Problem with Sidney P.


Not his performance, which was fine. But how could Toller have been a former sergeant with that unit? The US Army was segregated during the 19th century, and for much of the 20th, as well. The unit is clearly a "white" regiment, and as such, Toller could not have served in it. The officers are all familiar with him, and have served with him in the past. Maybe the officers were former members of a "black" regiment, perhaps? Afraid not. Soldiers were permanent members of the unit they were assigned to in those days, and there wasn't the ability to transfer from unit to unit during this time period. A soldier who wanted to transfer to another unit had to be discharged, travel at his own expense to the new location, and re-enlist, forfeiting all rank and seniority in the process. I'm guessing that in the novel Toller was white, but the film makers wanted Sidney in the film and rewrote the character as black, without thinking it through. So we have a bit of an historical problem with the plot. A fine film, otherwise.

"It ain't dying I'm talking about, it's LIVING!"
Captain Augustus McCrae

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The fact that race is NEVER mentioned by anyone leads me to believe the character was originally white, but Poitier was very "hot," so why not use him? I saw this when I was 10, and I was too jazzed seeing a black cowboy, I didn't care about the context.

"May I bone your kipper, Mademoiselle?"

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In the novel of THE BEDFORD INCIDENT Poitier role is blond & Blue eyed.
In Ocean's 11 Sammy Davis' Josh Howard served in the same platoon with the other ten men which wouldn't happen before 1948.
For the sake of the story or star they go around certain things

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As well as the anachronism regarding Poitier's character seemingly having served in a white regiment when the army was segregated, it is also noticeable that he has been allowed in the town saloon which seems somewhat liberal for the Old West 1880s. In John Ford's The Man Who Shot Liberty Valance, Woody Strode's character is told off by the bartender when he enters the saloon (a very subtle scene). Mind you, any racist bartender who told Poitier that he couldn't go into the saloon would probably not live very long !

I haven't checked out the original novel but I agree that Toller must have been white in the novel. Casting Poitier in this role must have caused quite an impact in 1966 - I don't recall a black actor ever having played a cool wild west gunslinger before.

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Check your history and you'll find there were many black cowboys and you can be sure they didn't put up with too much nonsense.


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Yes, but we are discussing black soldiers. Quite a different thing, yeah?

"It ain't dying I'm talking about, it's LIVING!"
Captain Augustus McCrae

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his character was historically inaccurate.

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