Taras Bulbas' irresponsible son Andrei
I love watching historical action and drama films, like, "The War Lord", "The Fall of the Roman Empire", and "Taras Bulbas" is one of those.
It's interesting to note such a film, glorifying the past of the Ukrainian Cossacks would be made in the U.S. at the height of the Cold War when Americans disdained all things Russian, but that's neither here nor there.
I found myself dismayed at several story points. First, I couldn't get over how a tough Cossack leader's son, Andrei Bulbas, would all of a sudden throw off his fierce steppe horseman's ways, become instantly suave, dapper and civilized in an urban Polish university and then immediately become glossy-eyed, mustang-mad, p---ywhipped over some blue-eyed, pale-skinned babe. And then he goes and betrays his father and his own people over some....no, I'm not going to use vulgar language here. You get the idea.
The second dismay I felt was the arrogance and bigotry of the Poles portrayed in the movie. Anybody of Polish ethnicity is sure not going to like the way Poland and the Polish nobility were depicted in this movie. Poland and the Polish people have been subjugated throughout history by everybody else, the Germanic tribes, the Teutonic Knights, the mongols, the Ottoman Turks, the Russians from medieval times all the way down to the end of the 20th century. In this movie, for a brief bright moment in history the Poles are united and strong enough to support a strong nation, on the verge of creating their own Polish empire, despite being surrounded by enemies. Yet in this time the Poles quickly demonstrate bigotry and cultural insensitivity like any German, Russian, mongol, or Turk. Maybe I'm overgeneralizing here. But "Taras Bulbas" sure did not portray Poland or the Polish people in any great light. SPOILERS ****** At the movie's end when the returning Cossack regiments overwhelm and push the foolish Polish army off the cliffs, you only felf sorry for the Polish horses, not the Polish soldiers and knights.
I don't remember all the supposed Cossack singing, clapping, and dancing that Yul Brynner did in the movie, so I better go out and find "Taras Bulbas" and watch it again. Yul Brynner was a very unique, oft eccentric human being. As a professional actor, there are so many different opinions of him that contrast. He could be down-to-earth and personable yet convey an air of aloofness and standoffishness. He could be so open and yet so enigmatic about himself. To his credit, he didn't conceal or make excuses for his partial Asian ethnicity. He invented something of a humorous explanation for who and what he was. In all, Yul Brynner may have just been an uncomplicated man who enjoyed being uncomplicated yet delighted in portraying himself as a complex man, something more of a bonne vivant.