I think filmscholar missed one crucial point...when Jan becomes brutal, she doesn't find him "despicable" at all. She wants to, maybe. But watch her face in the scene where she says she isn't going with him, and he answers indifferently, after killing a man. Her entire face lights up with love, of a subterranean, earthy kind, a love and profound respect such as she hasn't felt in ages. The old Jan would have let the boy take over his role in Eva's affections, then whimpered in the corner when he's left. The new Jan quickly sizes the boy as a possible sexual threat (it's not about boots, REALLY) and gets rid of him. Then curtly carries on with necessities. Eva's profoundly attracted to this, and goes with Jan, unquestioning, guided by faith in him. It's beautiful, in a blood-soaked way, and one of Bergman's most radical points. In an era that glorifies passive and sensitive men, such brutal actions are viewed as a necessity if the sexes are to respect each other.
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