MovieChat Forums > The Getaway (1972) Discussion > Favorite Scene? or Editing Sequence?

Favorite Scene? or Editing Sequence?


I love this film and there is a lot to love about it, but I was wondering what people loved the most? Since movies these days offer such fancy and elaborate CGI action sequences, I came to respect and utterly fall in love with the scene where the mobster boys are come to the El Paso Hotel (whatever it's called) about to go up to McCoy's Room and Doc and Ali McGraw are coming down the stairs. The editing there was fantastically done where "McCoy sees them, they see him, zoom in on villain, Mcqueen drops jacket revealing shotgun and boom!" such a great sequence! anyways what do you think?

reply

[deleted]

[deleted]

end credits were best because this film sucked ass!

What the $%*& is a Chinese Downhill?!?

reply

It's a personal thing, for me, but I just love when Doc cold cocks Sally Struthers when she's screaming in the hotel hall. It's only because I'd like to do that to her in real life but, that's just me.

reply

For me, it's the editing as well. Just watching the opening credits, you immediately realize that you're watching a masterpiece.

reply

My Favorite Scene:
The cowboy in the hotel hallway speaking to Sally Strothers:
Fran: "Have you seen Rudy?"
Cowboy: "No I haven't seen Rudy you dumb broad!"

reply

I think the garbage dump/VW rear body scene is a rather unique setup.Have you seen any other movies film a scene in a dump? Let alone in a dump,while sitting in the shell of an old VW,talking over some heavy lines.They seemed rather at home amongst the stench and crap,a rather unique setting to say the least.

reply

The first time McCoy uses the shotgun on the cop car.

and: ""They made us."

reply

The scene I enjoyed the most was when McQueen punches Sally Strothers.

The scene I thought was coolest was when McQueen shotguns the police car to death.

The scene I appreciate the most on second viewing was when he gets off the train (after failing to spot the theif that has his briefcase) and Ali is watching him. And then the lugguge cart drives by and then as it passes, you just catch the end of McQueen hopping back on the train again. It's just timed so well, and its so much better than either watching McQueen climb on in full view OR having McQueen disappear from view when behind the luggage cart. A truly great little piece of cinema for me.

reply

I also like the scene where Rudy points the flashlight at McQueen and says "bang" and McQueen responds by pulling his Colt and loading like "okay, buddy, that's enough..." and Rudy quickly leaves...

Also when McQueen has Rudy unconscious in the hotel hallway and almost shoots him in the head, but chooses not to. There's something about the way McQueen grimaces and covers the head with his other hand that I like.

reply

In fact the entire sequence begining with his purchase of the radio where the clerk recognizes him. Simply brilliant.

reply

I liked the scene with Slim Pickens, during which the dialogue was ad-libbed btween Pickens, McQueen and MacGraw.


"Women should be obscene and not heard." - Groucho Marx

reply

Not so much a scene as the totally amoral way everyone in the picture behaved, with everyone apparently a thief. Ben Johnson's jailer, the thief conman at the train station getting the money bag, the gang after the money and Al Letieri's character. Given the chance, everyone sells out for the money, even Slim Pickens character. But then, The Getaway did take place in Texas.

reply

the whole train sequence is brilliant as are the opening credits in prison.

reply

(spoilers)
The opening credits scene spells out the mental state of an imprisoned man.
The insertion of shots depicting the deer, just outside the prison walls, showing their freedom against the human condition of being caged. And McQueen building that model of a bridge. The whole sequence is a story in itself. With that relentless sound of machinery underneath.

But I also liked the scene when he's released from prison, and he watches all the people at the park, and his attention goes to a swing that goes out across the water that kids are using. You can tell he wants to do that. And he does---with a series of shots of McQueen going closer and closer to the swing---and the next shot of him entering the hotel room, all wet.

Shot-gunning that cop car, with Steve in that dark suit, was another classic.

reply