MovieChat Forums > Il buono, il brutto, il cattivo (1967) Discussion > Why is this higher than For A Few Dollar...

Why is this higher than For A Few Dollars More?


I just finished watching the trilogy for the first time. Fistful was laughably bad; there, I said, I stand by it. See my list of reasons why it's so bad at that board.

But FAFDM? Wow! That's some great picture. Start to finish, I was riveted. Had no idea what was going to happen, great pacing.

But this one? Okay, it was good, I liked it. I understand why others think this is a very good movie. But just as I had a list of problems with Fistful that I just couldn't get past, this one's got a lot of problems, too:

1. There was no reason for that bridge when the water is only waist deep - or more to the point, no reason for fighting over or keeping that bridge.

2. The bridge is in the wrong location anyway; just 50 feet up the river, the crossing is half as wide.

3. Dynamite wasn't invented until 1867.

4. There were no trains anywhere near that far west.

5. There were no Gatling Guns in use in 1862, and certainly none that far west.

6. Trench warfare techniques were not in use in the Civil War in 1862.

7. There were no multishot rifles for Blondie to use that far out west in 1862.

8. Not all of the Confederates would be in gray uniforms in 1862 out west in 1862.

9. A captain would not be in charge of all of those men, or of that attack.

10. There were no prison camps at that time; and no Andersonville, which didn't even open until 1864. Before 1863, prisoners were paroled and/or exchanged almost immediately.

11. That graveyard was ridiculously large for New Mexico at the time - and with no town anywhere in sight. While cemeteries are located outside of towns, they're not located in the wilderness, miles from anywhere. And thousands of graves out in the middle of nowhere? Come on. Outside of a big town or city, maaaaaybe. And if you're thinking those were all graves of dead soldiers, think again. Only about 100 soldiers total from BOTH SIDES died in the largest battles in the New Mexico territory.

Now, as opposed to Fistful, I don't have a major problem with these errors, because, for the most part, except for the first couple about the bridge, and the last one about the cemetery, they're not so incredibly stupid as to ruin the movie for me.

BUT - that being said, they do detract from the overall movie experience for me. Why don't they detract from it for you?




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They don't detract from it for me because I don't think that level of historical accuracy is important for this film. The film is really all about style and it has a pervasive sense of unreality, the only thing that exists is what is in the frame at any given moment, characters appear from nowhere, vast military trenchworks are just steps away from a road but don't appear until characters step off the road and into them, Tuco runs across an open plain dodging Blondie's cannon fire until he rolls into a tombstone in a graveyard that was not there until that moment.

It's not literal at all. It's an operatic story told with a unique style and a rare blend of romance and cynicism.


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Right; that's fair. I sort of got that too, and that's okay. But that's not my preferred style of film, y'know? That's why For A Few Dollars More - a great story, well told, well acted, well shot - is much better for me.

If I accept what you're saying - and I do - this is a little "out there" for me.




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First off the you have to realize the film takes place in both New Mexico Territory, Texas, the Kansas border with Missouri and Arkansas, so I'll take a stab at your problems

1. There was no reason for that bridge when the water is only waist deep - or more to the point, no reason for fighting over or keeping that bridge.

Along the Arkansas River there were obstructions put in place to obstruct river commerce/traffic, the Arkansas was also defended with naval siege guns.

2. The bridge is in the wrong location anyway; just 50 feet up the river, the crossing is half as wide.

Usually where a river is narrower it is also deeper and faster so it makes sense to cross where a uniform shallow bottom is available

3. Dynamite wasn't invented until 1867.

Wasn't Dynamite they were black powder sticks (used in mining commercially available) the boxes were just labeled explosives


4. There were no trains anywhere near that far west.

Blondie & Tuco were marched into Batterville Camp, from Ft. Craig, 1,020 miles ( at a pace of about 20 + or - miles a day, over the Santa Fe trail. It would have taken them about 50 days) to this fictitious camp at possibly Ft. Leavenworth, (closest real Union POW camp was in Illinois). This site also is located near the longest railroad existing at the time (St. Joseph & Hanibal RR) west of the Mississippi. The whole film from Blondie & Tuco capture is all historical what if fiction

