Yes - but only TCM where I first saw it. I was really taken with this film as very different angle from most films dealing with the subject of isolation and, more controversially, rape. A somewhat sympathetic portrayal of rapist as human is countered with the truly heart-stopping and psychologically disturbing scene of one of his attacks. I think the film is really daring in the same way as something like Todd Solondz 'Happiness' which shows the disturbed and criminally minded (the paedo father) in otherwise neutral and bland settings, interacting quite normally on one level with normal, controlled emotions and affections but always just one side of a destructive double-life. In Night Digger, the daughter of the house compartmentalizes her feelings for the 'young stranger on a big, black motorbike' in order to cope with her own isolation and loneliness. We all know she might suspect him of something but it is a suspicion she represses in order to feel companionship. Both she and the biker live double-lives. While his is blatantly harmful and physically damaging to the rest of society, she also has the potential to be dangerous by harbouring this stranger, mummy-ing him in a way which never condemns or questions his behaviour but could in fact be the root of his continuing to terrorise and attack women. A very Freudian film which I am fascinated by but which some feminists might find objectionable as rather ambiguous (although in I think a very adult way) about responsibility and origins of sexual violence. Perhaps I am just reading too much into it! But I believe Roald Dahl, who wrote the screenplay, had a dark and morbid side and probably intended this to be an intense, psychological drama/analysis in the manner of Hitchcock's 'Psycho'.
I don't have TCM anymore but have just taken receipt of a VHS edition. Give me your email and maybe can do copy.
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