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Major Important Questions That Need Answering (Spoilers)


Here are some important questions for those who paid very careful attention to the film:

1) At 27 minutes and 30 secs into the movie, what in the hell is on the screen?

2) One of the most important parts in the whole movie I found was when Laura meets the sisters for her psychic appointment. It all happens very quickly, but a number of clues are revealed...

Heather, the blind woman, actually pulls out a red mac and looked as if she intended to give it to her sister, but it was too late the sister had already left, so she stuck it back in her coat pocket. Anyone catch that?!

Right before this part, the sisters are killing themselves laughing at a framed picture, however when it cuts to the room again that picture is gone and now replaced with a tiny statue of a bust we are told is "Angus" whom we are to assume died. Anyone catch that?? Later towards the end of the film, the actual picture of Angus is back with the others and just before this, one of the sisters mentions something about "the miniatures we made for Jessie". Anyone catch this too? Who is Jessie supposed to be??

Also the sisters mention a Jocelyn early on in the bathroom scene, saying that Heather nearly injured Jocelyn by poking about. Is Jocelyn supposed to be the third sister and perhaps Jocelyn/Jessie are just names they use interchangeably??

This brings me to my next point...the third sister which only seems to be implied in the movie and never actually stated....

When going over the pictures on the table, one of them quickly mentions, "and there's the three girls" or something to this effect...implying that's them and there is a third sister. Is the serial killer at the end of the movie supposed to be the third sister? Or is this mysterious woman in the church supposed to be the third sister?

3.) More about this mysterious woman in the church speaking to Alberto...what exactly were they doing? It is spoken in Italian, which unfortunately I do not understand and seems to be a big part in cracking some of the clues of the movie. This woman is definitely up to something and you can see one of the churchmen opening a briefcase with papers...sort of looks like they might be arranging some sort of financial deal. Also, the two sisters state they are hopping on a plane and getting out of Venice in the morning, so I am wondering if they are involved in some kind of money scheme with the church if that there is third sister? Or, if the third sister is the serial killer (Heather did have the red mac in her possession at one point), that could also be why they are getting ready to leave Venice. The more I think of it though, I think the third sister is the serial killer because at one point towards the end, Heather says something to the effect of how her sister hates it down in the canal area where the sounds are different and that all the guests are "dead and gone". If you didn't realize there was a third sister, you would think she was referring to Wendy, but it all makes sense if the third sister was the serial killer.

4.) How are the women related to the church? They definitely have some sort of affiliation with it...they seem to be staying in the house/living quarters connected to the church. They are frequently in the church as well. On the wall there is also a picture of three women and a little boy. So, again this is a hint there is a third sister, but what is the connection between the real sisters and these holy sisters in the picture? Also, I assume the boy in the picture is Angus who somehow died, but I wasn't able to fit the pieces all together. Wendy had three sons...Anthony, Charles, and Angus, the latter of whom died somehow. Don't know if we are told how he died?

5.) That photo of Laura...it looks as though it was taken inside the house where she met the sisters, but can't be certain about that? Also, we have no clue why or how this would have been done...just throwing it out there though. Not exactly sure why it ended up in the garbage can either...we see John fish it out though and it is crumpled up.

6.) What is "did you have a row" supposed to mean?...Taking a boat ride in Venice, or going kneel and pray in the church row? Didn't exactly understand that in the context of the conversation or why the detective said that at all. Maybe, he was trying to find out if John was the serial killer...if he was rowing a boat in the water where the killings were taking place, then he could be a suspect.

7.) Another very subtle clue...John says the sisters gave his wife something that no one else could give her. I first thought that meant something abstract like hope and happiness about their daughter who died. However, right after this he says that he "went to look for IT"...implying that it was something physical. Anyone catch that??

8.) What was this whole damn medium experience about?? I mean she asks Laura if her legs are open and then when the camera cuts to the frame under the table it looks as if the blind woman moves Laura's hand between her legs...or very close nearby. Also, the blind sister seems to be going through some sort of sexual experience...just wasn't able to tie it all together.

