MovieChat Forums > The Prime of Miss Jean Brodie (1969) Discussion > Pamela Franklin's extraordinary performa...

Pamela Franklin's extraordinary performance deserved an oscar


Pamela Franklin matched Maggie Smith every step of the way with a superb performance and in this film with many excellent supporting performances this was no mean feat. Her powerful confrontation scene with Maggie Smith near the end should have been a lock in.

Syliva Miles—as entertaining as her cameo was in 'Midnight Cowboy'—gets a nomnination for about 5 minutes of screen time, while Franklin who helped anchor this film gets ignored by the myopic Academy.

Goldie Hawn who won for Cactus Flower' was probably the best choice of the supporting actress bunch; but it wasn't untill 5 years later in Steven Spielberg's Sugarland Express' did she really give a performance that was worthy of an oscar win.

As indignant and cliched as this sounds: Franklin was robbed!

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I completely agree. I actually think Franklin was even better than Smith in this. Her transformation from an impressionable, idealistic girl to a bitter woman is the most interesting thing in this film, to me, though Jean Brodie's fall is also compelling. Jean didn't learn anything, though, by the end of the film, whereas her influence on Sandy produced, as Teddy states, a very remarkable girl. The first time I watched this, I was completely in awe of when she quietly, and calmly, tells Teddy he's a mediocre painter after he also demonstrates he hasn't grown at all, to say nothing of how she acted in the final scene.

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Agreed. Franklin nailed it. I haven't seen "Cactus Flower", so I don't know if Goldie Hawn deserved the Oscar in 1969 for Best Supporting or not, but by god why wasn't Franklin even nominated? That's crazy. I know she won best supporting for the part by the National Board of Review.

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She really was brilliant in the part and should have been nominated. The confrontation scene near the end is one of my all-time favorite film scenes.

"you really ARE a ridiculous woman!!!"












Dorothy stop that, Mr. Ha Ha`s lookin at you!!

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Pamela Franklin certainly deserved an Oscar for the role of Sandy. Miles and Hawn don't even come close with their performances that year. I can only think that Franklin was ignored because of her youth, no "cute" factor or lack of popularity among the Academy members. Beats me.

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Agree. Pamela is an exceptional talent. She was never given the roles to reveal the depth of her acting abilities.
You stupid, clumsy labouring boy.

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She was heartbreaking. I agree she was robbed. And, her performance as a young woman who is, in a sense, destroyed by Miss Brodie, is unforgettable.

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Agreed. Both Pamela Franklin and Celia Johnson deserved Oscar nods especially when in a strong movie year like 1969 the Best supporting actress category was quite weak (well, three of them anyway)

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She clearly deserved at least a nomination. I wonder if the voters were turned off by her nude scenes, though.

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Very much agree. I rewatched the film over Christmas and it's a wonderful performance. In the region one DVD commentary she says how proud she is that she held her own with Maggie Smith in their final scene and my goodness did she! I still consider it one of the most spellbinding scenes I've ever seen in a film. The director in the commentary says that the scene was singled out for praise for critics at the time, plus she won the National Board of Review award for Best Supporting Actress (a big precursor to the Oscars) so it's puzzling why she was snubbed - she was obviously on the radar that year. Maybe there was just no campaign for her and of course she was an unknown. I don't think her brief nude scene turned off voters like someone above says as this was the year of Midnight Cowboy and in the supporting actress category Sylvia Miles was (undeservedly) nominated for playing a prostitute.

I also feel Celia Johnson and Robert Stephens should have been nominated.

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well said

RIP Heath Ledger 1979-2008

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well said

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Franklin was superb.

"In my case, self-absorption is completely justified."

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Sorry, but your 1st paragraph would be correct if it referred to Celia Johnson.

Franklin gave an ok performance. She has moments - her acting chemistry with Robert Stevens is very good, better than w/Smith. But much of her performance doesn't reveal much. You don't get the sense of an actress who's alive & real in every moment.

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Agree with you here, rrb.

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I agree that Celia Johnson was superb, but Johnson's character was really one note though and what did she really reveal about herself? She didn't have the scope or character arc of Franklin's performance and didn't need to change. She was just the authoritarian figure who was out for Brodie's head and got what she wanted in the end.
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You don't get the sense of an actress who's alive & real in every moment.
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rrb, what do you mean by this? Did you experience the same film I did???

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[deleted]

You're a very limited audience member if you dismiss Johnson's character as "one note". The subtleties and richness she brings to Miss Mackay are marvelous: her fondness for the students; her true love for the school; her wary way of negotiating conversations with Brodie; the flutters of disapproval that would pass over her face; her supressed delight in finding out about Brodie and Lowther fraternizing; in the "letter" scene, her anger at what she sees as Brodie's corrupting of children, and her utter intimidation at Brodie's hands; her conspiratorial scheming with Miss Gaunt; and her final low-key but complete triumph at the end. All that presented beautifully and believably - NOTHING superfluous - in a wholly realized characterization of a dedicated, tightly conventional, authoritarian headmistress. And that achievement is "one note" to you?

