MovieChat Forums > Kiss Me, Stupid (1964) Discussion > So Zelda actually had sex with Dino?

So Zelda actually had sex with Dino?


That's not at all cool. This film left me feeling quite dirty after seeing it today, and not in a good way. After everything that's happened, Orville and Zelda really don't deserve to be with each other and the best thing for either would have been a divorce. I'm surprised this didn't end the film careers of both Kim Novak and (especially) Dean Martin; it's embarrasing seeing her degraded like this and Dino's decision to mock his own false public image in such a sleazy fashion was in incredibly poor taste. He should have been forced to do some community service as a way to make up for this debacle. About as lousy and sloppily directed as sex comedies can get. Maybe Billy Wilder's worst film.

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This wasn't a bad movie at all. People were "disgusted" because this movie was so unlike the other wholesome movies from that era of movies. But I loved how edgy and risque this movie was. And it even addressed things like adultery and swinging by going through with it! Yes I too was shocked when I first saw this (both Orville sleeping with Polly and Zelda sleeping with Dino) but I realized that's only because of all the other movies from that era. This was so different. So it took a little getting used to once they started pushing that envelope and went through with it once push came to shove. Kudos Mr Wilder. I'm surprised the studios made it! But good for them. This movie is a gem by today's standards for sure. Open your mind y'all!

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I was very surprised that Orville & Zelda both ended up swinging that night - & Zelda even got paid for it! But who cares, it's a movie, and totally tame by what kind of movies are out there today. I thought the movie itself was very interesting & it did make me laugh & Kim Novak as always, shone.

Walk like it's for sale and the rent is due tonight- Miss Jay

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It was an offensive film for sure, I agree completely with Swill Merchant. Wilder set the stage for a clever and moral ending, but instead ruined it with his trivial perspective on marriage. He made us feel for Kim Novak and one figured she was going to turn away from her sad situation seek true love and a family. Hard to believe that Dino played himself instead of portraying some fictional character. If in real life he committed adultery as brazenly as he did in this film, he was a pretty scummy person. Super disappointed...

As for you three that disagreed with Swill Merchant, you must really find adultery non-offensive.

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No, not quite. But I do believe in the concept of "morality" perhaps unlike yourself and in certain contexts, marital infidelity depicted on film is simply inappropriate and smutty for its own sake.

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would love to hear that concept defined. meanwhile, the movie is witty, charming, and edgy. i think it probed some of the assumptions still held by society, including yours, with a bit more honesty than all those gazillion oh-so-not-so depictions of marital fidelity you would apparently prefer to watch. far more disturbing to me was Dino's flagrant disregard for the wishes of others, his sense of entitlement, and Walston's buddy's casual suggestion that Walston beat his wife.

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Ah, so you want to get metaphysical, do you?

Morality involves conformity to certain rules of right conduct, which certainly encompass virtue in sexual matters. The legal system or basic foundation of any society is founded upon it; its a pretty simple concept to understand. I'm not sure what warped version of reality you live in, but this has always been the case. Moral value judgments such as "murder is immoral" are made. Or in another usage, you could see it as synonomous with ethics or the systematic philosophical study of the moral domain.

If all moral claims are false because they entail that we have reasons to do certain things regardless of our preferences, then so too are hypothetical imperatives (e.g. "if you want to get your hair-cut you ought to go to the barber"). This is because all hypothetical imperatives imply that "we have reason to do that which will enable us to accomplish our ends" and so, like moral claims, they imply that we have reason to do something regardless of our preferences. So if moral claims are false because they have this implication, then so too are hypothetical imperatives. But hypothetical imperatives are naturally true.

To get right down to it, there's nothing inherently wrong with infidelity being depicted on film. But when its treated in such a frivolous and smutty manner, it is to somewhat sugarcoat a very serious topic, as if to fully disregard what a selfish, hurtful, and irresponsible act it is. We see it here as something that can and very well should happen casually, and that to hold it in secret is a virtue as if your spouse doesn't or shouldn't care one way or the other. And unless you wish to fully announce yourself as a sexual libertine, it's a fairly ridiculous notion from any rational perspective almost fully divorced from how relationships work in the real world. I don't think its unfair to propose that occaisonally, perhaps marital infidelity should be treated with the seriousness it deserves (for example, see: Unfaithful, Hannah and Her Sisters, 8 1/2, etc).