9.) Why do they keep showing the bishop waking up? It's as if he is either having nightmares about these events or he can see the future himself.

10.) What is the medallion thing Wendy is always wearing? They zoom in on it a number of times in the movie...it must symbolize something important!

11.) Who was that woman in the bathroom at the beginning of the movie supposed to be? And why is she just sitting in the bathroom not doing anything, but watching them?!

12.) At the very end we see the glass of the church breaking and someone's leg sticking out with blood dripping down. It happened so quickly I had to pause the film to catch it. So, what are we to assume, that this is John's leg? I am wondering if the area the creepy serial killer in red lured him to wasn't somehow connected to part of the church? It is very dark and difficult to see, but it looks as though this could be a basement or underground wing connection of the church. This is the only thing I can think that would make sense as to why a bloody leg is kicking out a part of the church window glass.

13.) "Don't Look Now"...what do you take the title of the movie to mean?

Ok, that's it...a lot of questions I know. Hopefully, some people can shine a little light on the movie. I really wish I could watch the Italian speaking scenes in English...I think this would help to understanding parts of the film. I may just go back and watch the whole movie again...it was very well filmed, acted, and put together. This movie really intrigued me, especially these little subtle scenes that you have to pay careful attention to. Now, if I could just tie up the loose ends to where it all actually makes sense, I would say this is a masterpiece...we shall see.

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I really want to watch it again having read all of your questions! The only one I can answer is the final one: the first sentence in the short story that the film is based on is something like "Don't look now but I think we're being watched..."
It's said by the husband to the wife whilst they're in Venice and he's alluding to the sisters.

I could be wrong, though because I haven't read it since we did it in school- it's one of my favourite short stories and I'd love to get hold of the book again (-as well as the film). Sorry I couldn't be more helpful but you've intrigued me, so I'll hunt down a copy and make notes!

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It was a very intriguing movie I am going to watch it one more time...like a hawk...to see if there is anything else I possibly missed that can help put the pieces together.

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To be completely honest, I think you're thinking too far into it and placing too much significance in relatively trivial aspects of the film. While there certainly is a lot going on and, therefore, a lot to miss the first time you watch it, you must understand that not every little detail holds grand significance. I cannot answer all of your questions, but I will answer those that I know off the top of my head.

The first question of #4) At one point, one of the sisters states that 'second sight is a gift from God' or something like that when they are talking to Laura early on in the film. This led me to believe that they are simply faithful women who are grateful to have such a gift as second sight, which is likely why they seem to hang around the church. I truly think it's as simple as that.

#6) "Did you have a row?" means "Did you have an argument?" That's what the word 'row' means, though I must admit that I haven't heard the word used outside of this film in a long, long time. And yes, John and Laura did have an argument - about the validity of the sister's prophecies and the POSSIBILITY that Laura is only believing what she wants to belive and ignoring the fact that their 'daughter is dead. Dead, dead, dead, dead, dead' as John so eloquently puts it during their argument. The police chief guy only asks John if he and his wife had an argument because he doesn't know them and doesn't understand the dynamic of their relationship. Cops always ask things like this to uncover possible motives for crimes.

#7) When John says that, he is talking about happiness/inspiration/hope - whatever you want to call it. He even says that after having talked to the women and woken up from her little fainting episode at the restaurant, Laura seemed much happier, and that she seemed to be more accepting of their daughter's death. She had no real means of coping with it at the time, but meeting the sisters and having them tell her all those things about their daughter still being 'with them' and laughing, she felt much more reassured that there is more than what meets the eye and at peace with the loss. I don't know what you think John was looking for - you said he goes looking for 'IT' - but I'm pretty sure he's just trying to find his wife and/or the sisters because he's still confused about whether Laura really left Venice or not after having a vision of her on a funeral boat with the sisters and mistaking it for physical reality. In fact, he is so confused that he goes to the police and prompts an investigation on the matter.

