MovieChat Forums > The Name of the Game (1968) Discussion > L.A. : 2017 ---Is this the story line as...

L.A. : 2017 ---Is this the story line as I remember?


Newspaperman is driving through some curving roads when suddenly
goes off into the woods...a heavy fog appears and engulfs his
car...then out of no where a truck pulls up and two individuals get
out to pull the man from the car...if I'm correct they're wearing
what looks like NASA EVA suits! It turns out that carbon-monoxide
was the culprit in this and somehow he's transported into the future
where the smog is so bad everyone lives underground.

Does this sound right?

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In "L.A. 2017," Glenn Howard is on the way back from a top-secret meeting held by a group of top scientists and industrialists discussing the very serious threats the environment (abused by polution) holds for mankind. Howard, a friend of the President of the United States (who happened to be purposefully left in the dark about the meeting), drives along a rural highway outside of L.A. after the meeting, speaking into a tape recording he is making for the President about the meeting. As he drives, Howard opens the air vent to his automobile, letting a healthy dose of L.A. smog and auto exhaust into his car and lungs, which causes him to pass out at the wheel.

Time passes and Howard is now slumped over the wheel at the roadside, where his crashed auto has been found by a squad of men wearing odd uniforms and gas masks. Howard is awoken and transported across a suddenly foreign looking terrain-a desolate wasteland--to an underground facility. As he is revived, Howard finds himself in a new world, forty-six years in the future!

L.A. is now a small underground outpost where survivors of the ecological catastrophe Howard and the industrialists were discussing in 1971 has come true. After being grilled by the police state (run by psychiatrists!), Howard is indoctrinated into the new society by Dane (Barry Sullivan), the leader of the L.A. branch of the U.S., which is now run by big-business.

As Howard learns more about what has become of society, it becomes apparent that Dane and his cohorts are running things as a big-brother dictatorship (in an oppressive future society not unlike "1984," "THX-1138," "Brazil" (both films share 'well-meaning' terrorist bombings), or Spielberg's own "Minority Report"), where personal freedoms, life, and love are no longer a benefit of freewill...
http://www.amazon.com/Los-Angeles-D-Popular-Library/dp/B0006XR6US/ref=topnav_ybh_title_2/103-8751004-9468648


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SPECTRE4 HAS IT RIGHT;BUT IN ESSENCE SINCE PART OF UNIVERSAL STUDIO'S BACKLOT VIRTUALLY BACKS INTO THE WEST END OF GRIFFITH PARK,THE FEW OF US THAT WERE RAISED HERE WILL NOTICE THAT,INDEED THIS IS THE AREA HE'S DRIVING IN,JUST BEFORE THE MEN IN THE NASA EVA SUITS ARRIVE TO RESCUE HIM... IT'S THE EXTREME WEST END OF GRIFFITH PARK WHERE MULHOLLAND DRIVE BEGINS,JUST BEFORE CAHUENGA WEST BOULEVARDE

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You have most of the story right except that the way that Glenn Howard passes out is that he is driving on a rural road while ditating notes into his tape recorder (no MP3 recorders then) and swerves to avoid an oncoming truck that cuts into his lane. He runs off the road and hits his head on the steering wheel setting the horn off. The scene then cuts to a close up of the exhauast pipe of his car emitting some smoke and sound of the engine still running, then back to a shot of him slumped over, horn still going, in the car with all the windows closed suggesting that he is succombing to carbon monoxide posioning. It is then he "wakes up" with the men in the Haz Mat suits and gas masks and brought by "ambulance" (black Brinks Truck like) to the underground future L.A. where the rest of the story takes place. He dreams the whole thing of course as the last thing he is thinking about before the car accident takes place is the meeting of the world's scientists and experts on pollution.

What is quite interesting is how far ahead of their time this story was in presenting the dire consequences of the earth's civilization head long plunge to modernization (China and India today e.g.) without regard to the amount of pollution produced and natural resources decimated in the process.

This story predates Global Warming but shows how serious the show's writers were taking the situation at that time in predicting that it would get so bad that humanity would have to eventually live underground and if you recall, limit human reproduction to only the healthiest of men and women so that genetic defects would be eliminated. That is of course unless you were connected then you could do anything you wanted. Big Brother was watching here as well here as every room had a camera and there was a scene when Glenn Howard does bed down a girl that was supposed to accompany him everywhere so he covers the camera lens to keep the security agents from getting a good show.

Yes this series should be made available on DVD as it was some of the finest Television writing and acting that anyone has seen even to this day.

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Philip Wylie wrote this episode which I had not realized until tonight looking to see if it was available. Great writer and had amazing forsight into the future. The episode was also directed by Speilberg another interesting discovery tonight.

