The gay man.


I liked the film quite alot, but the stereotypical gay man with the stereotypical "gay" voice was a big facepalm. Anyone else agree?

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Dude, it was the 70's, just be glad it even had a full-on gay character in it.

And by the way, stereotypes come from guys acting/speaking exactly like this guy (sorry, I live in Amsterdam and I know). So what is it: stereotype, or a believable re-enactment of a common type of homosexual male?

Did anything bad happen to the guy because he was gay? Nope. Was he at the receiving end of some comic relief because he was? Nope. Was he in the car to pick up Keitel and his boys and pose a threat to their masculanity? No. He was just there because it's the 70's in New York.

Please rein in your anachronistic political-correctness. You'll enjoy more movies, and you probably live longer too. ;-)

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I thank you for your intelligent response. :) (Not sarcasm).

While I agree that there are men like that perpetuating the stereotype, I felt the inclusion of the character himself to be unneeded and just spreading those stereotypes further. Sure, it's okay if he's flamboyant. But the character was just annoying and stupid.

So, I agree that it might be accurate to some degree, but it was unneeded and doesn't help.

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I agree. I understand that the previous poster said that it was the '70's in New York so that's why the gay man was included, but it was still unnecessary for the development of the film. I'll admit, the guy makes me laugh when I watch it, but it still wasn't needed.

"It's gonna happen. All the people who change the world die in violence." 2pac

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Well then that leaves me to believe that Scorcese put it in there for comic relief (which was actually funny imo because of their reactions to the gay dude) and also, based on what he experienced in real life New York because remember, this movie is sorta like a documentary on the things he witnessed while growing up in New York. Maybe Scorcese encountered a gay dude in a similar situation as Deniro and Keitel's characters in the movie and thought it was funny and decided to put it in there. I don't think he was trying to specifically point that out like "oh, gay people exist and they're disgusting" he just included that scene based on his experience and he's just trying to depict his experience in a thorough fashion

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I understand your point of view. I was just saying that the guy wasn't completely necessary, vital to the film's development.

"It's gonna happen. All the people who change the world die in violence." 2pac

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True, well I thought there were a lot of moments that weren't really relevant to the movie's development, they were very random to the point that you almost forgot the movie had a story, but like I said, it's supposed to be like a documentary movie of some sort, so they just film a couple of random scenes. It's like Scorcese himself going around New York with a few buddies and a camcorder and just filming anything that catches his eye. Bottom line, it was still memorable. It's Scorcese so I'll the accept randomness from him, if it were from any other person, I would've been pissed as hell

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ok cool.

"It's gonna happen. All the people who change the world die in violence." 2pac

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hey this might be a known cameo/little gem but i havent found much on google so i ask here:

when the gay guy in yellow outfit and his friend get in the car after the pissed guy has been repeatedly shot in the toilet, right after they leave the club. the gay guy starts yellin to the people out on the street and about the 3rd shot showing the surrounding streets i bet all my money there is WOODY ALLEN walking down the sidewalk! no kidding!

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Wow, I haven't noticed. I've watched Mean Streets about 5 times, but everytime that scene shows up, I'm so focused on the gay man that I'm not paying attention to anyone on the street. The next time I watch it, I'll look out for Woody Allen.

"It's gonna happen. All the people who change the world die in violence." 2pac

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why in the worl r u guys focused on this guy?

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Why not? What's wrong with talking about any part of a movie? Isn't that what this website's for?
It was a brief scene, but it stood out and was kind of jarring; the broad comedy seemed out of place with the rest of the movie and it had nothing to do with the plot. So I'm not sure why it was in there at all.

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are there any heterosexuals here that watched this movie besides from me?

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Oh, I see. Anyone who discusses a scene involving a gay character must be gay. But if you're straight, why would you be reading this thread?

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hey i have nothing against u beeing gay, i just LOVE his film and thats why i read this thread, iam just saying its seems like u guys r thinking of brokeback moutain not a great movie like mean streets

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You just LOVE his film? Really, really LOVE it??? Now that you mention it, it is kind of like "Brokeback Mountain." You must LOVE it for the bromance between Charlie and Johnny, and the close-up shots of Harvey Keitel's manly pecs, all those macho characters and the scenes where they wrestle with each other.
But really I don't give two squats about whether there's a homoerotic subtext or which posters are gay. We were just discussing one little scene on a big board. You're the one blowing it (haw) out of proportion.
Anyway I'm done arguing with the poster child for Generation Moron, so he can have the last word.

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if you like brokeback then stick with it, and its ok that ur gay, its not my fault

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I think that scene was put in there to show how crude the main characters were...the whole film is almost a *face to palm* to Italians. But I don't think that was really the point of the film...all of us are crude, lowly and horrible when we don't think people are watching.

