...would the Nazis have suspected the nuns of all people or would they perhaps think that one of the Von Trapps managed to disable the cars before escaping over the mountains?
A very valid point. As we know, the Nazis weren't the most progressive of thinkers; if their cars had been vandalized, they'd immediately assume the dirty work had done by one of Baron von Trapp's sons. They'd never entertain the notion that a woman could be capable of dismantling an engine.
And while we're on the subject, this is another example of how effectively Robert Wise cast the film. Having the gifted Portia Nelson play Sister Berthe was a master stroke; she's more than believable as an early nemesis for Maria, but she's equally convincing in the final scenes when she (in partnership with Sister Margaretta) thwarts Maria's tormentors. As a matter of fact, the audience LOVES seeing this no-nonsense woman firmly on Maria's side.
Portia Nelson was invaluable to "The Sound of Music" because she brought a welcome touch of vinegar to early scenes that might have become overly saccharine. In addition, she contrasted beautifully with Anna Lee's warm & sweet Sister Margaretta; the audience had no problem believing the two of them could function effectively as a team, because they looked like they had different (but complimentary) skill sets that could be combined to achieve any goal.
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