5. There were no Gatling Guns in use in 1862, and certainly none that far west.

again fiction

6. Trench warfare techniques were not in use in the Civil War in 1862.

This happened during the war just much later

7. There were no multishot rifles for Blondie to use that far out west in 1862.

Yes he's got a Henry available since 1860

8. Not all of the Confederates would be in gray uniforms in 1862 out west in 1862.

True but it's artistic licence, and Grant & Lee would not have been the major opposing generals but for an international audience the joke would make sense to them

9. A captain would not be in charge of all of those men, or of that attack.

It happened

10. There were no prison camps at that time; and no Andersonville, which didn't even open until 1864. Before 1863, prisoners were paroled and/or exchanged almost immediately.

artistic licence

11. That graveyard was ridiculously large for New Mexico at the time - and with no town anywhere in sight. While cemeteries are located outside of towns, they're not located in the wilderness, miles from anywhere. And thousands of graves out in the middle of nowhere? Come on. Outside of a big town or city, maaaaaybe. And if you're thinking those were all graves of dead soldiers, think again. Only about 100 soldiers total from BOTH SIDES died in the largest battles in the New Mexico territory.

That's why it's near the Arkansas/Missouri/Indian Territory border Blondie & Tuco blunder upon a battle for Langston or Langstone bridge over the Arkansas River. The small cemetery nearby at Sad Hill has swollen with the dead from the various skirmishes & battles in the border area of Northwest Arkansas ( Pea Ridge (Elkhorn Tavern) was on March 6-8th 1862, US Casualties 1,349, CS Casualties 4,600).

And it makes sense if you think about the gold which is way too much, for The New Mexico Campaign theater anyway.

Jackson, Baker, and Stevens are detailed as a part of a 25 man Paymasters detachment for I Corp of the Trans-Mississippi District. Around the first of February, near Ft. Smith, they blunder into a Union Cavalry recognizance party. In the heat of battle the Paymaster’s wagon and $200,000 in gold coins disappears.

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Thank you for taking the time to answer, but I find the whole scenario preposterous.

They marched from New Mexico to Arkansas? Come on. That's ridiculous. First off, 20 miles a day? That's about as fast as Stonewall Jackson's troops marched, and they were fully supplied. They were called "foot cavalry" for being able to cover that much ground in a day. It would be half that, tops, and probably less with poorly supplied unmotivated prisoners. So you're talking about more like 4 months. And if you're going to march prisoners for four months, that would be a march of death, like the Bataan Death March.

More importantly, they DID NOT IMPRISON SOLDIERS IN 1862. They were exchanged or paroled. That meant that the two sides met and exchanged the prisoners they had captured after the battle - they gave them back. If one side had more than the other side, then they paroled them - meaning that the soldiers had to return home and promise not to fight again. Which was BS, and both sides knew it.

They only started imprisoning soldiers in camps permanently after the south refused to exchange black soldiers who were captured as prisoners starting in mid-1863. The south preferred to enslave them. This was actually one of the major factors that won the war. Because the south could not afford to lose its soldiers permanently to imprisonment because of their limited manpower. The north's vastly greater population - about 4 to 1 - let them continue to provide troops even after their soldiers were captured and held.

Second, none of the scenery looked anything like Arkansas, let alone Oklahoma or Missouri.

So, I'm not buying any of your explanations. Sorry.



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They marched from New Mexico to Arkansas? Come on. That's ridiculous. First off, 20 miles a day? That's about as fast as Stonewall Jackson's troops marched, and they were fully supplied. They were called "foot cavalry" for being able to cover that much ground in a day. It would be half that, tops, and probably less with poorly supplied unmotivated prisoners. So you're talking about more like 4 months. And if you're going to march prisoners for four months, that would be a march of death, like the Bataan Death March.

