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Were you disturbed by Brown leaving the French farm woman?


There's a mysterious scene that I do not understand why Roger Corman added to the story. It's completely out of place and has no bearing on the movie.

Canadian Flight Lieutenant Brown relaxes by motorcycling into the French countryside. Motoring up to a large, two-story French farmhouse, Brown stops to pick and eat a green apple. An attractive young French woman speaks to Brown from the second story window. For a change we get to see Brown act in other than a dour persona. He feels lucky to have chanced across a pretty lass, even though she can't speak English. Yet they both seem to get their ideas across and Brown is delighted to cajole the lass into coming downstairs to meet him. This is his lucky day, Brown hopes. But it is not to be. When Brown opens the half door to enter the house, he observes that the woman is missing a leg and is using a crutch. She is probably a victim of war violence. Immediately Brown is put off. But fortuitously for him, three British SE.5s drone overhead towards the airfield. Brown unconvincingly points to the planes and even more unconvincingly tells the woman that he has to return to the airfield. To the credit of the French woman, she probably knows what's going on but plays along and politely waves goodbye as Brown remounts his motorcycle and putters away, not bothering to return her goodbye wave.

Initially I was disturbed by Brown 'shining on' the woman. But I confess to all of you that I felt equally disturbed at my own hypocrisy. In my heart I know that I would have probably felt equally crushed and disappointed as Brown. More, I would have also begged off with some flimsy excuse. I know that I am not alone. Almost all other young guys would have done the same. Not all...mind you, some very polite guys may have remained for a while, but most of us would have left as did Brown. I think Roger Corman wanted to shed more light on LT Brown as being a hyper-practical man, ruthless in his utilitarianism where something was either valuable or useless. I don't know if that was the message he wanted to convey about Brown's regard for the maimed French woman. The sad truth - but it's the ugly truth - men typically want a whole, healthy, attractive woman. I've experienced something like Brown, many, many years ago, when an unattractive young woman expressed a deep interest in me. But I was put off, disappointed, and full of self-pity and anger that of all woman to fall for me it had to be an homely chick. Was I the bottom of the male barrel, I wondered, still in my own self-pity. So I politely declined the young lady. At least I was a gentleman about it. Sometimes we don't want the ugly side of something revealed back to our own faces.

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Hmmm interesting, well.... I guess I saw that scene differently. It's placed pretty early isn't it? I only saw the movie once so far. I thought that it was showing us that Brown was aware of the real horror of war. It humanizes his experience with the pain and the toll of war. When he tells all those RAF officers off because they want to drink a toast to the Germans, I think that this scene with the French peasant is in the back of our minds hopefully. That's not to say that Brown is hugely compassionate... the fact that he took off like most of us would shows that he's an average guy in that sense, but basically he does not have the illusions about nobility that these officers have. It explains to some extent his disrespect for that whole attitude of the "good fight."

Did I not love him, Cooch? MY OWN FLESH I DIDN'T LOVE BETTER!!! But he had to say 'Nooooooooo'

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I think the woman is also being set up as a potential sex object, to whom Brown is seen to slightly warm... until he sees her leg. Few things kill a romantic buzz like an amputation. One of my favorite scenes, and one that elevates this film beyond a mere 'Killer-B' classification.

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