Movie Ending


Can anyone tell me what happened in the last 5 minutes of this movie? I watched the whole thing to what I thought was the end, but the network showing it started the movie late, thus the ending was cut off. Thanks!

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Lancaster's character (Labiche) derails the train in such a way that it cannot be put back on the track. The Germans then kill all of the hostages on the train. All the Germans then leave except Scofield's character (Col. Von Waldeim). He confronts an armed Labiche and lectures him about the paintings, after which Labiche kills him. Labiche then throws his gun away, and walks down the road away from the train.

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Tell us what were the last scenes you saw.

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Labiche derails the train by sabotaging the rails; Herren explains to von Waldheim that it cannot be re-railed, to von Waldheim's chagrin. Just then a German convoy shows up on the road by the tracks; von Waldheim stops, and attempts to commandeer the convoy, ordering his own men to unload the paintings from the train and put them onto the trucks. The commander of the convoy, however, does not allow von Waldheim to put the paintings onto the trucks, explaining that the convoy is needed for his men, retreating from an approaching Allied armored division. He says, "in this sector, the war is over." Von Waldheim becomes irate, orders him shot for gross insubordination; Herren explains to von Waldheim the reality of the situation, that they've lost. The convoy commander offers von Waldheim and his men transport -- Herren, and the soldiers on the train, all leave with the convoy. Von Waldheim, however, elects to stay right there, and bids farewell to Herren. The hostages are machine-gunned all at once just before the convoy leaves. At this time, Labiche returns to the now-abandoned train to tend to the engine's controls (Remember the "The steam is released or the engine blows up!" part?). Von Waldheim & Labiche meet; von Waldheim berates Labiche for what he has done; Labiche looks back at the pile of dead hostages, machine-guns von Waldheim, and leaves the scene. Then the credits roll.

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Good summation of the ending, which, after thinking about it, is really ironic. The Germans, despite everything Labiche and the French have thrown at them, are actually in position to prevail if they just take their men off the trucks and load the paintings on the vehicles instead. However, the major commanding the truck convoy (obviously a combat officer, unlike the fanatical Waldheim) values his men more than the paintings and refuses. Waldheim of course is completely different--he doesn't care about men's lives; he wants the paintings. Even the French are willing to sacrifice livess to save the paintings--Labiche essentially admits this in the midst of all the sabotage operations, after initially refusing to "risk lives for paintins" in the beginning of the film. Iroinically, it's a German officer who saves the paintings by refusing Waldheim's direct order to put them on the trucks and transport them to Germany.

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Wow, you all have done well summing up the dramatic ending. Whoever posted the question originally, go pick up a tape or DVD and see it through without commercial interruption. You won't regret it.

Labiche tending to the train when he walks through the wreckage, Von Waldheim's lecture on art and the class struggle, the almost Matthew Brady photographic appearance of the dead hostages. . .Lord! They make some pretty powerful stuff these days, but that's still a tough one to top.

"I'm not from here, I just live here. . ."

-James Mc Murtry

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If this film were made today it would inevitably end with Labiche making some smart arse wise crack either just before or just after [or possibly both] shooting Von Waldheim.

The fact that he responds to the condescending lecture about being a philistine with silence and a slow and deliberate glance towards the dead Frenchmen, before shooting the German and limping away from the carnage gives the scene much more gravitas.

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**POSSIBLE SPOILER**

The graphic final scenes also make very clear the horrors of WWII - as one Polish woman (a child at the time of the occupation) once told me, as a child she and her friends would play outside their houses, often in view of bodies lying in the street...

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Good points, Champagnerocker.
I should add that just as Labiche starts to limp away, the film juxtaposes shots of the crates of paintings scattered on the ground with shots of the dead hostages also scattered on the ground. The shot wordlessly asks the same question asked so many times in this film--"how many lives was it worth?" And I don't think it really answers the question--and it probably shouldn't. It lets every viewer think about it and come to his own conclusions.

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