Ridiculous? Wagon trains with pioneers averaged 12-15 miles a day with women & children, besides the whole story takes pace over an 8 month period, it could be 10 miles a day or more if they were transported by wagon it's really irrelevant, and I said specifically that everything after their capture was fiction as regards to the internment camp


More importantly, they DID NOT IMPRISON SOLDIERS IN 1862. They were exchanged or paroled. That meant that the two sides met and exchanged the prisoners they had captured after the battle - they gave them back. If one side had more than the other side, then they paroled them - meaning that the soldiers had to return home and promise not to fight again. Which was BS, and both sides knew it.

yea yea yea we all know that, but we aren't telling history its a "campfire story". And they did imprison afterwards as the war wore on, so its a question of cinematic licence

They only started imprisoning soldiers in camps permanently after the south refused to exchange black soldiers who were captured as prisoners starting in mid-1863. The south preferred to enslave them. This was actually one of the major factors that won the war. Because the south could not afford to lose its soldiers permanently to imprisonment because of their limited manpower. The north's vastly greater population - about 4 to 1 - let them continue to provide troops even after their soldiers were captured and held.

Again, yea yea yea we all know that, but we aren't telling history its a "campfire story", and they did imprison afterwards as the war wore on, so again its a question of cinematic licence

Second, none of the scenery looked anything like Arkansas, let alone Oklahoma or Missouri.

Neither do many Civil War set films look like they are in the East, more like California. I think Sad Hill is supposed to be along the Indian Territory/Arkansas border it's close enough see below.

The Arkansas images below:

https://encrypted-tbn3.gstatic.com/images?q=tbn:ANd9GcS-1mkyCFv2xY_8WC s1xyazcrKWwiNB_9yAZrmOd-y_suadBmf-

http://www.arktimes.com/binary/515b/1345562159-emerald_park_quarry.jpg

So, I'm not buying any of your explanations. Sorry.

Guess what pard... I not selling to you, I'm just not letting you off without defending artistic licence, it's a film not a documentary, the images above of the Arkansas River somewhat look enough like the river in the film.

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The movie is more about the people in it and the plot than about recreating history.

If this was Gettysburg, the Longest Day, A bridge too Far, or the band of brothers series then yes historical accuracy would distract me as that's what those movies are primarily about.

However, I view this movie in the same way I view Bridge on the River Kwai or Kellys Heroes. The setting is just a backdrop. The real story is the hunt for gold or the personal drama going on.

Regardless... I do like For a Few Dollars More the best of the trilogy as well, but not because of historical accuracy. I just really like the plot and the way it was filmed.

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You're right. My brain knows you're right. But I can't get away from inaccuracy heaped on inaccuracy. All of it added up is just far too distracting. There's just too much, and there didn't have to be that many.

And what's historically wrong with either Kwai or Kelly?




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I will defer to the other responses here on historical accuracy or the lack thereof. But as regards this film in relation to the others in the trilogy....

I will agree Fistful of Dollars is the weakest of the three, but that doesn't come anywhere near making it a laughable film since the other two are excellent. There were more technical issues such as rather poor dubbing here and there. The cinematography is also relatively pedestrian. But it is generally a very good film. Eastwood was well on his way in developing the persona here he used with some variation in all his westerns in this period.

But For a Few Dollars More was an apprciably better film, and perhaps Eastwood's third or fourth best western, after TGTBTU, and High Plains Drifter. I don't think it was equal to and certainly not better than TGTBTU, but any fan of this film must be familiar with More or they are really missing something. Eli Wallach definitely added here, but Eastwood and Van Cleef more than carry More, along with Volante who, while often described as overacting in More, was imo quite convincing as a psycho. The supporting cast is also very good.

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I will agree Fistful of Dollars is the weakest of the three, but that doesn't come anywhere near making it a laughable film since the other two are excellent.

