So many questions
Has Mario Bava ever held a more lazily written script in his hands? Baron Blood may be a goodlooking and technically proficient film, but boy, did it leave me with some questions...
How does the supposedly wheelchair bound Alfred Becker get from one level to the other in the huge, sprawling castle? Even when he maintains his disguise as a cripple in the company of guests?
How does Otto von Kleist know where to find a doctor? And how does he manage to cash in his treasure hoard and establish a new identity in the blink of an eye? He seems to know an awful lot about present day Vienna for someone who's been dead for 300 years.
Why is Peter so eager to cast that damned spell? And why does Eva agree to being a part of it? At best, they cast the spell nothing would happens, making them look like complete idiots. At worst, they pointlessly bring back a dead mass murderer with a grudge against the world.
Does it strike anyone else as overly convenient that the professor just happens to know a psychic who just happens to own an amulet that holds the key to undoing the baron?