and compels him to ride the penny-farthing which transports him physically and psychically to the turn of the century where he's apparently in some kind of romance with a girl who is the doppelganger of his current girlfriend and partner at the antique shop.
While in the past, Timothy (who is now Uncle Albert despite Albert also being there as a silent, vigilant, living statue) learns from the girl that she dreads he will commit some act that will prevent them from ever being together.
Exhausted, and now in the present, Timothy and his present-time girlfriend try to destroy the penny-farthing. Via telekinesis, Uncle Albert's portrait blocks the girl (Suzy Kendall) from helping Timothy (Peter McEnery) who has thrown an oil lantern at the portrait in an effort to "KILL!" Uncle Albert. The penny-farthing catches fire and Timothy is coerced to ride it one last time, aflame, into the past where he is also on fire. Meanwhile the portrait has killed the current girlfriend with a flying dagger and has itself been incinerated. Timothy returns to the present, burned as the police and firemen barge in. Back in time, Uncle Albert is similarly burned and possibly dead and looking like a charred stone statue while his then-girlfriend screams away.
Timothy insists he killed Uncle Albert but he is institutionalized for having killed his girlfriend, which he did not.
It didn't make a lot of sense, but it was mildly entertaining based on the strength of personality and acting by McEnery and Kendall. The portrait's moving eyes and exaggerated facial expressions were laughable... hopefully intentionally so.
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