I gave all the reasons why Fistful is laughable in a post on that board. And that post goes on for a long time. But what do the other two movies have to do with Fistful? The three movies are only thematically related; they only all have Eastwood's "Man With No Name" as a central character - and he has a name in a couple of them, AND he's not the same character. Fistful should be judged as a good movie or not on its own.

No one says, "Oh, Star Wars I was terrible, agreed, Jar Jar Binks was demeaning and degrading, but let's not judge Star Wars I until we see II and III." That's ridiculous! Star Wars I - and Fistful - stand or fall on their own merits, or lack thereof.

Eli Wallach definitely added here

Oh, no doubt. Tuco is a great character. On the first viewing - which is all I've had - I found it tough to tell whether he actually has a heart or soul, or if it's simply that he's completely and utterly motivated by greed. He left me guessing.

along with Volante who, while often described as overacting in More, was imo quite convincing as a psycho

Well, that's one of the inherent problems with dubbed films, isn't it? You can never tell whether the actor is overacting, or if the guy dubbing him is.




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I must have missed where jgroub listed a number of problems wiht Fisftul of Dollars.

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No problem. At your service.

http://www.imdb.com/title/tt0058461/board/nest/241139625




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jgroub,

I have found some films over the top with plot holes and other elements that amount to too much that is implausible. So I can't say that is merely the net takeaway from your list.

But I do tend to be skeptical of viewers who think the film viewing experience is primarily one of looking for plot holes and the unlikely.

Many of your complaints concern the implementation of special effects that you found lacking in some way. Like the barrel - who cares if it actually weighed less than what was intended to be seen, which is that it was big and therefore could have been heavy enough to have knocked out, not necessarily killed, the two men. Same applies to other of your complaints about special effects.

In terms of the film's narrative arc, you complain that no one from the Rojos house hears the killing in the street of men from the Baxter gang. While the film did not show that they did in fact hear it, it didn't show either way whether they heard it. You can't assume they did, or that it should have been shown. Perhaps they were not in the Rojos house, as they were later when they heard the shooting in the house across from the church.

The bit about how come Ramon did not shoot Joe in the head, he earlier explained that he always went for the heart. Having shot Joe where his heart should be, he was amazed Joe did not die, and apparently did not notice Joe was wearing that metal plate. He kept shooting becuase he could not believe it - this is not implausible, as you suggest.

I will agree there are issues here and there with the sound, and also that they used the cheap approach of darkening a daylight shot to make it be a night shot (like at the cemetary). Guilty as charged - these shortcomings were not significant enough to ruin the film.

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kenny, as Popeye used to say, "That's all I can stands, cuz I can't stands no more!" Everyone's got their breaking point in terms of suspension of disbelief. This one exceeded that point more than twofold, as far as I'm concerned.

I didn't intend to keep a list; I went back after watching it and wrote the list afterward. To me, this was just an awful, awful film, and my very long list is the objective justification as to why I think that.




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Yeah, well, after seeing FOD, which stunk on ice, I felt the need to keep a list, heh, heh.




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Not going to address everything here....but if you dont like FOD then watch Yojimbo. Leone for sued for copying the movie without permission.

Blondie did NOT have a Henry rifle. The one he was using hadn't been invented yet. They just removed the wood from the front to disguise it as a Henry.

Of course it doesn't look like New Mexico or any other state in the US. If not already mentioned its called a Spaghetti Western...and it was filmed on location in......Spain.

Gatling guns, while invented in 1862, where not used that far west in the Civil War. But it's artistic license so who cares.

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Hey jgroub-

You rated Better Off Dead a 9.


Why didn't the severely unrealistic scenes in Better Off Dead "detract from the overall movie experience" in the same way?

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Heh, heh, I did? I musta done that a while ago. If I rated it that highly - and I'm sure you're right that I did - it is only because I grew up with John Cusack. We are exactly the same age, and I've seen just about everything he's ever done. Better Off Dead is a sentimental favorite from my youth.

But Better Off Dead is a comedy. Are you saying that this is a comedy, too?




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