Ahead of its Time


I must agree with amolad's assessment of this film on the user comments page. I had no knowledge of this film until I saw it on Showtime not that long ago -- and I was impressed with it! Given the era in which it was made (mid-60s) it was a shockingly realistic look at war, at a time when Hollywood was making cheesy, unrealistic war films such as "Battle of the Bulge," "Bridge at Remagen," and "Anzio."
I also must agree that Terrence Malick was influenced by this film when he made "The Thin Red Line," which was a masterpiece in its own right -- actually, I think he improved on Beach Red. Still, Beach Red was impressive, especially for its era.
I have one problem, however. I recorded this film on my DVR timer and lost the very end to the film -- the last scene I saw was the two marines, one dead, one wounded, as they were leaning against a tree when Rip Torn and the others found them. Can anyone tell me if anything more happened?

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Saw it last night. You did not miss much. The Japanese soldier was about to toss some cigarettes to the wounded marine, and the Rip Torn character thought that he was about to throw a grenade. He then shot the Japanese. A few seconds later Cornel Wilde and his team caught up with Rip Torn. Wilde surveys the scene, the dead people, and sees that the wounded marine is deeply disturbed about something. Wilde gets this deeply pensive mood on him. The movie closes with a reprise of the combat painting seen in the beginning.

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I agree with you very much that it was a film before its time. I can't remember when I first saw it, but I taped it and have watched it many times as it's one of my favorite all time war movies. Wilde and the entire cast did a phenomenal job. From the crushing of the bug on the deck of the troop ship to the tragic death of the Japanese soldier/artist, it's a heartbreaking look at war and its affect on young men. Rip Torn and the fanatical Japanese officer (or NCO, I can't remember his rank) represent the professional soldiers; Cliff and his Japanese artist/soldier are the counterpoint, young men just doing a job who would much rather be someplace else, and as a WW1 poet said, would much rather be drinking a beer together but due to circumstances, are intent on killing each other. It's a great and tremendously unknown and underrated movie.

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Agree with all the comments. Watching the Thin red Line (which I love) reminded me that I had seen this film maybe 20 years earlier on a late night showing. Along with the Naked Prey, Wilde made two genuinely brilliant low budget films that are sadly overlooked.

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I just watched this. I don;t think it was my cup of tea but also I didn;t like the thin red line that well either I just didn;t like the jumping back and forth between the guys. I feel it could have been done better I guess not sure what it was about the movie I didn;t like i just didn;t find it that good.

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My dad's brother fought WW2 in Europe; my mom's brother was in the Pacific (he was crippled at Tarawa) so I grew up hating "japs" and "krauts." This movie was a huge surprise for me and I didn't like it the first time. Saw it again on late night tv maybe 20 years later. I'm with you on not caring for the voiceover and use of symbolism, but I liked it a lot more and can appreciate Wilde's effort to humanize the enemy. The third time+ I've loved it.

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I grieved I had no shirt until I met a woman who had no pants.

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I agree with you that this film is very poignant and powerful. Both "Saving Private Ryan" and "The Thin Red Line" were clearly inspired by this movie.

"We're all part Shatner/And part James Dean/Part Warren Oates/And Steven McQueen"

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I never heard of this film until very recently. Is this the first (realistic) anti-war movie of the Vietnam era? It came before "Johnny Got His Gun" "Catch-22" and "Slaughterhouse 5." I know "The Best Years Of Our Lives" was made right after WWII ended.

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It may well be the first anti-war war film, in regards to being a Vietnam parable.

The scene from SAVING PRIVATE RYAN in which the man carries his own arm around with him seems inspired by the soldier losing his arm in BEACH RED.

I'd say that both Steven Spielberg and Terence Malick owe a debt of gratitude to BEACH RED.

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