I like this movie for it's true to life characters, even if they're behavior makes us uneasy.

And I can say for myself that Harvey Keitel's actions in regards to the black female dancer made me feel very uncomfortable considering I am a black woman. But oh well.

It is a excellent film.

I love Taxi Driver, Raging Bull & Alice Doesn't Live Here Anymore...and NY NY even though everyone else hated that film.

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Cool...love your signature by the way..Raging Bull!!!!

"It's gonna happen. All the people who change the world die in violence." 2pac

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Why in god's name are you quoting a moron like fudgpac?

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It does not bother me at all that you think he's a moron. That's your opinion.

"It's gonna happen. All the people who change the world die in violence." 2pac

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Holy Crap I think that is Woody Allen haha! If it isn't him that dude really looks like him.

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The guy's too thick in the face to be woody allen...he just has the same style sense and receeding hairline.

for anyone who's interested, he's at 47:34 walking under the yellow SALE 1.99 sign

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"same style sense"

Or lack thereof

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not even close!!..I will gladly take you up on that sucker bet or any other films where you THINK you see a famous celebrity

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@cry_ablaZe
Close but no banana... It is definately not Woody Allen.
The guy could double for him though.

Anyone wanting to check it out the scene is 47:22 minutes in.






I`d buy that for a dollar

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Nah, it doesn't look like Woody Allen to me. Just a skinny guy in glasses.

"Weirdness was all he cared about. Weirdness and sex and plenty to drink."

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I thought I saw Woody Allen too. But, after reading all this I just had to find it and scrutinise it in slo-mo, and it isn't him, just a bloke with a very strong resemblance


If it's a boy, do you think it will look like Rodney? It doesn't matter as long as it's healthy!

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Not Woody Allen, but not that far : https://i.imgur.com/HzF6NHe.jpg

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I agree with davesoprano and ahmertension. This is a movie full of seemingly "random" moments which do not necessarily further the plot in any way, but instead weave a nuanced tapestry of life on the streets of Little Italy in the 70's. Not only that, but MANY of these little moments deal with varying prejudices of the times (be it racial, political, sexual, etc.) For this reason I think the short scene with the gay man fits right into a movie full of fleeting moments and secondary characters that tug on the social values and intolerances of the time. This particular scene is the most obvious one in terms of homosexual intolerance, but it highlights an undercurrent of homoeroticism that exists throughout the film, especially between Johnny and Charlie. The overall point, though, is you can't put too much weight in any of these moments(including & especially the disputed bond between Johnny and Charlie) because the movie exists necessarily as a whole, a mish-mash of colliding beliefs, values & ideologies in a particular time in a particular place. To say that this is a movie about racism, or about homosexuality, or whatever, is over-simplifying the matter.

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Friendship =/= homoerotic bond. Why do gays have to try to make everyone/everything else out to be gay too? How about accepting that others are different, just as you request?

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This argument makes no sense. So everything in every movie needs to be directly supporting the main plot and story, or it shouldn't be in the movie? Random *beep* happens in real life, and movies should contain some elements of randomness.

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Well then that leaves me to believe that Scorcese put it in there for comic relief (which was actually funny imo because of their reactions to the gay dude) and also, based on what he experienced in real life New York because remember, this movie is sorta like a documentary on the things he witnessed while growing up in New York. Maybe Scorcese encountered a gay dude in a similar situation as Deniro and Keitel's characters in the movie and thought it was funny and decided to put it in there. I don't think he was trying to specifically point that out like "oh, gay people exist and they're disgusting" he just included that scene based on his experience and he's just trying to depict his experience in a thorough fashion


I thought that scene was hilarious xD

"I am the ultimate badass, you do not wanna `*beep*` wit me!"- Hudson in Aliens.

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The gay scene IS essential to the film, just as the Catholic and 50s music is. The MEAN STREETS characters live in the world of the 50s. They wear ties and have short hair, with the exception of Johnny Boy whose outsider status is highlighted by his casual dress and sloppy hair. The gay man is there to show that the characters of MEAN STREETS exist in an insular, anachronistic world of their own.

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Not all “stereotypes” are completely inaccurate and such a creature as the flamboyant queer does exist in real life, believe it or not. They might only be representative of a minority of the homosexual community – and other gays are quite as likely to find them as obnoxiously overbearing as anybody else – but it’s not an unrealistic persona and there’s no reason why Scorsese shouldn’t have the character in the movie.

For what it’s worth, the humour in that scene is at least as much derived at the expense of the Italian street guys - with their exaggerated fear of compromising their masculinity through association with a couple of fags - as it is from the over-the-top performance of the flaming queen.

