Warner's star vehicle


I saw this when it came out, and it was a huge hit among the movie-obsessed espresso crowd, that is, my crowd, at the time. We loved David Warner to death. Everyone thought he was going to be this big star, but that isn't what happened. It was a star turn for him to be sure, but he didn't become as big as we thought he would. I was actually amazed a few years back when I found he was still acting as I hadn't seen him in anything in decades and I watch a lot of British films. I shrink from watching this today for fear that its dated look and feel will be too much to bear. And a Communist crazy really is from the time capsule.

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With the greatest of respect, if you aren't familier with Warners work since then (leads and significant supports for directors including Peter Hall, Terry Gilliam, John Carpenter and Sam Peckinpah, significant roles in The Omen, Straw Dogs, Tron, Time Bandits, notable bit parts in Titanic and a bloody Star Trek film, recurring and walk on roles in a dozen major TV series or specials) then I would suggest a film website is a little out of your depth.

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Wow, you're a real dick, junk-mail-4

edit: Alrighty, guess that deserves an explanation.

This website is made for people with all levels of knowledge of film history. And furthermore, this is a very open-ended discussion board for films. All discussion regarding a film should be encouraged, but not encouraging replies like yours.

It's esp. dickheaded of you to attack someone talking about a film which isn't the most mainstream. These days, Morgan: A Suitable Case for Treatment, that's a more obscure film. Had you made this reply on someone saying "Wow, I never knew Steven Spielberg made a movie after Jaws!", it would have been a bit more expected, but still not appropriate.

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I agree, that dude up there's a dick face, but still--David Warner is a fairly ubiquitous character, and when I saw him in The Ballad Of Cable Hogue, I said, "I've seen this Brit in about fifty things." And then I finished my drink. And then I went to sleep.

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I met David Warner after a performance of Lear at the Minerva Theatre in Chichester UK. It was a fantastic performance. He was both curteous and polite but obviously very shy. A nice man.

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The film is clearly very much of its time (the mid-60s), Keylimepie, but I think it has actually worn very well. The superb B&W cinematography and John Dankworth's score are particularly worth cherishing.

No, I think you would enjoy the film even more if you were to watch it now.

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I agree, I'm watching it now and I'm amazed at how much I remember. It was a quirky, unique film in 1966 and still is today. I was a high school radical (always preferred Trotsky over Lenin) and I loved King Kong, so this was a fave for a long time. I've had it in our Netflix queue from way before its release on DVD - glad I finally got to see it again.

BTW, the wife only lasted about 20 minutes and gave up.

"Admit to poisoning the monkeys, and we'll give you a cigarette."

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There is no reason to jump at the OP for telling the awful truth. David is one of the most talented actors in the world, but he never really became the great star he deserved to be. As a matter of fact, this is one of the very rare leading roles he ever played. Of course he did three great Peckinpahs, possibly played the definitive screen Torvald is Joseph Losey's (disappointing) version of "A Doll's House", made a few genre movies that have their fanbase ("The Omen", "Tron", "Time Bandits") and was given a supporting role in a few successful, high-profile movies. But this doesn't change that not many actors of his calibre have the same amount on garbage in their resume. He did a softcore porn with Pamela Anderson, borrowed his voice to some of the worst cartoons in history (like "Biker Mice From Mars"), did countless low-budget horror or fantasy movies for film and TV, worked with some of the most infamous directors in the world (Fred Olen Ray or even the Vanzina bros in Italy), worked with some casts entirely made of Z-listers .. there is no denying that it's very sad to think about this. Of course he always had theatre and he recently made a superlative Falstaff in Stratford.. but he had never come back there before since the 60's anyway. So yeah, David 'Morgan' Warner, the man who had created one of the most indelible anti-heroes of 60's British angry cinema, should have been used a lot better in the subsequent decades.

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And don't forget his great performance in "Time after Time".

Bathia Mapes: "Go to the house of the curse".

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