My thoughts too. She was in perfect command during the casual dialogues with her family, she didn't seem distressed or actually worried when her disease was not evoked. Not that it should distract people from watching this beautiful movie, but as you may imply, the somehow inexpressive acting reduces a bit the dramatic tension.
Additionally, some equivocal reactions left me wondering, like her and her boyfriend's contempt to her father's gifts from Switzerland, or the apparent indifference of her father after he learns she has peeped into his diary. Another of Bergman's family drama with strong psychological elements, From the Life of Marionettes (1980), albeit considered minor and rather different in scope, worked vastly better as far as I am concerned.
Also, it could be argued that it wasn't safe to leave her all this time alone with Minus, if the latter was also considered emotionally unstable (albeit to a lesser extend), couldn't it ?
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