About 4 months before Altamont, The Stones returned, after 3 years absence,
to public performance at a free concert in Hyde Park, London. For security, they hired the London Hell's Angels chapter, who, according
to reports at the time, were essentially flower children on motorcycles. It worked very well. Jagger then naively believed that using American Hell's Angel's would work just as well. We all can see what happened.
I don't think they ever wanted a serious police presence there. It's
difficult for those who weren't around at the time, but there was a
real belief that a counter-culture was being born, Novus Ordo Seclorum
Aquarius. Its religion was about freedom and experience and its sacraments
were sex, drugs, and rock and roll. The Stones were probably the chief
musical avatars(after the Beatles) of this age. Others were Dylan, Hendrix, The
Jefferson Airplane, the Doors, The Dead, and many lesser lights.
The cops were the enemy (I greatly appreciate good police officers today).
While this period has many detractors today, some of its precepts were
valid then and still are. The influences, some positive and some negative,
it had on a generation and their offspring are still in effect.
It was destroyed by excess, assimilation, the aging of its participants
and, frankly, the fashionable, transitory nature of many peoples' worldview.
I have wondered how many of the people at Woodstock voted for Ronald Reagan
12 years later. This was the coda to the age of Aquarius.
One last thing. If you listen to the music of the Stones during this
time, you will hear that it is repleat with images of violence, murder, fighting, death, degradation--Jumpin' Jack Flash, Sympathy For The Devil,
Street Fighting Man, Midnight Rambler, Gimme Shelter, You can't Always Get What You Want--the list goes on. Some of the best music ever made.
Let It Bleed indeed. Karma anyone?
reply
share