Who do you side with?


Who's side would you take? Are you more of the JB type? Do you side more Sandy? Or do you see eye to eye with Miss MacKay?




"When you're slapped you'll take it and like it."

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I think Jean Brodie was right to make the girls challenge all the preconceived ideas that they had. But I think perhaps she was a bit deluded or naive. Sandy could see through her. It's tricky. I guess I side with Jean, because I really can't condone Sandy's actions, "putting a stop" to Jean.

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i loved jean brodie, she loved her "gels" but yes she was naive and coloured life with her romantic notions. as teddy said, "beauty and art maybe, truth no". even though she was unconcious of it, she did use her girls to further her own romantic visions. i think i side with sandy, or at least understand where she was coming from. the dangerous miss brodie indeed. sandy perhaps "a spiteful child it is" but clever and not without feeling...she loved miss brodie as much as any of them.

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I believe the point is that you need not take sides. In the commentary, director Neame sums it up. His characters are not black and white, they are gray, just like real people.

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To me, Sandy is gray, as gray as Miss MacKay, while Miss Brodie is full of color. Sandy is practical and safe. Miss Brodie flirts danger, but lives fully -- not always happily, but fully. Miss Brodie knew that Sandy was not fit to test the bounds of convention. When Sandy discovered her limitations, she took it out on Miss Brodie, to her eventual regret.

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Was Sandy being "practical and safe" when she had an affair with a married teacher?
Actually, at the time, she was probably trying in her own way to follow Miss Brodie's teachings and "live fully".
Later, having taught her girls not to revere authority, Miss Brodie herself became the authority that Sandy was willing to rebel against.

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Was Sandy being "practical and safe" when she had an affair with a married teacher?
Actually, at the time, she was probably trying in her own way to follow Miss Brodie's teachings and "live fully".
Later, having taught her girls not to revere authority, Miss Brodie herself became the authority that Sandy was willing to rebel against.

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I don't think one can easily side with either of them. Ms. Brodie is supportive of fascism, and she encourages a cult of personality among her girls. On the other hand, the main reason Sandy rats her out (in the book at least) is that she feels under-appreciated by Ms. Brodie and because of her jealousy over Teddy. Neither of these are particularly admirable.

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Hmmm, Let us see.

Are you serious? The only character NOT to side with is Brodie. Her romantic notions of fascism are not only dubious but ultimately, through her cultist manipulation of her girls the impetus for one of their deaths in Franco's Spain.

More importantly, anyone who thinks she is trying to teach the girls to overthrow the shackles of convention completely misses the point that she is trying to create an inculcated tribe of yes-women who can reinforce her own failings as something other than failings.

It is a great success in the fact that one must have great sympathy and affection for her character but still must, at the end of the film, see more her dangerousness.

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I agree with greyparker. Miss Brodie is only secure in her own individuality as long as she has followers who emulate and agree with her. She likes "free thinking" as much she'd like a poke in the eye with a sharp stick.

I sided with Sandy. I don't think she was "just being spiteful". Remember, after she broke up with Teddy, she could have easily ratted out Miss Brodie... but she didn't. It wasn't until after Mary died that Sandy decided to report Miss Brodie. It wasn't "tattling" as people keep calling it. Tattling is running to an authority figure for the sole purpose of getting someone in trouble for some triviality. Glorifying fascism, pimping an innocent girl to an older man so you can vicariously re-live a past affair through her, and convincing a student to run away to war, thereby leading to that student's death? These are NOT trivialities. They are the acts of a potential psychopath, and Miss Brodie did indeed have to be stopped.

"Will you stop feeling sorry for yourself?! It's bad for your complexion!"-"Sixteen Candles"

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I just watched it for the third time.
I think Miss Brodie was a narcissistic, histrionic, self-absorbed and shallow woman - as Sandy said, "truly a ridiculous woman" to whom children should not be exposed. She *did* want to cultivate a group of adoring yes-girls, young schoolgirls who didn't know any better. In the beginning she asks the class "Who is the greatest Italian painter?" A student answers "Leonardo da Vinci" and Miss Brodie says she's incorrect, that "the greatest Italian painter is Giotto; he is MY favorite painter". She is totally clueless of her insensitive slights to Sandy, whom Miss Brodie dismisses as "the reliable one" while she spins the fantasies that she wants her other girls to live out, even though they are nowhere near mature enough - or well-informed enough, in Mary's case - to undertake them. She's a menace.