As for "alive and real in every moment": that would describe the best of Sean Penn, Heath Ledger or Jodie Foster, to name some. Pamela Franklin's certainly not in that category. Her performance here is often opaque - her face inexpressive, her readings unsurprising, her demeanor suggesting nothing underneath the surface.

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rrb, it has been interesting reading your response about the technical qualities and subtleties of Johnson's performance and I am open and accepting to intelligent, educated responses that challenge. You have obviously paid prudent attention to what she brought to the character and also to what you feel Franklin brought to her character and performance. As for my statement about Johnson's performance being "one note", this was more in regards to the façade of what her character represented in the film, not the underlying qualities that she brought to her performance. As stated in my post, I did comment on it being a superb performance; however I personally did not find it as surprising as Franklin's.

Celia Johnson was 60 when she appeared in this film and was also an experienced stage actress. Pamela Franklin was only 18yrs of age and wouldn't have the experience of her learned co-star. She had a much different role to play and boy did she play alive and real to the hilt.........you could even say that Franklin was in her prime with this performance. Any other experienced veteran actress could have played Johnson's headmistress role and have been just as impressive....WENDY HILLER for example. Franklin was a breath of fresh air and gave an uninhibited courageous performance.

It is interesting that you comment of her face being inexpressive, because that aspect of her performance is what I perceive as part of Sandy's character and personality to some extent. There was some coldness and I see this as the crux of the woman she would have ended up becoming and this would have been deliberate. Sandy was obviously a sharp and intelligent girl who was able to hold her own against her superiors and elders. This was just perfect for the era and setting.

You obviously know how you feel about the performance and anything I say too try and justify it wouldn't convince you with any ramblings. I do appreciate your insight though.

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You keep repeating the same thing: in essence, "She was great!". WHY? You throw about adjectives about like "alive and real", "courageous", etc. but can't pay any of them off. HOW was her performance any of those things? You can't justify your opinion b/c you can't deconstruct the actress's work.

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rrb, I would say that "great", is a too generic term. There are other superlatives that I could laud on Franklin's performance. It is the whole that counts and I am not going to through the aspects of Franklin's performance to justify to you why I feel her performance resonated with me.......it wouldn't mean anything to you due to your attitude about it. "alive and real", were your terms to describe what her performance wasn't. I was rebounding of that—PERFECT EXPRESSION—to describe what I saw it was.

This film came out in 1969 and was somewhat controversial. It was courageous of Franklin to portray the charcter of Sandy and exude the sexuality she did. Maybe a better term to have used would be "uninhibited". It was also courageous that she was as impressive as she was and gave the performance she did, considering all the experienced talent she was surrounded by. I have seen many films and I can't personally recall a performance from an actress of Franklin's age that has impressed me as much...........maybe Kate Winslet and Melanie Lynsky in 'Heavenly Creatures', from 1994. I find it inspiring, watching Franklin act in this film. If her performance didn't connect with you that is your call, but I would say that you would be in the minority.

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Your posts just get more asinine and your posturing more ludicrous. You can't defend your opinions; now you claim you won't try b/c "it wouldn't mean anything to you"! LOL!!! What a transparent ploy!

Franklin’s age and willingness to perform nude have nothing to do with the quality of her acting. Introducing those topics is just another avoidance tactic.

And if you're going to adopt that pedantic tone, at least learn good English. "Laud on"? "I was rebounding of that"? "It was also courageous that she was as impressive..." You sound like a 6th grader desperately trying to sound smarter than she is.

As I said previously, you're a limited audience member; your reactions aren't informed by any analytical ability. I welcome the chance to exchange informed reactions to performances and debate pro's and con's, but that’s plainly beyond you.

Don’t waste time responding (though you’ll probably feel compelled to spew more palaver, coyly topped off with a smiley face). You’re being ignored.

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Don’t waste time responding... You’re being ignored.

At last...
Having little wish to read what both of you wrote here because it might be insulting for two excellent actresses who surely can't be responsible for the squabble.

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Looks like I have unleashed a demon rrb. A previous poster warned that you were a troublemaker. More likely, your just hungup over your failed acting or teaching career due to your self opinionated, self congratulating and inordinate arrogant attitude.

If anyone has been trying hard to impress it has been you, but nobody has really paid you much attention.....have they? It's a pity that I have resorted to a bitter diatribe, but your rudeness and lack of respect has earned it. How's this for coy!

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Twenty-five years ago I finally stopped putting any stock in what Oscar has to say about anything and I have been much happier since. The relation of Academy Awards to merit often seems completely random and I realized there are much more finely tuned authorities I can rely on in appraising a film or performance.

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Agreed. If one has to campaign for an award, it isn't truly a prize, and Melissa Leo and Anne Hathaway proved that theory. They let the world know they wanted the Oscar, did the magazine covers and interviews. They won. Big. Deal. I think the People's Choice awards are more valid.

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I will say that the way that Franklin morphed from a girl to a young woman was amazing... I suppose it must have been a combination of her acting, direction, wigs, and makeup. The other girls grow up as well, but they don't get the same screen time.

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In the art studio scene, Neame lowered the camera to make them look taller.

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