OK, whilst I think that the reasons for putting it in were slightly grotesque, I think the scene itself and the way it's dealt with afterwards (or more accurately, not dealt with I suppose) actually adds something to the film.
By this point in the film, and the Frankenstein series as a whole, Peter Cushing's Baron has become increasingly unhinged - he is a man obsessed with power, power over life and death, power over subordinates, women - the rape is a symptom of this. For someone who was apparently unhappy with the addition of the scene, he doesn't shy away, it is a shocking event which carries a lot of power for such a short scene and the acting in it from both Peter Cushing and Veronica Carlson is awesome.
Yeah, OK, the actors say nothing about the event for the rest of the film because at that stage it wasn't part of the script but I think the inclusion of it brings a new dynamic to Anna and Frankenstein's relationship, and not least the scene right after where Anna walks the streets, hands in her muffler, head bowed, it adds an extra element of horror to the situation mingled with what she might feel towards the position that the Baron has put her and her fiance in.
Overall, I don't think the film loses anything for the inclusion of the scene, if anything it only adds to the tension, between characters, the action and so on. I've always thought of it as the second best in the series - second only to Curse.
reply
share