Mean Streets is a depiction of the day to day lives of a group of minor hoods who grew up in the urban backwater of New York’s Little Italy in the 60’s and 70’s. These are uneducated characters from a working class background, not especially noted for their tolerance, sensitivity and broad minded acceptance of alternative lifestyles. The movie is informed by its characters’ point of view and expresses some of the casual bigotry which was common to their place and time.

Some viewers might prefer these characters to be informed by the same brand of post-90's political correctness they themselves have come to accept as the cultural norm; however, this would not make for a very authentic movie.

THE INQUISITOR
Movies, Culture, Opinion and more...

http://robertod.wordpress.com/

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I agree with the OP. Playing a flamboyant gay character for laughs is not necessarily bad (see Family Guy or South Park), but this one was a cringingly bad performance, about the level of a seventh grader doing a f-a-g imitation. It all too obviously pandered to audience's prejudices.

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what?

i love how everyone picked up on this, but didn't mention the numerous racist comments through out the film. scorcese wasn't trying to be bloody PC he was trying to portray that place the way he experienced it - a society which was very homophobic and very racist

and the presence of a flamboyant gay man helped showcase how all those macho small time hoods felt threatened with him around, and start acting overtly macho. and it becomes especially poignant because charlie and johnny proceed to spend a very romantic night together, walking the streets and playing around before going to sleep in the same bed. it is a great scene because it explains how these guys are loath to be thought of as gay, yet the people they are most emotionally intimate with are other men.



Everything is Becoming, Nothing Is - Plato

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ok will everybody please stop trying to see there is some gay aspect to this film because there is not.

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I think it was an accurate portrayal of the make up of NYC at the time. If the movie DIDN'T have a gay person, or blacks, asians, puerto ricans........ would it really have been as accurate a portrayal of NYC at the time? I don't think so.

I will admit that the gay guy was over the top. Most gay guys (and I am not really an expert) I know do not act that way. Of course, it's not 1973 anymore either.

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So why do you think the boy shot the drunk in the toilet? This isn't explained, but a plausible interpretation is that the two were lovers who had had a quarrel. Various details in the film support this - the fact that the boy takes aim at the drunk's crotch when he has been taking a pee; the way the boy reveals his long hair when he prepares to shoot (he 'becomes' a woman), his hesitancy to finish the job - and not least the fact that the scene is followed by the appearance of the flamboyant gay man.

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i had a very different interpretation of this scene, and i thought it was relevant to the development of the film.

i was actually surprised at how tolerant of the gay men the main characters were. as these late 60's macho Italian tough guys we expect them to be homophobic (as they are to a degree, calling them *beep* and whatnot) but they still give them a ride in their car and i think this shows a little bit of the 'we are all in it together' attitude of living in a crowded community like Little Italy. they may be homophobic tough guys, but these guys were from their neighborhood so they let them ride in their car.

also, i don't know if his behavior was as much a gay stereotype as much as a very accurate portrayal of the way a lot of people behave when they are totally wasted.

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I liked the film quite alot, but the stereotypical gay man with the stereotypical "gay" voice was a big facepalm.

This isn't the only example of stereotypical behavior in the film. Near the beginning when Charlie is in the bar watching the black stripper dance, his voice over says:

"You know something? She is really good-lookin'. I gotta say that again. She is really good-lookin'. But she's black. You can see that real plain, right? Look, there isn't much of a difference anyway, is there. Well, is there?"

Even though he finds her attractive, since she is a black women he questions where ever there is something wrong with her or not. Going back to the topic of the thread, I wasn't offended by it and personally I found him funny to watch even though others think the portrayal isn't correct. But it was the 1970s where there was still some people who had old fashioned views on people such as gays and blacks.

"T'ank you veddy much!"

(Formerly The_godfather_06, Godfather_07 & Mr_Martini_08)

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Some people? Most people, probably.

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Agreed, they were very tolerant of an incredibly over-the-top and agressive gay many.

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The character of Johnny is funny, sure. Charming, perhaps. Friends since childhood. Ok. But he is a great liability to the organisation as a whole and I struggle to see why Charlie is so faithful to him. Johnny seems to have little respect for Charlie’s authority and Charlie seems to get very angry with Johnny on a regular basis. Either Charlie was never a leader in the first place, or the script is slightly weak – or worse still...de niro over acted.
Why on earth would Charlie risk his own future for a man who has no care for Charlie in that way? Charlie could have lost his life due the smart-ass antics of Johnny, and Charlie made this clear to him. Yet he still continued to act like a wild cowboy.
I understand that he bought him to the Fat man’s place to sort things out. Johnny went wild and things kicked off. That should be one lesson learnt.
Why did he let him talk such disrespect to important people when he knew there would be serious ramifications? Why did Charlie allow Johnny to get away with shooting his gun on the roof knowing it can attract wrong attention? Why did he let Johnny grapple with him causing the serious injury to his girlfriend? Why did Johnny get away with then screaming at him and telling him not to touch him when he had just caused the near-death of his girlfriend? And why did he stand aside as Johnny insulted and pointed a gun at a made guy? Why did he not intervene, why instead did he just shout at him after it was said and done? Why did he allow Johnny to then push him away when he was about to give Johnny a good telling off?
These situations are so much and so strong that it causes me to wonder about the authenticity of that part of storyline.

