Gee, Thanks Elvira


You know it's hard enough to get people to take low budget B grade Euro Horror seriously as it is without Elvira and her boobs getting in your face with all sorts of cheap wise cracks. I used to like her but dishing it out to DEVIL'S WEDDING NIGHT is a new low. Maybe on late night TV it would come off as something other than a smug, smarmy, unfunny ribbing of a very special little movie that deserves to be seen it it's unmolested form, but her DVD of this is a genuine tragedy for Euro Horror fans. Whats sad is that it's infinitely easier and less expensive to obtain than even one of the poor quality public domain DVD-R burns of this movie, let alone the majestic widescreen version from Japan. I bought her DVD in the same manner one might open up a carton of milk that they know has gone bad to see the chunks and simmering ooze of rot for themselves.

Yes sports fans, for $6 or so you too can laugh and guffaw like a skull chucked moron at an imaginative, perverse little thriller that has never gotten the treatment it deserves in North America. Laughing at DEVIL'S WEDDING NIGHT or DRACULA'S GREAT LOVE is like laughing at a Bob Ross painting or somebody doing an impersonation of Mister Rogers. It may be absurd but of this is anyone's idea of "funny" then your sense of humor is on the same level as fart jokes or watching an old lady fall down a flight of stairs; It's shallow and cruel. Like her movies are anything to be proud of. The worst part about it is the Guilt by Association stigma that will now be attached to the movie -- If Elvira dished it out, why even bother looking at the thing for any merit? Better yet why take horror as a genre seriously at all. It is the one form of social expression where you can really take a gamble on "new" ideas, or at least it was before this PG-13 crapfest of dumbing down movies began.

Nowadays you have these new movies like SAW and HOSTEL and CHAOS that don't deserve more than one word in their title and are designed to mortify viewers with imagery they might see on a battlefield in Iraq, and that passes for horror. It's just not the same as an actual concoction involving music, visuals, performances by actors, and atmosphere. DEVIL'S WEDDING NIGHT was written by the guy who made BLOODY PIT OF HORROR and has cinematography by Joe D'amato before he became Joe D'amato. It may not be Coppola's BRAM STOKER'S DRACULA but it deserves to be seen unmolested and without some kind of deck-stacking to convince viewers that it's all a ridiculous farce. Same with DRACULA'S GREAT LOVE: These are marvelous little fairy tales for grown ups made at a time when anybody anywhere could make a movie with no money really, and the cinema because a genuine international form. It was a special time that is gone forever and witnessing Elvira take a dump on that tradition is nothing short of sickening. These DVDs will be on the $5.99 rack before Christmas is over, a shameful devaluation of a cunningly made little masterpiece of form over content and if Elvira couldn't hack it with her own career that is no excuse to dishing out onto those who could.

I don't know which would have been worse: This DVD or a Media Blasters hack-up job all incorrectly framed and perhaps made from a composite passed off as an "uncut print". In any event cult horror was better off when it was in the underground, fans of the genre should avoid this DVD and Elvira should just slink off into retirement. Sure you gotta make a buck, but please don't do it at the expense of my culture.

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I got the Elvira version. I originally went for it because it used to be a Wizard VHS release, Charles Band ran Wizard Video back then, and I'm a fan of his.

Besides it's not like this was shown on MST3K. That would've been cool.

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You know you waste everyone's time with the chip on your shoulder whinge over Elvira, without mentioning the fact you can actually watch the film sans her interruptions!

Sure the print is battered somewhat but let's be grateful this great film has been released in widescreen and uncut (ss far as I'm aware)...

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It's cut.

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Barely.

And it's NOT the print that aired during the original television broadcast of Elvira's show. Clips from THAT print can be seen in her little lead-ins to the commercials, and it's appalling. Where were you when distributors back in the day were allowing prints like that to circulate in the market, forcing fans to blow unseemly sums of money on illegal VHS boots and laserdisc rips and what have you. The whole reason this movie aired on her show over 25 years ago was because it looked like a piece of *beep* thanks to the few extant (and edited) prints that were on the market. When it aired originally on her show, DEVIL'S WEDDING NIGHT had none of the abundant nudity seen in this print, far less blood, and even less plot because much of that had been excised as well. It may still be a cut print, but the story is far easier to follow in this version than in any other legitimat version available previously. Granted, there are PARTS of this print that show the green slashes and specks consistent with an aged grindhouse print, but they seem to be most prominent only at reel breaks (or the occasional splice). The colours are strong, the widescreen lensing, though not EXACTLY the original dimensions, is intact enough to showcase some fine visuals and sets, and the story is fairly easy to follow (Elvira's cracks about being confused during on of her breaks don't hold up with this new print, as much of the material missing from the broadcast version has now been reinstated.

Frankly, I've NEVER found Elvira's host segments as intrustive as MST3K, who mock and belittle the movies for the duration of the running time. Watching these Elvira discs may induce the feeble-minded to follow the leader in deriding some classic exploitation and genre cinema, but those in the know can -- or SHOULD -- be able to separate her from the film proper with little forethought. If you can't, then you'll be waiting an awfully long time for a proper version of this film on a legitimate DVD, especially in this age of shrinking markets for niche material.

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Not unlike an evening in Fausto Tozzi's anus.

Sacred cows make delicious hamburgers.

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Bullseye, OP!!! :>)

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I feel your pain, Squonky.

A few weeks ago I went to see a screening of The Fly (the original one starring Vincent Price, not the remake by that mentally-ill hebrew Cronenberg). I was surprised to see in attendance quite a few subculture types in their late teens or early 20s, the kind that have dyed-black hair and tribal piercings. Usually old movies don't attract that kind of a crowd at that theater (or much of any crowd at all, for that matter).

I thought to myself, "well, maybe this movie has developed a cult following," or "maybe the brighter kids today are tired of the crap that plays at the cineplexes and are rediscovering old movies."

As it turns out, I was being naive. Those low-down punks were there to laugh at the movie, not appreciate it. Granted, there are some things in the movie that are genuinely funny, and a few that I can understand might be regarded as quaint by today's standards, but these kids were clearly there to make fun of it, to mock and to ridicule, to turn it into another Rocky Horror Picture Show.

I wonder what these uber-cynical faux-nihilistic trendy "cool" kids of today are watching that is so superior to this classic? Perhaps The Fly didn't have enough junkie murder-suicides and homosexual toilet sex for their liking?

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"Mentally-ill hebrew Cronenberg"? "Homosexual toilet sex"? I think you've got some issues...

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