MovieChat Forums > Reflections in a Golden Eye (1967) Discussion > Dull, demented, piece of crap movie

Dull, demented, piece of crap movie


I'm amazed this picture got made, and that stars of such calibre as Liz Taylor, Marlon Brando and Julie Harris signed on to it. Taylor and Brando had no chemistry onscreen, I could barely understand Brando when he spoke, and Liz seemed like she was phoning in her performance.

It's ridiculous, cheap, melodramatic nonsense...and I couldn't help but laugh at the ending, especially at Liz Taylor's character.


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You have no sense of humor.

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I do have a sense of humor and love camp - but this movie was crap. I was relieved when reading the OP's post that I am not the only one who felt this way. I don't get all the great remarks.

I was honestly falling asleep and had to fight to stay awake to view this. And it wasn't even dinner time! Maybe if we could have understood half of what Brando said it would have made sense. I don't know. It was just a huge waste of film and my time.

I do know that he was not BLANTANTLY homosexual or impotent as the reviews claimed. If they hadn't shown us his coveting the Baby Ruth wrapper, no one would have ever known he had a gay thought. Other than this, he could have been following the guy to make sure he never told publicly about his beating the horse.

Bad, bad movie.

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Oh, c'mon, if it took the holding of the Baby Ruth wrapper for you to recognize his repressed sexuality, you're either not very sensitive or weren't paying attention. It was telegraphed right from the beginning.

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Seriously?!? Until that scene, I thought it was the guy riding the horse naked that was supposed to be gay (only because I knew that there was a repressed homosexual in the movie)... so I was obviously confused by said horse rider's obsession with Taylor.

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I thought all the horses were homos. You never saw any little horses, did you, huh?

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He maketh his sun to rise on the evil and on the good... St. Matthew 5:45

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I don't think I like this movie either. Even before coming here, I thought Taylor's clothes were wrong for the period, the sepia gold color of the version that I saw irritated me a little, the plot moved slowly and there really wasn't one but that is okay because it is all character, Taylor's screaming at the end and turning to look at the two men as the camera did made everything look over acted, and I don't understand why Brando's and Taylor's characters were married, why no one stopped the naked man from riding naked, and why did Taylor take off her clothes and then why did Brando threaten her "not to do it" do what?

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It was awful. The very obvious cartoonish southern accents were bad.

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I'm so glad I'm not the only one who feels this way. I just had the opportunity to see it on the big screen for the first time, and I was looking forward to seeing something that had Brando, Taylor, AND Julie Harris to boot. Three amazing talents with Robert Forster and Brian Keith thrown in, and then the great John Huston directing. But the whole thing was utter garbage. As one person said - the accents were terrible, the campy overacting by Liz was just great if you're a Liz fan like me, but it doesn't make the movie 'good' in any way. Brando was incomprehensible on so many levels. Yes, he had one or two good acting scenes, and probably did the best acting job overall, but it was not one of his better performances on the whole. Julie Harris was good but it was a throw away character that didn't require a great range, and Brian Keith just can't act his way out of a paper bag. Then the strange scenes with Forster. I mean c'mon, how many times are you going to show him over and over again standing outside the house? Yeah, he's a stalker and a voyeur, we get it. And Brando's homosexuality was not that obvious in the first half of the movie. Yet it's downright blatant in the second half. Not very subtle really, it should've been more gradual. In the beginning you just get the sense that he's wound too tight. And the nipple cutting, Harris' wacky houseboy who's just plain bizzare, the nude scenes with Forster and the horse - they all just made no real sense and were just there for shock value. For 1967 this was all very 'daring', as was the subject of Brando being a closeted homo. Nowadays it's like, yeah, so? The big general is gay, we get it... And another stupid thing is, why in the hell is Taylor married to him in the first place? We get none of that backstory and are left to wonder how they got together in the first place. The beautiful daughter of a big general and she's married to this guy who mumbles and has a stick up his ass, who has no sexual interest in her. It doesn't really make sense. And the ending was kind of inevitable. It wasn't a shocking ending at all which one would expect from a movie like this - some kind of interesting plot turn, but instead it was an obvious ending.

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Taylor and Brando had no chemistry onscreen


One could argue that their lack of chemistry is relevant for the narrative, since their characters despise each other. As to those who feel nothing happens, Reflections in a Golden Eye is a story where it is what happens underneath the surface that counts.

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