Good series, not on par with The Godfather...
Well, maybe its on par with The Godfather Part III...better even. But within the first few minutes of the first film in this nevertheless entertaining and engrossing epic, it become apparent that this film's reputation as the "Japanese Godfather" is unjustified...it simply can't compete with the first two chapters of Coppola's saga.
Look, for example, at the clumsy way in which the characters are introduced in this film. Rather than meeting the characters through a poetic introductory device like the wedding in The Godfather, this films' director (I can't write his name because it is too close to the F-word and will be *bleeped*) simply throws text up on the screen, introducing upwards of ten characters in the first 10 minutes of the film with little elegance. Hell, there isn't even enough time to read the names before we're off to meet the next "important" character.
Are we supposed to keep up with this? Thank God for the "rewind" button (not to mention a pen and paper)!!
But seriously, there is such a thing as requiring TOO MUCH work of the viewer, and this film meets the criteria for that charge to a T. We shouldn't be required to write down the names of the characters (and possibly sketch out their physical characteristics) just to have a prayer of following the story. Coppola didn't require this, why does this film?
I don't want to make this film seem unappealing. If you know what you're getting, you WILL be satisfied. This is an excellent yakuza film, unquestionably one of the best of the 1970's. However, it is not a classic on par with the greatest and most legendary gangster film ever made...not by a long shot.
Rather, the film bears a stronger resemblance to the bloody samurai films of the era, namely Lone Wolf and Cub and Lady Snowblood. They are not samurai films, of course, but the cinematography and approach to violence bears a stronger resemblance to these films than American mafia films. Since I'm a fan of LW&C, I enjoyed The Yakuza Papers, but while I felt the distinctly "Japanese" approach to the violence enhanced those films, here it makes the violence seem a bit on the cartoony side.
On last thing, I've heard this film called "much more violent" than The Godafather. That may be true in terms of blood, but in terms of the horrific repercussions of violence, The Godfather is more than its equal. For my money, there is no more nightmarish image of mafia violence than the garroting of Luca Brasi during The Godfather. The scene features little blood (only a small stab wound on Brasi's hand produces the "red stuff"), but the image of his face slowly disappearing beneath the bar as he loses consciousnes is still etched firmly in my memory.
All the gauze-wrapped severed fingers and fire-hydrant-pressured, blood-spurting dismemberments in the world can't come close to topping THAT truly shocking moment. See this film, but keep your expectations reasonable...you'll be glad you did.
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