But i was just wondering what people saw in this?
I can only tell you what I saw in it.
First, there is the innovation factor.
I am not a fan of innovation for its own sake, but here the technique used serves a very valid purpose: to convey a story as intimately as possible, to produce a direct - rather than intellectually mediated - impact on the viewer.
(You cannot narrate a story like this in such a short time by using a traditional narrative technique - and expect it to be effective.)
You feel as if you were really inside that man's mind/world - a post-apocalyptic world where your memories are the only thing you have left of your previous Self, of your previous humanity.
Secondly, and I think this is very important, it shows cinema as the art of visual narration at its best. Many seem to think that it's the possibility of countless special effects what makes cinema so great. But no "special effects" can match the sheer imagination of an individual.
This film, on the other hand, achieves its effect by NOT emulating the seeming continuous stream of imagery that is our experience of life - by interrupting it. By doing so, it reduces it to what it really is: single images, constructed, sometimes misunderstood, often mysterious, always deceptive in their appearance. It is we who provide the seeming "continuity". If something interrupts the rhythm of that seeming streaming, we're left with fragments that show no more and no less than our yearning. (THAT is essentially what our lives are about: yearning for something to "come" that will match the vague images of something that "was".)
And of course, there is the subject matter itself. Not only was the possibility of WW III a very real concern in the minds of people in the early 1960s, but the devastation brought on by mankind still can speak to every one of us.
As for TIME (timespace), it is the greatest enigma of all, to which we are all captive.
I'll probably be reviewing this post in the future, so... stay tuned. ;)
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