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Stop reposting stuff you put on another thread, looking for attention! Get back on point!!!

"I agree with SonOfZyut - it is character development for these guys.

"COME ON MAKE A MOVE!!!!!!!!!" - Dutch

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People need to stop being so uptight. The flamboyant guy is pretty funny. I believe that audiences who are offended by this character are themselves homophobic. He is not a weakling. He is not apologetic about his sexuality. Hell, NYC during that time was electric with gay sexuality--the leather bars, the bathhouses, etc. If anything, the character is being High Camp; he is aggressive in his sexuality and he sends up the macho attitudes of those Italian boys.

Robert De Niro's father was himself a bisexual artist and had an affair with the poet Robert Duncan. De Niro, who loved and respected his father very much, had no problem with the gay guy role.

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ok people this is mean streets not queen streets, and dude seriously do not bash De Niro's father because u would want him to go down that road

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Hah! If you think this gay character is over the top, you probably haven't seen a lot of flicks from the early 70's. Try THE BOYS IN THE BAND (an Off Broadway hit written by a gay man), FORTUNE IN MEN'S EYES, SHAFT, THREE THE HARD WAY, THE KILLING OF SISTER GEORGE (1968, but close enough for jazz), ROCKY HORROR PICTURE SHOW, THE RITZ, et al.

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I never understand things like this. A director might say he made a movie made from his experiences in life. That could include a flamboyant gay man. If you haven't seen a flamboyant gay man, that doesn't mean they don't exist. This is the same with over the top conservatives/gun activists in movies now. Do they exist? Sure. Are all of them like that? Not all the time.

Be the bigger man, realize it is a stereotype, better yet, notice how it's a movie character, and move on with your life. This is one little character in one of Scorsese's early film career. Did you notice a pattern, does he do this every movie? No, he doesn't. If you're going to go back and criticize the director of a film from 35+ years ago for perpetuating a stereotype or bad image, you should also go out and point that out to every person who actively perpetuates a stereotype in real life, too.

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why not?

Also, the scene was funny

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How did he "bash" Robert De Niro's father? By saying he was bi-sexual? Well the truth is his father was gay, and that not insulting. Robert De Niro has talked about his father being homosexual in interviews. It's unfortunate that in this day and age some people are still so ignorant.

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Largely agreed, although he certainly appeared to be an effeminate weakling.

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Honestly, I thought the gay guy was one of the most authentic and amusing parts of the story. This clearly wasn't acting, it was an actual heavily flamboyant homosexual, quite in character for the time. And it was interesting how aggressive/out he was, and how tolerant the other guys were towards him.

There are obnoxious gays, just as there are obnoxious straight people. (The same is true of minorities, etc.) If you want to complain about how such people ruin things for everyone else, that's one thing. But I'm not sure we should attack Scorsese for honestly depicting one such character. He also depicts annoying, douchebag, racist Italians -- and no one's complaining about that.

I'm honestly far more offended by the stereotypical depiction of the unbalanced Vietnam Vet.

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(I do understand how this could be offensive to a non-flamboyant homosexual, though.)

Just to note, someone was saying how Charlie's devotion to JB didn't make sense. The whole point of the film is that Charlie is trying to find redemption through trying to help JB -- he's his cross to bear. Of course no one would help douchebag JB without some ulterior motivation. Here, it's religious.

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We had to watch this film for my film module. The point wasn't to stereotype the gay man, but to make the point that Charlie and Johnny Boy are not gay. It was about cementing their identity as purely heterosexual Italian-American males. When taken in context of the next scene, you can see why Scorsese would have wanted to do this, especially in the 1970s; in the next scene, Charlie and JB are sharing a bed in their underwear, clearly about to go to sleep.
It was about negative identity - defining who they are by what they are not.

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Excellent analysis! Thank you.

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I'm 99% positive that the character was included because he was real, ie represented the different people that populated these Mean Streers. I'll bet you any money that when Scorsese lived in that neighbourhood and had these experience, he knew someone who sounded and acted exactly like that gay man they gave the ride to from the bar.
Its not a fabricated stereotype, but a mirror of the people who exist there.

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Considering that we still see this same stereotypical gay man in movies and on television shows, prevalent on a network cable channel's various programming *cough-Bravo-cough* shows, I didn't find him all that intrusive to the narrative.


(¯`i´¯)´·¸.)‹^›

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