Review of 'Bandolero'


This is an underrated Western that gets no critical respect. This is
because the director Andrew McLaglen came from a TV background and took
orders from Duke in a series of late Wayne Westerns. However, he also
did some above average work, including both Shenandoah and Bandolero.
This scored a 6 out of 10 in my IMDb rating, which is very good and
tallied 15 points in my ranking system, a very good score.

Here's what I thought was good about this movie:

- The co-leads, Dean Martin and James Stewart are great in this. James
Stewart is just a wonderful comedic actor. It's a shame Anthony Mann
didn't have a sense of humor. He underused Stewart in his 1950's
Westerns. In addition to Stewart's wonderful part at the beginning as a
fake hangman, there are a number of back and forths between he and
Martin later in the movie that are as good as the dialog between
Stewart and Widmark in "Two Rode Together".

- George Kennedy is another very underrated actor and like Dean Martin,
he's an underrated comedic actor. Kennedy really fills up the screen
like few actors can.

- I admit I've had a life long crush on Raquel Welch. She looks great
in this and her character has quite a bit of depth. I bought the
romantic subplot between her and Martin. Hostage/captor thing, you
know.

- McLaglen does a nice job of keeping the story moving. They don't get
stuck in Val Verde.

- There are extended location shoots in Glen Canyon in Utah that are
absolutely stunning.

- Excellent use of Civil War and Mexican themes.

- Good music score

- As mentioned, good use of comic relief throughout.

There were a number of things that kept this movie from being better:

- There was basically no heavy. The Mexican bandidos were almost
completely undeveloped. This severely undercut the dramatic tension in
the story, especially since there was so much humor. At some point,
humor can cease to be counterpoint to relieve dramatic tension and a
movie becomes a comedy. This almost happens to Bandalero and is one
reason why it's not taken seriously by critics.

- The night camp studio sets were very artificial looking.

- The ending felt abrupt and contrived.

- The body count in the final shoot 'em up scene was unnecessarily
high. The bandidos are pretty ridiculously stereotyped. Maybe that's
why they didn't shoot in Mexico. They wouldn't let them.

- More on the final shootout, McLaglen commits the cardinal sin of
having the stupid brown skinned bandidos ride around endlessly out in
the open, making themselves perfect targets, while the white people
pick them off from well protected hiding spots. Of course, 20 bandidos
ride in, 40 are killed, and 20 ride out. They run like rabbits when
their "jefe" is killed. All implausible and ridiculous

- Finally, exactly what happened to the real hangman? Stewart must have
killed him. Inconsistent with his character.

"All I can see is the flags"

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You´re right, mate!

This might not be a Packinpah or Ford western (Ford is overrated anyway), but damn it, I love this laid-back, leisurely strolling western!! All the leads are so wonderful to watch, I´m sure they had a big time doing this and let´s put it straight: how often do you see a wetsren with such wonderful dialogue? The script is really great and all the characters have their points.

This is a 4 aces movie with Dean Martin, Jimmy Steward, Raquel Welch (who hardly ever looked better - Dino: "she´s not pretty, she´s a beauty") and George Kennedy putting in absolutely fitting performances (nobody is overacting, which has ruined many later Hollywood western, e.g. THE MISSOURI BREAKS). Younger viewers might be unable to watch a movie, where there´s not an explosion every 3 minutes and where some dialogues can cover a couple of minutes, but those who can still listen and enjoy the beauty, that lies behind the surface, will have great nearly 2 hours.

I give this 10 of 10 points, which is of course purely subjective, but it´s one of my 10 most-loved western.

I plan to write a lenthy review, which I´ll do when I have a bit more time. :-)

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