#8) Have you ever experienced trance? Neither have I - not like that, at least. But people in a trance state do and say things that don't always add up to those outside of that state because that state itself is not aligned with what we perceive to be reality. It does look like she's groping herself and having an orgasm, but it's just an unconscious bodily reaction while her experienced consciousness is temporarily in a different state/dimension/realm that we call trance.

#9) The bishop wakes up during the final chase sequence, around the time when John dies, because he has the same strange feeling as everyone else involved - that something is awry. Dark foreboding, danger. It stirs him in his sleep. I feel like he seems to know, unconsciously, that something bad is going to happen to John. Watch the scene where John almost falls to his death in the church again, and the conversation he has with the bishop afterwards. He states at one point something like, "I wish I didn't have to believe in prophecy... but I do." The shot of him waking up during that time is a cinematic device used to reinforce the fact that all of these characters - the sisters, the bishop, John, Laura, the killer - are all connected through these mysterious happenings in Venice.

#11) Hahaha, that lady. I don't have an answer for you, but I asked myself the same thing. She doesn't even say anything lol. I just think it's funny how she's just... there. Really doubt there's any significance to her character, though. Probably just had to pee and ended up listening to a pretty interesting conversation.

#12) That is John's foot that breaks the glass. Watch the scene again. Pay close attention to the details of the setting. He follows the killer all the way up a winding stair case into this little room at the top, she slashes his throat, and he ends up lying on the ground and bleeding out. His body twitches a lot, as does his foot as it breaks the glass. Blood drips down from the little window where his foot pokes out and that his his blood because he is very obviously dead.

#13) The first person to answer this was pretty much correct. The title was derived from somewhere in Daphne du Maurier's original story. Actually, I have the Criterion DVD and there is an essay included in the booklet written by David Thompson. He says about the title: Her tale (Daphne's) begins intriguingly enough: "'Don't look now,' said John to his wife, 'but there are a couple of old girls two tables away who are trying to hypnotize me.'"

I know I didn't touch everything, but I hope this helps at least a little bit. One of my favorite things about this movie is that it doesn't exactly spell things out for you and really requires multiple viewings. Thompson's essay makes a good point: "...John's work is restoring churches - in particular, mosaics" and "like a mosaic, Don't Look Now is a collection of fragments that make sense only when arranged by a master craftsman."

Keep looking, but don't focus so much on the smaller details that you miss the bigger picture. :)

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I can give you a bit more information about the trance. Nicolas Roeg and Julie Christie attended a seance hosted by the medium Leslie Flint, and he asked all people present to "uncross their legs", and Roeg just decided to incorproate it into the film.

As for Heather's "orgasm", I think this is a significant scene in the context of establishing the authenticity of the sisters. It is is basically "proof of life": she is channelling Christine, and the previous night John and Laura had sex. Whether Christine is mimicing her mother, or Heather is watching John and Laura "at it" through Christine's eyes it basically lets Laura and the audience know that Christine has been present the whole time, and that Heather is the real deal.

As for Wendy's brooch, it is a piece of subliminal imagery and the shape keeps popping up throughout the scene. The shape even appears in the mosaic that John is repairing, and it resembles the shape of Christine's body as John plucks her from the lake. Along with the use of red and the presence of water Christine's death is recalled all the way through the film.

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Interesting...thanks to both of you for the input there. I think I have a little better understanding of the seance now...that seems to make a whole lot of sense. Gosh, I am going to watch this movie again!

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You know one point that you brought up that NOONE talks about is right before the sisters sit down with Laura and the blind sister pulls out the red mac and then quickly shoves it back in her pocket!!

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Also 27.30 into the film I think that's just showing the curtains while the wind blows in their room

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11) That lady is the lady who keeps de bathroom clean. You can also tip her for extra toilet paper. Not a very common thing to see nowadays but some toilets still have that lady sitting there.

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1) At 27 minutes and 30 secs into the movie, what in the hell is on the screen?

Obviously window scene with thin drapes, shutters, and rain.
http://i.imgur.com/pypgaIP.png

"Sorry. If I've not responded to you either it wasn't necessary or I've set you to Ignore."

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