I just invited 'The Stoneground' - I've no idea who these people are!
Pythonesque, outlandishly stylish in parts - criminally battered out in others - 'AD, 1972' is a hugely enjoyable film. It is an excellent party movie - both in terms of subject matter and as an accompaniment to one - bearing repeated viewings.
Christopher Lee has often said that 'the Wicker Man' was his best film, but I disagree. He says he resents the Dracula character now. The British film cognoscenti laud that film because of its chronological signposting of the beginning-of-the-end of the British film industry. That film is funny in places too, but 'Dracula: AD 1972' is the old-men-of-Hammers' idea of what youth culture was like in the 1970s. Loads of RSC twits pretending to be cockney - Ben Elton, Damon Albarn and Jamie Oliver must have studied this film intensely.
Stephanie Beecham's character - to the squirming of female viewers and the anger of male audience members - dates the ugliest man in christendom in this movie. Van Helsing should have killed him first then made up an excuse: "He was an . . . ug . . . yes, that's right an ug-monster!"
'The Stoneground' - a kind of 'Mungo Jerry meets the Doors at Kenny Lynch's House' - achieve celluloid immortality - though I can find none of the tracks found here in their (only?) eponymous album.
It is true that, had the filmmakers made a cardboard standee of Lee in costume instead of including the actor no-one would have noticed. Lee does not so much "phone-in" his performance as be photographed without his knowledge and have that photograph put on the internet then beamed back in time.
Peter Cushing is the bedrock of the movie. The maestro portrays Van Helsing with calm dignity and a conviction unworthy of the manure that is the script.
The above could be taken as advice not to see the film - but don't avoid it, you'll have the time of your afterlife.