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The memory of reading the novelization of this episode many years ago has always stuck with me. Definitely not G rated! I'd watched a few of the original series' episodes on TV, though not this one in particular, and was surprised at how, um, graphic the writer was allowed to get.

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Did this episode have a scene at a senior center with a bunch of hippie looking seniors obviously high and listening to phychedelic rock. That scene cracked me up. I was seventeen when I saw it and will be 66 in 2017 and I thought to my self is that my future?

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"Did this episode have a scene at a senior center with a bunch of hippie looking seniors obviously high and listening to phychedelic rock."

Yes, it did. Kinda weird that the police state of the future would keep a bunch of geriatric hippies around.

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I thought it was the one. Thank you for confirming it.

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Every time I see Aerosmith or the Stones play, I remember this scene. Did anyone think acid rockers could get that old without changing? I sure didn't, but there they are. Always makes me grin while on line at the roller coaster at Disney World.

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When I was in HS, the teleplay of this episode was featured in an issue of a student literary magazine as an example of script writing. There was a future woman named Sandrelle (had to have a love interest of sorts, I guess!)
and she got drunk on milk, IIRC.
Dang, I'll bet that old thing is up in the attic with my other HS crap from 35 years ago.

"Shake me up, Judy!"

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..........Actually "L.A. 2o17" was one of Steven Spielberg's first directing efforts lone before (the TV movie) "Dual" and of course "Jaws" (1975)...........I remember watching this episode the "Early Show" on a local TV station in the eighties and wondering if hippies, who were now turning into yuppies, would still have the same musical tastes in 2017. Given the fact many of the old rock bands, like the Rolling Stones, are still playing and have strong fan base they probably will. 2017 is only seven years away..........I guess we should be happy the whole living underground thing didn't happen. No one gets drunk on milk either. It still takes booze. Bummer. LOL
TAG LINE: True genius is a beautiful thing, but ignorance is ugly to the bone.

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The milk could be from Genetically engineered cows... although the future vision was kept vague enough to have such things as screening for gene defects before birth, more 'technically' enhanced looking computers,Tasers et al.!

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no, the milk effect was explained quite clearly in the episode. Dane had one of the last cows brought down exclusively for his family. The milk acts like a drug because living underground has changed human metabolism to process it.

There were no tasers - the Psychiatrists (Police) used drug-guns. And since genetic screening, etc were described in the episode, the future is outlined quite specifically, not vaguely.

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2017 is only two years away now and the Stones are still on tour. I had a similar reaction on a recent viewing, but the group that came to mind as I watched the old dudes rocking away was Crosby, Stills and Nash, maybe because they were so out of shape.

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Amazing how that one episode has stuck with me, almost 40 years later.

"The truth 24 times a second."

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I believe you are thinking of "The Bold Ones" with Hal Holbrook playing in "The Senator" segment. Holbrook played a Bobby Kennedy type politician. This series had doctors, lawyers, and the Senator. Stars included Burl Ives, James Farentino, Joseph Campanella, David Hartman, and John Saxon.

This used to play on NBC on Sunday night and was similar format to "The Name of the Game" which was also a multi-segment series and was broadcast on Friday night.

"The Senator" segment replaced "The Protectors", a police segment, which starred Leslie Nielson and Hari Rhodes.


NBC used the same formula for the "Mystery Movie" which included "McMillian and Wife", "Columbo" and "McCloud".

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I'm surprised noone's mentioned the episode title's nod to George Orwell's 1984. That title was a reverse of the decade it was written- 1948. Likewise, "LA 2017" is a reverse of 1971.

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MINOR SPOILER ALERT: An interesting thing about those curvy roads is the changing road markings. Historically, road markings varied quite a bit from state to state. The feds have gradually tried to enforce uniformity through their control of gas tax reimbursements via the Manual for Uniform Traffic Control Devices (MUTCD). The 1971 edition of the MUTCD was the first to introduce double yellow lines to separate lanes of travel in opposing directions. It took some time for the states to switch over to the new system, initially mandated only for multilane roads and optional on others. (It was applied to all roads with painted lane separation in 1978.) When Glenn begins to get groggy, he is driving on a road with the new double-yellow separator right up to the point at which he apparently passes out. However, long shots of the crash scene show a curvy road with the old fashioned white-line separator. (It might have even been dashed, indicating passing was allowed. Very scary on that kind of road!) Clearly, the crash site is on a different road that had not yet been updated, either because filming access was easier on a more remote road or because Spielberg was using stock footage for the cuts to the front windshield view during the groggy period. (As I write this, I can imagine third possibility. The double yellow line appears to have been painted over a dashed white line. It is possible that the crash scene was filmed first, and when Spielberg returned to the original road to get some front windshield shots, the damned state had updated the lane markings! That one seems bit of stretch to me, though.)

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