As an eight-year-old watching the movie I remember finding the actress playing Teresa, the orphaned daughter of one of Charlton Heston's officers that he adopts at the end, very appealing. I still do, but here she is stuck down at about 40th billing. If I was producer I would have put her under an "introducing" billing. Also known as "Lee Sue Moon", she was afterwards in minor roles in British films and apparently had a neglected on-screen career.
I found her very appealing as well... so pretty and vulnerable. I wish she had had a more extensive film career. And I agree with you about the billing. "Introducing Lynn Sue Moon" would've been much nicer, and I think more appropriate, because her character is really the emotional heart of the film.
IMO she forced Charlton Heston to reach for a higher acting gear in the scene where he had to tell her about her father. Very well acted from both parties I thought.
The more I see this movie (one of my favorites), the more I like her performance. Very touching and real. In my view, probably the most genuine and affecting characterization in the film.
Well, I guess like most child actors her appeal waned when she reached adulthood. Besides, let's face it, her ethnicity undoubtedly played a big role in her career fizzling. How many acting opportunities are there for Asian or other ethnic minorites in the US or Europe? Not many, and add to this that women experience much more discrimination in the business than men. That her career faded out really is no surprise.
Or, it's also possible she just tired of it and wanted to do other things.
Yes, 50 years ago there definitely wasn't the call for ethnic minority actors in Western financed films there might be today, though I believe they did run short in Spain whilst filming 55 Days.
I guess that's the reason we had people like Robert Helpmann and Flora Robson playing Chinese roles.
Yes, it was of course common to cast actors of one race in roles of characters of another. In Hollywood, this meant many white actors cast as "Orientals", particularly during the war, but even after, at least in leads. Leading Indian roles always went to white actors, and so on.
One rule was that a non-white male character could not romance a white female one, unless the former was played by a white man in ethnic disguise. That was considered proto-rape, or evil lust. On the other hand, a white man playing a white character could romance a non-white girl played by a non-white woman. That was considered exotic sex.
In Britain especially, LSM probably had even fewer acting opportunities, and those pretty limited, so it's little wonder she disappeared, for whatever reasons.
Of course, and again especially during the war, the studios would use Chinese or Koreans to play Japanese (in short supply due to their being in internment camps), and the practice of using actors who looked similar to other ethnic groups has continued ever since. Even Anna and the King a few years back, supposedly so "p.c." for using an Asian actor as the King, cast a Chinese, not a Thai, in the part. Does this constitute some sort of racism -- the "they all look alike to me" mind-set? Possibly, but when you think about it, is it so different from casting someone of Eastern European Jewish descent as, say, an Italian because they can "pass" as one? Or casting a Swede as a German, and so on?
Japanese and Chinese films often cast fellow-countrymen as westerners. I suppose this looks as ludicrous to us as seeing a white man cast as a Chinese looks to them. But in the end, it's acting, so perhaps we should worry less about cross-ethnic casting as such, as long as it's not done for an overtly racist purpose or in a way that suggests racism.
"But in the end, it's acting, so perhaps we should worry less about cross-ethnic casting as such, as long as it's not done for an overtly racist purpose or in a way that suggests racism."
Stupid Eurocentric crap Here's the setup: The foreign imperialists from Europe, America and Russia are the GOOD guys. The Boxers who are trying to defend their nation, their empress and their way of life from the onslaught of expanionists are the BAD guys. Barely anything about this movie is correct. History actually proved that the foreign forces actually suffered huge losses in close quarter combat with the Boxers, but you would never see a western film maker with the balls to acknowledge that, and so the Boxers are treated as just as savage and sloppy as Native Americans where depicted in films of this era.
The international legations were the good guys. They were not "foreign imperialists". You sound like a communist fanatic. Losses amongst the international forces was small. Read the Wikipedia entry.
Way late into this thread, but from what I've read, she became a Real Estate agent in L.A. after her movie career pooped out. There is a current picture of her somewhere on the web- she's become quite plump.