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The interesting thing about Charlie Bubbles


This film is an introspective character study where nothing much appears to happen--but that's just on the surface. The real action is in the subtext. One knows in order for Charlie to have reached the level of success he has acheived he would at one time have to have been very engaged and ambitious about his work. What we witness is the emotional withdrawal and disillusion that has resulted after achieving great success. Everyone and everything is colored by Charlie's detached mental state and confusion about his life and his success.

The reason the film is of interest from a film/historical perspective is the speculation concerning it's biographical implications for Finney's own life. In the excellent book about the 1960s film industry, "Hollywood England" author/critic Alexander Walker discusses how the screenwriter Shelagh Delaney as well as the star/director, Albert Finney both underwent a phase of disenchantment with success early in their own careers. Delaney was 19 when she was acclaimed for "A Taste of Honey" and Finney was 27 in 1963 when he hit he the pinnacle of fame and financial success with the movie "Tom Jones" while simultaneously appearing in the very successful Broadway production of John Osborn's "Luther". The movie Charlie Bubbles is ultimately about the character's disenchantment with success. Walker references interviews with Finney where he discussed his own phase of withdrawal from success, and how he was able to relate to the character of Charlie. It is common knowledge that when he finished his commitment on Broadway with Luther and was being pressured about how to proceed in his career, he decided to do nothing. Instead, he took a trip around the world, and although he did some stage work, he didn't do another film until "Two for the Road" (1967). (Not counting "Night Must Fall" which was filmed before he left for Broadway in 1963 and released in--I think--1964.)

Charlie Bubbles is a subtle exploration of one person's response to the emptiness and unexpected uncertainty about life and success. It's interesting how the things we most want in life are never quite what we thought they were going to be once we obtain them. Viewed from that perspective, I think it's quite a fascinating film.

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Melindadlg : Very well written commentary on an under-rated film. Thanks. I really only appreciated Charlie Bubbles the second time I saw it. very eloquent and moving film. Similar, but, in the end, I'd say it was better than, Last Tango In Paris(I guess Finney in this reminded me of Brando in that).

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It is a wonderful film,both brilliantly acted and directed by Finney.It obviously owes a lot to European films of the period,particularly Fellini and Antonioni in its sense of alienation,use of empty landscape and meandering narrative.In fact in one scene Charlie is shown reading a book on film classics which has a photograph of Monica Vitti in L`Eclisse on the cover.

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I thought I saw Monica Vitti on the book cover! : - )

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http://www.amazon.co.uk/Classics-Foreign-Film-Parker-Tyler/dp/B000OL5N NO/ref=sr_1_2?s=books&ie=UTF8&qid=1295106645&sr=1-2

I favour Jeanne Moreau though.

Marlon, Claudia and Dimby the cats 1989-2005, 2007 and 2010.

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I enjoyed the film as well. At first I found the premise annoying; I found Finney's character too unlikeable (he often plays narcissists, and I wonder if there is a little bit of that in himself). I stuck with it because I know Ms Delaney to be an intelligent writer, and finally the aspects which I found problematic were addressed. Not a perfect film by any means, but a good one.

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I didn't dig it 'cause Scott Baio's not in it.





B .... I .... L-L-T .... E-T-L-E-YYYYYYY Bill Tetley!

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To paraphrase a well known gin advert:

I'm getting overbearing aromas of pretentious rubbish from someone trying too hard to impress.

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I thing you took a wrong turn at the Michael Bay section

'Well I've got two words for you - STFU'

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