Sandy's speech at the end was right on: "I didn't 'betray' you. I simply *put a stop* to you!"

That being said, I have a special fondness for this movie because I saw it on my very first real date, forty-odd years ago.



Don's going to fix it. He knows what that nut means to Utz and what Utz means to us.

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It wasn't even right after Mary died. Sandy didn't go to Miss McKay until after Miss Brodie held a meeting with all her girls, where she heavily romanticized Mary's unnecessary death and agree that her girls could look at Jean herself as a romantic heroine with a glint in her eye. You can actually see the exact moment Sandy decides enough is enough on Pamela Franklin's face in this scene. I am completely on the side of Sandy. Were there other ways to put a stop to JB, besides getting her fired? I don't think so. It's demonstrably clear at the end that JB hasn't learned anything from the whole mess.

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You're quite right. You ought to read the novel; it's clear that Jean Brodie is all about Jean Brodie, e.g., when she learns from one of the other girls that Sandy has become a nun, her response is "Do you think she did it to annoy me?" A very interesting and entertaining character but probably not a healthy influence.

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II agree with greyparker. Brodie got one of her students killed. She had to be stopped.

Schrodinger's cat walks into a bar, or doesn't.

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I thought this movie was just great. I was expecting a "To Sir with Love" type of film- boy was I surprised.

Jean Brodie is very wrong to use the girls the way she does. Through them, she lives her unfulfilled dreams and doesn't seem to care about the consequences of that in their lives. He pushes the art teacher to have sex with that one underaged blonde girl, and sends one girl to a war in which she dies. She is also wrong to preach her wacky politics in class.

That said, I also do not condone the actions of Sandy. Sandy has realized how destructive Miss Brodie can be- but there were other ways to deal with it than destroying her life and having her removed from the school.

Like the director said, shades of gray, which you don't often see in mainstream movies these days. I loved it.

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That said, I also do not condone the actions of Sandy. Sandy has realized how destructive Miss Brodie can be- but there were other ways to deal with it than destroying her life and having her removed from the school.


Like what? What else could Sandy have done besides 'rat her out', or to put another way, let the school authorities know what was going on in the classroom?

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I sided with Jean but this was principally from being against Sandy who from the film's beginning seems to be unrealistically precocious and against her teacher. My impression was that Sandy is in competition with Jean as if she were her peer.

From the way this movie, not the novel, portrayed Sandy, I don't think she would have become a nun afterward. She thinks she has "won" by having an affair with the man Jean lusts after, causing the students to distrust their teacher and finally getting her fired.

To me, the movie contradicts itself in having Sandy's eyes tearing-up in her final scene. Sandy is well on her way to becoming as narcissistic as Jean and would have next caused havoc for Teddy in his marriage and employment. This "movie Sandy" is hardly the type that would desire the shelter of a nunnery like she does in the novel. I think the director saw this and that is why he edited those scenes from the film.

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I sided with Sandy. I don't think she was "just being spiteful". Remember, after she broke up with Teddy, she could have easily ratted out Miss Brodie... but she didn't. It wasn't until after Mary died that Sandy decided to report Miss Brodie.


Not just that but that Brodie actually told one of the girls that she could think of her as a hero...

Jean Brodie was a broken woman who covered up her pain in affairs with unattainable men (Lloyd) and practically becoming a cult leader to her students.

If she had been "well" emotionally she would have married the singing teacher Gordon when she had the chance. But she can't get that close to a man again and be hurt as she was when Hugh was killed.

Sandy, on the other hand, was a smart, independent girl. However when Brodie starts trying to pigeon-hole her into being Brodie's plain little asexual soldier, she rebels...because she wants to be seen as a desirable woman. Even to the point that she'd have an affair with the art teacher that Brodie thought that only Jenny was good enough for him.