You seem to labor under the delusion that there are no holds barred in life, and that anything goes under any circumstances, and there is not a single absolute truth by which a person's life can be guided. Which is not only anarchistic, but extremely egocentric and inconsiderate of others. No one who truly loves their spouse and cares about their feelings could possibly sleep around, the only excuse is that you've become a slave to your appetites and desires as the characters have in this film, and we're somehow supposed to believe they're being noble. Simply put, Wilder's imperative in this film was to break taboos simply for the sake of doing so and without any real artistic purpose, having nothing of significance to say on the subject. Unnaceptable.

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i didn't find the treatment of infidelity frivolous or smutty - as i said, i thought the film DID explore the subject in ways that other films which pedestalize the concept of fidelity don't. and dino was smutty, not the film.

you seem more upset (from your subject heading down) with the fact that Zelda strayed than Orville Spooner, suggesting yet another pedestrian assumption (that it's worse for women to cheat than for men). reminds me of the hooplah surrounding Thelma and Louise - a million films about men on rampages or running out on marriages, but people were upset that 'they're showing that the first thing women will do when free of their husbands is loot, kill and generally go wild'. what's good for the gander is good for the goose.

on the other hand, i'm willing to admit that i'm assuming this opinion about your post, just as you assume quite a bit about me, including that i think there are no holds barred in life (ha! as if).

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Well, I began the subject with that title because I felt Orville's case was less ambiguous than Zelda's. I thought it was appropriate to make such assumptions about you given that you insisted I define "morality" as if such a thing either didn't exist or didn't apply to sexual relations. I didn't mean any offence by it though.

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Can't say I completely follow your third paragraph (it's late) but I do agree with your post in general.

My guess is viewers who really celebrate what this movie pushes and not-so-slyly celebrates (at least, does not disapprove or condemn) are probably not in a serious long-term, loving marriage.

I especially agree with your last two closing lines - this was just Wilder's attempt to push the cinematic code boundaries of the time, but it was just an in-artistic failure of a way to do it.

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nosnojsirhc:

I am from that era (the early 60s) and I agree completely with your thoughtful comments about this film - it was witty, charming and edgy, if not biting about marital fidelity at that time.

I think this is a great Billy Wilder film that was well scripted and well acted (especially by Kim Novak as Polly the Pistol and Ray Walston as the husband).


"Who, being loved, is poor?" (Oscar Wilde)

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Orville and Zelda were happy together regardless of their mutual infidelity, so why should they have divorced? Maybe that's what's really bothering you - that their marriage was strong enough to survive extramarital sex, unlike weak marriages that can be broken by extramarital sex.

Zelda betrayed her husband out of spite and malice, a completely selfish decision made on her behalf purely to satisfy her own sexual appetite, and on that grounds it is unforgivable.

he could hardly claim victimhood, since both of them were unfaithful.

In which case they are both victims. Love must entail absolute fidelity as well as self-discipline or it ceases to be. Maintaining this can be difficult, but only those who are truly lazy and, at their core, hedonistic betray their partners in such a way.

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Zelda's motives are a mixture of lust for her favorite singer, revenge on her cheating husband, and genuine desire to help her husband and make him happy. It's called mixed feelings, but maybe that's too complicated for your black-and-white mentality.

Which is the biggest one. Forgive me if I believe vengeance, emotional, physical, or any other form of it, can never be justified. It's not a matter of having a black/white mentality, it's a matter of believing in absolute truths in order to reach what is, in my estimation, the ideal way of life through such conditioning and self-discipline. There are certain things that can and cannot be tolerated simply on the basis of first principles, which I'm not sure you understand.

Swill Merchant, it's now painfully obvious that you are not only unmarried but generally not especially experienced.

I'm sure my fiancé would have something to say about that. It's clear you and I have a different idea of what love means and what must exist in a relationship. I obviously believe in clearly defining the boundaries of a relatioship, you don't. I know many married couples who feel the same as I do. There's no need for you to get personal.

Hedonism is a GOOD thing in moderation

Hedonism is not the same thing as seeking pleasure. It's a particular philosophy asserting that the pursuit of pleasure is the most important pursuit for an individual and that it is the only thing good for you. It is by definition an extreme, not something that can be taken "in moderation". I've never said there is anything inherently wrong with seeking pleasure, so long as it isn't causing physical or emotional harm to someone else.

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to be so perfect, Swill Merchant.

Truly your wisdom is unmatched.

You must be a widely travelled and experienced individual, as you have seen all there is and determined that your worldview is the only viable one.

All Hail Swill Merchant! As He and He alone is the word of all that is right!

