Steve's girlfriend?
I guess that was his gf, but why did she do that, and what happened to her?
shareBeen a while since I watched it. I think she cut her wrists for Steve's attention. Deep down she WANTED him to contact 911 and get her help. When it became clear he didn't care, and she called for help herself, more than likely she was treated and wisely decided to distance herself from him.
http://www.freewebs.com/demonictoys/
To be strictly accurate Steve's only concession is to toss the bleeding girl his car keys and advising her to drive to the sheriff's office who will presumably put in place the processes to save her. She staggers off and we never see her again - although she is later referred to. This is a heartless scene and part of a cold movie in which there isn't a character to care for. All the tension comes from whether Bishop and Steve will succeed or fail in their assignments. Until the end neither are under any real threat, and apart from Keenan Wynn's boorish, and irritating family and business associate, we know next to nothing about their designated victims. All we are privy to about Bishop's first target is that the man leaves and returns to his dingy room on a regular basis, drinks tea and likes to read a book. As for our "heroes" Steve is nothing more than a spoiled psychopath (a reaction against the 'me' generation perhaps so perhaps the casting of smug pretty boy JMV wasn't entirely inapt), and Bishop is somewhat of a mess - still scarred by a childhood trauma, appears to be insomniac, addicted to prescription drugs, pays for role playing sex, leads an isolated secluded life and is prone to bouts of panic induced black outs. And despite apparently operating within a framework of dubiously edited existentialism he is still the most functional character on the screen!
Still as the late Michael Winner would have said "calm down dear, it's only a movie." And in Winner's hands that's all it will ever be, but as a testament to his odd, coldly efficient talent it remains ruthlessly, maddeningly entertaining, like nearly all of his collaborations with Bronson, and that the more one postulates on their films the less justice for them will seen to be done. So I'll stop there.