What I don't understand is...okay, Mary was too dense to tell Miss Brodie that the brother was fighting for the other side. But, if Sandy knew that all along, it never came up with they (or Monica or Jenny) talked? If Sandy only heard about it afterward from the news stories, wouldn't have Miss Brodie have also?

In a way, no one except Gordon and his new wife came out well in this.

-----------------------------------------------------------------------------------------------
Last night, I was lying back looking at the stars and I thought...where the *beep* is my ceiling???

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Sandy was mean from the beginning. Early in the movie, when a girl wouldn't tell what she had seen, Sandy led the other girls in hanging her upside down until she confessed.

A sexually inexperienced teenage girl initiating an affair with an acquaintance twice her age is pathological behavior especially in Sandy's social setting. This is far more than just rebellion against a teacher.

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I agree with carthur27. Jean Brodie was foolish, but she believed in what she was doing and saying, naively perhaps. Sandy was spiteful and calculating. She took it upon herself to decide that Jean had to be gotten rid of, instead of letting events take their course. And then felt guilty, because she knew she had done wrong.

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In the beginning, we think Jean Brodie as a vibrant free spirit, jousting with the dull conventions of her times. Then, as the film progresses, she is gradually exposed as a very dangerous individual to have in such a position of influence over young minds. We see her infatuation with fascism, her demands of slavish devotion to her own cult of personality, her maniupulation, and finally, her cavalier attitude toward her own responsibility for Mary's death. It is a profound tribute to the brilliance of the great Maggie Smith that the question is even asked, "Who do you side with?" Sandy may have had her own motives and may well be on her way to being a Jean Brodie herself, but she was right to "put a stop" to Miss Brodie.

"When the legend becomes fact, print the legend."
... "The Man Who Shot Liberty Valance"

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"That said, I also do not condone the actions of Sandy. Sandy has realized how destructive Miss Brodie can be- but there were other ways to deal with it than destroying her life and having her removed from the school."


"Like what? What else could Sandy have done besides 'rat her out', or to put another way, let the school authorities know what was going on in the classroom?"

I think Jenny's life would have been ruined if Miss Brodie, whom Jenny admires and trusts, had successfully coerced her into an affair with a married, older man.



"In the beginning, we think Jean Brodie as a vibrant free spirit, jousting with the dull conventions of her times. Then, as the film progresses, she is gradually exposed as a very dangerous individual to have in such a position of influence over young minds. We see her infatuation with fascism, her demands of slavish devotion to her own cult of personality, her maniupulation, and finally, her cavalier attitude toward her own responsibility for Mary's death. It is a profound tribute to the brilliance of the great Maggie Smith that the question is even asked, "Who do you side with?" Sandy may have had her own motives and may well be on her way to being a Jean Brodie herself, but she was right to "put a stop" to Miss Brodie."

I was disgusted by Miss Brodie in her first scene, where she says a certain Italian painter is the greatest of all time by virtue of being her favorite. When you're a kid, a teacher's word is practically Gospel. If they go around stating their opinions as facts and don't even attempt to be objective, you're going to believe them. I'm not saying teachers can't state their opinions, but they can't have the attitude "I'm right and everyone else is wrong". Teachers are there so students can learn HOW to think, not WHAT to think.


"Will you stop feeling sorry for yourself?! It's bad for your complexion!"-"Sixteen Candles"

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I have to agree with Lawdent. It seems not to have occurred to anyone that Jean Brodie appears to live an extremely comfortable life; it's made clear in the novel that this is due to the fact that she, and others of her ilk, are the products of prosperous families that have left them "well situated," if you will. This puts to paid the notion of her life's being destroyed by Sandy's "betrayal" because Jean doesn't really need to work. In fact, the novel explains at some length that Jean - except for the fact that she teaches, and in a mainstream, conservative school - isn't unique in the least and that similar such women among her class are legion. Obviously, this isn't detailed in the film but the audience easily infers from Jean's wardrobe and apartment that she's better off than your average school teacher (even then not the most lucrative of professions).