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to be so perfect, Swill Merchant

Where have I made any such claims?

You must be a widely travelled and experienced individual

Well, I'd like to think so. But, as for my worldview being "the only viable one", I don't like to think in those terms. I think perhaps you've misinterpreted me. I believe the ideal life exists outside of physical pleasures and is, at least metaphysically, the same for all people. How one chooses to apply these principles in their life is unique to each person. Moral distinctions should be made primarily on reason and intellect, not on passions and desires.

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"Moral distinctions should be made primarily on reason and intellect, not on passions and desires."

You must be a lot of fun.

I'm not dismissing the virtues of reason or intellect, I am an well educated atheist, clearly reason and intellect lie at my core, but to believe that moral distinctions should be made in the absence of passions and desires is not only foolish, but ultimately futile. Passions and desires are what make life worth living.

Your statements lead me to believe that you are the type of person that won't tell me HOW to live and feel, but how I SHOULD live and feel based upon YOUR moral code and not my own.

Your negative reaction to the ending of this movie and it's rather non-traditional take upon modern (at the time) marriage indicates to me that you are quick to look down upon the characters, not to even attempt to understand or appreciate the actions they undertake. And that's fine, feel anyway you like. Just take care to where you cast stones. Sometimes they get hurled back at you.

I try (and often fail) to appreciate the fact that my life and my experiences are not shared by everyone else, and I know that the way I view marriage and relationships is not mainstream, but I also don't make the assumption that I know what is best for anyone else. I might be able to make some deductions regarding people that I know on an intimate level, but even then I can only hazard guesses. I've got no moral authority over anyone else, and neither do you.

You felt dirty after watching a movie about fictional characters who engaged in extramarital activity, with motives that YOU deemed unsavory. The actions they took left you repulsed and uneasy. I find them a little tragic, misguided and perhaps mean, but not unprecedented or overly malicious. Might those actions and motivations destroy most relationships? Probably. And if that relationship is of primary importance there are three options. 1 - don't do it, 2 - do it and deal with the possible ramifications, 3 - change the rules. Maybe this movie has a different message than the one you think it does. Maybe it's about looking at relationships and finding out what one is after and then making sure that the choices you make match the kind of person you are. Think of it as a cautionary tale, but not in the classic manner. Maybe the message is more along the lines that not everyone fits into the same mold. Or, the mold itself may not work for anyone, at least not the way we think it does. Maybe this movie doesn't even HAVE a message, and is simply relating a story that is closer to the truth than most are comfortable with.

Maybe your post came off as very judgemental and a more than a little bit preachy and I take umbrage with that tone, even if that wasn't your intent.

Dismiss passion and desire. Go ahead. I'll be tempering my passionate actions with caution and discretion, but make no mistake...I'll still embrace desire and passion and let myself be swept up from time to time.

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That was a fine response. On the other hand, simply because I specify that moral distinctions should be made on reason and intellect does not directly infer that I believe one should live their life in the absence of passion and desire, simply that they need to be mastered and used carefully. As I mentioned in a post above discussing hedonism, the pursuit of pleasure is to be encouraged, so long as it doesn't cause emotional or physical harm to someone else or directly contradict the maxim principle by which you live your life.

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Hedonism is fun! None of them did anything wrong. People naturally want sex.

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I thought she just got turned on when Dino sang "Sophia", she had been drinking heavily earlier in the evening. Also, while she suspected Orville was up to something earlier she was putting 2 and 2 together when Dino was talking about meeting Spooner and his wife. Since both Orville and Zelda had offsetting one night stands it was a "no harm no foul" situation, although at the end Zelda has the upper hand.

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She had a chance to.sleep with her idol so she naturally went for it!

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I'm a little fuzzy on the details but keep this in mind:

"Kiss Me Stupid" was shot TWO WAYS in terms of the key scene with Dino and Zelda:

ONE: "For the censors" -- Dino is about to have sex with Zelda but his back pulls out, so he cannot perform and they don't do it and he leaves the next morning. (I can't remember if he still put out money for her.)

TWO: "As intended" -- Dino successfully has sex with Zelda and leaves the money for her and leaves.

As I recall the "censor ending" (back pulls out) was RELEASED to theaters and still the movie was dumped by UA, distributed by art film house Lopert and banned in various cities.

I saw the "Dino has sex with Zelda" version around 2005 at the American Film Institute theater in Silver Springs Maryland, near Washington DC. A special "restoration" screening.

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