MovieChat Forums > Marat/Sade (1967) Discussion > Holds Up Well ... Hope I Am!

Holds Up Well ... Hope I Am!


I just watched the DVD (which was excellent quality) the other night and was amazed at how it was the music that brought it all back to me. I think I owned the LP record a few decades ago.

I'm a bit of an oldster, I guess. I don't remember when I first saw the movie. However, I do remember seeing the play in about 1969 to 1970. It was just after college and I was a freshly-minted, pre-shaving ensign in the Navy stationed in Washington, D.C. What a great place for a first tour of duty. I remember two plays from that year: Seeing "1776" in pre-Broadway tryouts at the National Theatre and seeing "Marat/Sade" someplace that was off-National Theatre in the D.C. area. But I do remember that it starred Hurd Hatfield (player of Dorian Gray in "The Picture of Dorian Gray").

Forty years later, it still holds up well. The raucous activity of the demented players is disturbing, as it is meant to be, while they spout philosophy that they cannot fathom. Glenda Jackson, in one of her earliest roles, stands out, as does Patrick Magee. And I suddenly realized that I knew Marat too -- those eyes -- I had to check the credits for Ian Richardson, whom we've seen in countless roles since those early days.

I've still got the music roaming my brain three days later.

Recommended viewing, but not for the faint of intellect.

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I only saw the film for the first time recently after seeing it come and go repreatedly from the library where I work. I was not disappointed. It was a thrilling movie: thought-provoking, disturbing, and entertaining. And the acting was outstanding. Jackson and Richardson are two of my favorite actors and it was great to see them here at the beginning of their careers. Their final, long-awaited confrontation towards the end of the film was one of my favorite scenes. Magee was wonderful as well; he does so much just with his eyes and his body language. His debates with Marat are electric to watch. And the background players are so convincing it's easy to forget they're acting.

And I have to agree with you about the music. Corday's Waltz is such a haunting song. I've been singing it under my breath off and on for days.

I can only imagine what it must have been like onstage. What a memory. I hope it was a good performance.



A young girl passes / in a hurry. Hair uncombed. / Full of black devils. --Kelly Link

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Saw it for the first time yesterday, and I believe that the confusion and thought vortex of the french revolution are as fresh today as it was back then, and the movie portrays it very well.


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- He moves his lips when he reads. What does that tell you about him?

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