As amusing as we find Jean (and Maggie Smith is just wonderful), she really is dangerous. Attempting to groom a young girl to be an eventual sexual proxy is bad enough but encouraging a witless teen to head off to war is criminal.

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I just finished watching this movie and I agree with most of those who say that there are, indeed, shades of gray here. As a teacher I at first found her methods interesting, then I tended to wonder at all. One of the first things I noticed was that she teaches about art, but this is a distraction from what she should be teaching, history. It is later assumed that they do learn some history.

I do think Brodie is a very complex person. She presents a very confident and strong side to her students, for good or bad, but also illustrates the realities of life in her own life as well. She is the prime example of a teacher that could be admired and emulated, and then as a student we ever wonder why we followed this person at all. Usually, its several years after and not during the same term as in the movie. While I do not excuse her politics, I see the admiration for them. Indeed, in the 1930s, it looked like western democracy could not solve the problems of the Great Depression in the US and in Western Europe. It was not entirely clear at the time that this was all smoke and mirrors. Some of the most famous leaders in the world, King Edward VIII to name one, were taken in by the facists. They offered results. All the more reason we must beware of the simple solutions. Hence, it is no real surprise that Brodie comes out as a supporter for Franco and Mussolini. She teaches at an upper class school for aristocrats who were supporters of the same. Its only years later that clear lines are drawn. Again, not a defense but an explanation.

I do think that the "dangerous" aspects are really overrated. I do think that she was very impressionable and has a great presence, so much so that refused to resign when given the chance and the head mistress is shocked. And when it comes down to it, this is a picture of a different time. In today's world, so what!! I knew in 1979, that my 5th grade teacher was having an affair with another teacher. She did not flaunt it however. And the fact that some child wrote it down in some musings shows that the head mistress would use anything to get rid of her.

In the end, I think we see Sandy for what she is, not an adult yet, but becoming one. She sees Brodie as sending off Mary to her death. I say ok, she might have encouraged her or made an impression, but it was Mary who made the decision to go off and fight in Spain. At some point, personal responsibility had to come into the picture. What is wrong with teaching children to have a cause to stand for? Even it's not my cause? I do think that Sandy ruined a career of a teacher because of the petty fact that the art teacher would not have an affair with her and painted her like Brodie. Brodie herself called off the affair, because she knew it was wrong for her. I think that that shows human and moral mistakes. She knew it was wrong and worked to make sure that she would not get involved again. At the same time, Sandy is naive in some of her thinking, as well as Brodie. Sandy is naive in that she thinks she is getting back at Brodie for a failed love affair. I think the death of Mary was only an excuse. Brodie may also be naive in that she doesn't understand that her impressionability and ideas makes these young girls think in certain ways. I do think that Brodie needed to be reigned in a bit, but I do not think she deserved to be dismissed for her naivete. As other have said, its a gray area, and, after all, is life. Life is not black and white. The decisions we make are not always that easy.

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I thought that they were both being petty, and that the stakes weren't worth the confrontation (although it must have seemed differently to them, at the time.)

One-upmanship over a love rival is just simpering at any age, and whatever Miss Brodie's politics, she can hardly be blamed for Mary McGregor's decision to get involved in war - teachers are there to inspire, but even as a teenager, if you're not intelligent enough to separate a bad decision from a good one, then the consequences should still rest on your head... Call it stupidity thinning the herd!

How I feel is cynical, but I still think it's true... All of the characters were architects of their own destiny - something every good mentor should instil a sense of, in their students - and so the things that happened on both sides were just.






I've been in love! Just 'cos I've never been to Zimbabwe to buy someone a cake!

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What I'd like to know is, what sane person would think it's appropriate to set up an under aged girl with a teacher, who is married with children to boot??? Top that with the death of Mary and her crazy political indoctrination, there should be no other option than to get her out of the school!! Doesn't even matter how you dissect Sandy's motives, she was a victim and ultimately right to report these matters to the authorities. This reminds me of how cool parents who let teenagers drink and do drugs in their home may seem until someone gets hurt or killed. They will certainly be held accountable in a court of law too.

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Sandy slept with Lloyd by mutual.consrnt.

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